Digital Intermediate Finishing Process | 1761 Titles
March of the Penguins (2005)
Directed by | Luc Jacquet | Cinematography by | Laurent Chalet, Jérôme Maison | Editing by | Sabine Emiliani
Cameras | Aaton XTR Prod Camera
Marley & Me (2008)
Directed by | David Frankel | Cinematography by | Florian Ballhaus | Editing by | Mark Livolsi
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera
Lenses | Zeiss Ultra Prime Lenses
Changeling (2008)
Directed by | Clint Eastwood | Cinematography by | Tom Stern | Editing by | Joel Cox, Gary Roach
Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Antichrist (2009)
Directed by | Lars von Trier | Cinematography by | Anthony Dod Mantle | Editing by | Åsa Mossberg, Anders Refn
Cameras | Phantom HD Camera, Red One Camera
Lenses | Cooke Lenses, Cooke S4 Lenses
Unknown (2011)
Directed by | Jaume Collet-Serra | Cinematography by | Flavio Martínez Labiano | Editing by | Timothy Alverson
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 16SR3 Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 765 Camera
Hot Tub Time Machine (2010)
Directed by | Steve Pink | Cinematography by | Jack N. Green | Editing by | George Folsey Jr., James Thomas
Cameras | Panavision Cameras
Stealth (2005)
Directed by | Rob Cohen | Cinematography by | Dean Semler | Editing by | Stephen E. Rivkin
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses
Burn Notice: The Fall of Sam Axe (2011)
Directed by | Jeffrey Donovan | Cinematography by | Jaime Reynoso | Editing by | Steven Lang
Cameras | ARRI ALEXA Camera
Tsotsi (2005)
Directed by | Gavin Hood | Cinematography by | Lance Gewer | Editing by | Megan Gill
Cameras | Moviecam Compact Camera
Inkheart (2008)
Directed by | Iain Softley | Cinematography by | Roger Pratt | Editing by | Martin Walsh
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Bienvenue à bord (2011)
Directed by | Eric Lavaine | Cinematography by | Stéphane Le Parc | Editing by | Vincent Zuffranieri
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
1989 (2009)
Extremely Loud & Incredibly Close (2011)
Directed by | Stephen Daldry | Cinematography by | Chris Menges | Editing by | Claire Simpson
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke 5/i Lenses
Away from Her (2006)
The Pirates! Band of Misfits (2012)
Directed by | Peter Lord, Jeff Newitt | Cinematography by | Frank Passingham | Editing by | Justin Krish
Cameras | Canon EOS-5D Mark II Camera
7 días en La Habana (2012)
Directed by | Laurent Cantet, Benicio Del Toro, Julio Medem, Gaspar Noé, Elia Suleiman, Juan Carlos Tabío, Pablo Trapero | Cinematography by | Daniel Aranyó, Diego Dussuel, Gaspar Noé | Editing by | Santiago Esteves, Thomas Fernandez, Rich Fox, Berta Frías, Véronique Lange, Julio Medem, Gaspar Noé, Alex Rodríguez, Pablo Trapero
Cameras | Red One Camera
The Kite Runner (2007)
(Untitled) (2009)
Directed by | Jonathan Parker | Cinematography by | Svetlana Cvetko | Editing by | Keiko Deguchi
Cameras | Panavision Genesis Camera
Run, Fatboy, Run (2007)
Directed by | David Schwimmer | Cinematography by | Richard Greatrex | Editing by | Michael Parker
Cameras | ARRI Cameras
Lenses | Zeiss Lenses
Indiana Jones and the Kingdom of the Crystal Skull (2008)
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
