Since its creation in 1935, the company has preserved its know-how and remains in the forefront of innovation, with the ability to find its customers the best professional optical solutions.
Angenieux Lenses | 860 Titles
Phone: +33 (0)4 77 90 78 30
Contact: Contact: Edith Bertrand

Thales Angenieux’s Optimo series of zooms have become the most sought after lenses all over the world.
U Be Dead (2009)
Directed by | Jamie Payne | Cinematography by | Mike Southon | Editing by | Eddie Hamilton
Cameras | ARRIFLEX D-21 Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Defiance (2008)
Directed by | Edward Zwick | Cinematography by | Eduardo Serra | Editing by | Steven Rosenblum
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Ángela (2005)
Les deux mondes (2007)
Directed by | Daniel Cohen | Cinematography by | Laurent Dailland | Editing by | Catherine Kelber
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Bikini Beach Race (1992)
Directed by | Eric Louzil | Editing by | Ric Boyden, Joe G. Lenders
Cameras | ARRIFLEX 16BL Camera
Lenses | Angenieux Lenses
Always Something Better (1997)
Directed by | Stephen Kinsella | Cinematography by | Jorge Diaz-Amador | Editing by | Kristin M. Frascione
Cameras | ARRIFLEX 16SR2 Camera
Chrysalis (2007)
Directed by | Julien Leclercq | Cinematography by | Thomas Hardmeier | Editing by | Thierry Hoss
Lenses | Angenieux Optimo Zoom Lenses, Cooke CXX 15-40mm T2.0 Lens, Cooke S4 Lenses, Zeiss Ultra Prime Lenses
Chacun son cinéma ou Ce petit coup au coeur quand la lumière s’éteint et que le film commence (2007)
Directed by | Theodoros Angelopoulos, Olivier Assayas, Bille August, Jane Campion, Youssef Chahine, Kaige Chen, Michael Cimino, Ethan Coen, Joel Coen, David Cronenberg, Jean-Pierre Dardenne, Luc Dardenne, Manoel de Oliveira, Raymond Depardon, Atom Egoyan, Amos Gitai, Hsiao-Hsien Hou, Alejandro G. Iñárritu, Aki Kaurismäki, Abbas Kiarostami, Takeshi Kitano, Andrey Konchalovskiy, Claude Lelouch, Ken Loach, David Lynch, Nanni Moretti, Roman Polanski, Raoul Ruiz, Walter Salles, Elia Suleiman, Ming-liang Tsai, Gus Van Sant, Lars von Trier, Wim Wenders, Kar-Wai Wong, Yimou Zhang | Cinematography by | Marc-André Batigne, Jacques Bouquin, Inti Briones, Dirk Brüel, Nicholas de Pencier, Eric Alan Edwards, Greig Fraser, Francis Grumman, Pung-Leung Kwan, Steven Lubensky, Emmanuel Lubezki, Alain Marcoen, Ramses Marzouk, Francisco Oliveira, Alessandro Pesci, Mauro Pinheiro Jr., Andreas Sinanos, Masha Solovyova, Shinzi Suzuki, Alberto Venzago, Xiaoding Zhao, Xiaoshi Zhao | Editing by | Luc Barnier, William Chang, Long Cheng, Alexandre de Franceschi, Marie-Hélène Dozo, Olga Grinshpun, François Gédigier, Takeshi Kitano, Bodil Kjærhauge, Véronique Lange, Giuseppe Leonetti, Valérie Loiseleux, Stephen Mirrione, Gabriel Reed, Susan Shipton, Yannis Tsitsopoulos
Lenses | Angenieux Optimo 17-80 mm T2.2 Lens
Soshite chichi ni naru (2013)
Directed by | Hirokazu Koreeda | Cinematography by | Mikiya Takimoto | Editing by | Hirokazu Koreeda
Cameras | ARRIFLEX 535 B Camera
Tian zhu ding (2013)
Directed by | Zhangke Jia | Cinematography by | Nelson Lik-wai Yu | Editing by | Matthieu Laclau, Xudong Lin
Cameras | ARRI ALEXA M Camera, ARRI ALEXA Studio Camera
Inside Llewyn Davis (2013)
Directed by | Ethan Coen, Joel Coen | Cinematography by | Bruno Delbonnel | Editing by | Ethan Coen, Joel Coen
Cameras | ARRICAM Lite (LT) Camera
Blue Is the Warmest Color (2013)
Directed by | Abdellatif Kechiche | Cinematography by | Sofian El Fani | Editing by | Sophie Brunet, Ghalia Lacroix, Albertine Lastera, Jean-Marie Lengelle, Camille Toubkis
Cameras | Canon EOS-C300 Camera
Lenses | Angenieux Optimo 28-76 mm T2.6 Lens
Essaye-moi (2006)
Directed by | Pierre-François Martin-Laval | Cinematography by | Régis Blondeau | Editing by | Jenny Frenck
Cameras | ARRI Cameras
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Les chevaliers du ciel (2005)
Directed by | Gérard Pirès | Cinematography by | Pascal Lebègue | Editing by | Véronique Lange
Lenses | Angenieux Optimo Zoom Lenses
12 Years a Slave (2013)
Directed by | Steve McQueen | Cinematography by | Sean Bobbitt | Editing by | Joe Walker
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Boy (2010)
Directed by | Taika Waititi | Cinematography by | Adam Clark | Editing by | Chris Plummer
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 ES Camera
The Color of Magic (2008)
| Cinematography by | Gavin Finney | Editing by | Joe McNally, Liz Webber
Cameras | ARRIFLEX D-21 Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens
On the Ropes (1999)
Directed by | Nanette Burstein, Brett Morgen | Cinematography by | Brett Morgen | Editing by | Nancy Baker, Nanette Burstein
Trade of Innocents (2012)
Directed by | Christopher M. Bessette | Cinematography by | Philip Hurn | Editing by | Diane Brunjes
Cameras | Red One MX Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Rush (2013)
Directed by | Ron Howard | Cinematography by | Anthony Dod Mantle | Editing by | Daniel P. Hanley, Mike Hill
Cameras | ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, Canon EOS-1D Mark IV Camera, Canon EOS-C300 Camera, GoPro HD Hero3 Camera, indieGS2K Camera, indiePOV Camera, Phantom Flex Camera, Red Epic Camera
Lenses | Angenieux Lenses, ARRI / Zeiss Lenses, Bausch & Lomb Lenses, Canon Lenses, Cooke Lenses, Cooke Speed Panchro Lenses, Kowa Lenses, Schneider Lenses, Zeiss Master Prime Lenses

























































