ARRI / Zeiss Lenses | 691 Titles
Becoming Redwood (2012)
Directed by | Jesse James Miller | Cinematography by | David Crone | Editing by | Charlie Renfrew
Cameras | Red One MX Camera
Lenses | Zeiss Super Speed Lenses
Nezha (2014)
Directed by | Xiaofeng Li | Cinematography by | Joewi Verhoeven | Editing by | Yueyue Liu
Cameras | ARRI ALEXA Studio Camera
Lenses | Angenieux Optimo Anamorphic 56-152 mm A2S T4.0 Lens, Angenieux Optimo Anamorphic Lenses, ARRI / Zeiss Master Anamorphic Lenses, Zeiss Master Anamorphic 35 mm T1.9 Lens, Zeiss Master Anamorphic 50 mm T1.9 Lens, Zeiss Master Anamorphic 75 mm T1.9 Lens
Wara no tate (2013)
Directed by | Takashi Miike | Cinematography by | Nobuyasu Kita | Editing by | Kenji Yamashita
Cameras | ARRICAM Lite (LT) Camera
Mi-seu-teo Go (2013)
Directed by | Yong-hwa Kim | Cinematography by | Dae-seong Jeon, Hyeon-cheol Park | Editing by | Zino Kim
Cameras | Red Epic Camera
Lenses | Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Lenses
Sinsegye (2013)
Directed by | Hoon-jung Park | Cinematography by | Chung-hoon Chung, Eok Yu | Editing by | Sae-kyoung Moon
Cameras | Red One Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses
Pour une femme (2013)
Grigris (2013)
Directed by | Mahamat-Saleh Haroun | Cinematography by | Antoine Héberlé | Editing by | Marie-Hélène Dozo
Cameras | ARRI ALEXA Camera
The French Minister (2013)
Directed by | Bertrand Tavernier | Cinematography by | Jérôme Alméras | Editing by | Guy Lecorne
Cameras | ARRI ALEXA Plus Camera
Un château en Italie (2013)
Directed by | Valeria Bruni Tedeschi | Cinematography by | Jeanne Lapoirie | Editing by | Anne Weil
Cameras | ARRI ALEXA Plus Camera
Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses
9 mois ferme (2013)
Directed by | Albert Dupontel | Cinematography by | Vincent Mathias | Editing by | Christophe Pinel
Cameras | Red Epic Camera
La Vénus à la fourrure (2013)
Directed by | Roman Polanski | Cinematography by | Pawel Edelman | Editing by | Hervé de Luze, Margot Meynier
Cameras | Sony CineAlta F65 Camera
Labor Day (2013)
Directed by | Jason Reitman | Cinematography by | Eric Steelberg | Editing by | Dana E. Glauberman
Cameras | Red Epic Camera
Lenses | Angenieux Optimo Zoom Lenses, Bausch & Lomb Super Baltar Lenses, Cooke Varotal Lenses, Fujinon Premier Lenses, Zeiss Master Prime Lenses
Eden (2014)
Directed by | Mia Hansen-Løve | Cinematography by | Denis Lenoir | Editing by | Marion Monnier
Cameras | ARRI ALEXA Plus Camera
Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Zeiss Super Speed Lenses
Nymphomaniac: Vol. II (2013)
Directed by | Lars von Trier | Cinematography by | Manuel Alberto Claro | Editing by | Morten Højbjerg, Jacob Secher Schulsinger, Molly Malene Stensgaard
Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Super Speed Lenses
Party Girl (2014)
Directed by | Marie Amachoukeli-Barsacq, Claire Burger, Samuel Theis | Cinematography by | Julien Poupard | Editing by | Frédéric Baillehaiche
Cameras | Red Epic Camera
24 Days (2014)
Directed by | Alexandre Arcady | Cinematography by | Gilles Henry | Editing by | Manuel De Sousa
Cameras | ARRI ALEXA Camera
The Salvation (2014)
Directed by | Kristian Levring | Cinematography by | Jens Schlosser | Editing by | Pernille Bech Christensen
Cameras | ARRI ALEXA Plus Camera
Lou! Journal infime (2014)
Directed by | Julien Neel | Cinematography by | Pierre Milon | Editing by | Yannick Kergoat
Cameras | ARRI ALEXA XT Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses
Sherlock (2010)
| Cinematography by | Steve Lawes, Fabian Wagner, Neville Kidd, Matt Gray, Suzie Lavelle, Stuart Biddlecombe, David Luther | Editing by | Charlie Phillips, Yan Miles, Nick Arthurs, Mali Evans, Tim Porter, Mark Davis, Andrew McClelland, William Oswald
Lenses | Cooke S4 Lenses, Zeiss Super Speed Lenses