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Digital Intermediate Finishing Process | 1761 Titles

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We Bought a Zoo (2011)

Motion Picture | 2D | Color | 1.85:1 | 124 Minutes

We Bought a Zoo | ShotOnWhat?

Directed by | Cameron Crowe | Cinematography by | Rodrigo Prieto | Editing by | Mark Livolsi

Starring | Matt Damon, Scarlett Johansson, Thomas Haden Church, Elle Fanning

Cameras | ARRICAM Lite (LT) Camera

Lenses | Zeiss Ultra Prime Lenses

Killing Bono (2011)

Motion Picture | 2D | Color | 2.39:1 | 114 Minutes

Directed by | Nick Hamm | Cinematography by | Kieran McGuigan | Editing by | Billy Sneddon

Starring | Ben Barnes, Robert Sheehan, Krysten Ritter, Ralph Brown

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

247°F (2011)

Motion Picture | 2D | Color | 2.39:1 | 88 Minutes

Directed by | Levan Bakhia, Beka Jguburia | Cinematography by | Vigen Vartanov | Editing by | Peter Hollywood

Starring | Scout Taylor-Compton, Christina Ulloa, Travis Van Winkle, Michael Copon

Cameras | Red One Camera

The Ruins (2008)

Motion Picture | 2D | Color | 2.39:1 | 90 Minutes

The Ruins | ShotOnWhat?

Directed by | Carter Smith | Cinematography by | Darius Khondji | Editing by | Jeff Betancourt

Starring | Shawn Ashmore, Jena Malone, Jonathan Tucker, Laura Ramsey

Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera

Lenses | Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

O Brother, Where Art Thou? (2000)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 107 Minutes

Directed by | Joel Coen, Ethan Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen, Tricia Cooke

Starring | George Clooney, John Turturro, Tim Blake Nelson, John Goodman

Cameras | ARRIFLEX 535 B Camera

Lenses | Cooke S4 Lenses

Eternal Sunshine of the Spotless Mind (2004)

Motion Picture | 2D | Color | 1.85:1 | 108 Minutes

Directed by | Michel Gondry | Cinematography by | Ellen Kuras | Editing by | Valdís Óskarsdóttir

Starring | Jim Carrey, Kate Winslet, Tom Wilkinson, Gerry Robert Byrne

Cameras | ARRICAM Lite (LT) Camera

Lenses | Zeiss ARRI Macro Lenses, Zeiss Super Speed Lenses

The Ides of March (2011)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 101 Minutes

Directed by | George Clooney | Cinematography by | Phedon Papamichael | Editing by | Stephen Mirrione

Starring | Paul Giamatti, George Clooney, Philip Seymour Hoffman, Ryan Gosling

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Battle Royale (2000)

Motion Picture | 2D, 3D | Color | 1.85:1 | 114 Minutes

Directed by | Kinji Fukasaku | Cinematography by | Katsumi Yanagijima | Editing by | Hirohide Abe

Starring | Tatsuya Fujiwara, Aki Maeda, Tarô Yamamoto, Takeshi Kitano

Cameras | ARRIFLEX 535 B Camera

Lenses | Angenieux Lenses, Zeiss Lenses

Habemus Papam (2011)

Motion Picture | 2D | Color | 1.85:1 | 102 Minutes

Directed by | Nanni Moretti | Cinematography by | Alessandro Pesci | Editing by | Esmeralda Calabria

Starring | Michel Piccoli, Nanni Moretti, Jerzy Stuhr, Renato Scarpa

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Hell and Back Again (2011)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 88 Minutes

Directed by | Danfung Dennis | Cinematography by | Danfung Dennis | Editing by | Fiona Otway

Starring | Nathan Harris, Ashley Harris, The Marines of Echo Company, Christian Cabaniss

Cameras | Canon EOS-5D Mark II Camera

Lenses | Canon EF 24-70 mm f2.8L II Lens, Canon EF 35mm f1.4L Lens, Canon FD 50 mm f1.4 SSC Lens

Public Enemies (2009)

Motion Picture | 2D | Color | 2.35:1 | 140 Minutes

Directed by | Michael Mann | Cinematography by | Dante Spinotti | Editing by | Jeffrey Ford, Paul Rubell

Starring | Christian Bale, Johnny Depp, Christian Stolte, Jason Clarke

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony CineAlta F23 Camera, Sony HDC-F950 Camera, Sony PMW-EX1 Camera

Lenses | Cooke S4 Lenses, Fujinon E Series Lenses, Zeiss DigiPrime Lenses

Brighton Rock (2010)

Motion Picture | 2D | Color | 2.39:1 | 111 Minutes

Brighton Rock | ShotOnWhat?

Directed by | Rowan Joffe | Cinematography by | John Mathieson | Editing by | Joe Walker

Starring | Sam Riley, Andrea Riseborough, Helen Mirren, John Hurt

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Optica Elite 35 Anamorphic Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses, Panavision Lenses

A Series of Unfortunate Events (2004)

Motion Picture | 2D | 2K Project | Black & White, Color | 1.85:1 | 108 Minutes

Directed by | Brad Silberling | Cinematography by | Emmanuel Lubezki | Editing by | Michael Kahn

Starring | Jim Carrey, Jude Law, Meryl Streep, Liam Aiken

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Coraline (2009)

Motion Picture | 3D | 2K Project | Black & White, Color | 1.85:1 | 100 Minutes

Directed by | Henry Selick | Cinematography by | Pete Kozachik | Editing by | Christopher Murrie, Ronald Sanders

Starring | Dakota Fanning, Teri Hatcher, John Hodgman, Jennifer Saunders

Cameras | Nikon 80 Camera, Princeton Instruments MEGAPLUS ES 11000 Camera, Red One Camera

The Brave One (2007)

Motion Picture | 2D | Color | 2.39:1 | 122 Minutes

Directed by | Neil Jordan | Cinematography by | Philippe Rousselot | Editing by | Tony Lawson

Starring | Jodie Foster, Terrence Howard, Naveen Andrews, Nicky Katt

Cameras | Panavision Panaflex Camera

Lenses | Panavision Primo Anamorphic Lenses

Hop (2011)

Motion Picture | 2D | Color | 1.85:1 | 95 Minutes

Hop | ShotOnWhat?

Directed by | Tim Hill | Cinematography by | Peter Lyons Collister | Editing by | Peter S. Elliot, Gregory Perler

Starring | Russell Brand, James Marsden, Elizabeth Perkins, Kaley Cuoco

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

Storm Surfers 3D (2012)

Motion Picture | 3D | Color | 1.85:1 | 95 Minutes

Directed by | Justin McMillan, Christopher Nelius | Cinematography by | David Maguire | Editing by | Rodrigo Balart

Starring | Toni Collette, Tom Carroll, Ben Matson, Ross Clark-Jones

Cameras | Canon EOS 550D Camera, GoPro HD Hero Camera, Panasonic AG-3DA1 Camera, Silicon Imaging SI-2K Camera, Sony PMW-EX3 Camera

Lenses | Fujinon Lenses, Kowa Lenses

Un heureux événement (2011)

Motion Picture | 2D | Color | 2.39:1 | 107 Minutes

Directed by | Rémi Bezançon | Cinematography by | Antoine Monod | Editing by | Sophie Reine

Starring | Louise Bourgoin, Pio Marmaï, Josiane Balasko, Thierry Frémont

Cameras | ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses

To the Wonder (2012)

Motion Picture | 2D | Color | 2.35:1 | 112 Minutes

To the Wonder | ShotOnWhat?

Directed by | Terrence Malick | Cinematography by | Emmanuel Lubezki | Editing by | A.J. Edwards, Keith Fraase, Shane Hazen, Christopher Roldan, Mark Yoshikawa

Starring | Ben Affleck, Olga Kurylenko, Javier Bardem, Rachel McAdams

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, Panavision Cameras, Red One MX Camera

Lenses | Zeiss Master Prime Lenses

Nowhere Boy (2009)

Motion Picture | 2D | Color | 2.39:1 | 98 Minutes

Nowhere Boy | ShotOnWhat?

Directed by | Sam Taylor-Johnson | Cinematography by | Seamus McGarvey | Editing by | Lisa Gunning

Starring | Aaron Taylor-Johnson, Kristin Scott Thomas, Anne-Marie Duff, David Threlfall

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

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