Eastman Kodak | 818 Titles
The Haunting (1999)
Directed by | Jan de Bont | Cinematography by | Karl Walter Lindenlaub | Editing by | Michael Kahn
Cameras | Panavision Cameras, VistaVision Cameras
Lenses | Panavision Lenses
Tower Heist (2011)
Living Hell (2008)
Directed by | Richard Jefferies | Cinematography by | Eric Leach | Editing by | Russell Denove
Cameras | Panavision Cameras
Morning Glory (2010)
Directed by | Roger Michell | Cinematography by | Alwin H. Küchler | Editing by | Dan Farrell, Nick Moore, Steven Weisberg
Cameras | Panavision Panaflex Millennium Camera
Colombiana (2011)
Directed by | Olivier Megaton | Cinematography by | Romain Lacourbas | Editing by | Camille Delamarre
The Horse Whisperer (1998)
Directed by | Robert Redford | Cinematography by | Robert Richardson | Editing by | Hank Corwin, Freeman A. Davies, Tom Rolf
Cameras | Panavision Panaflex Platinum Camera
The Adjustment Bureau (2011)
Directed by | George Nolfi | Cinematography by | John Toll | Editing by | Jay Rabinowitz
Cameras | Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
The Dictator (2012)
Directed by | Larry Charles | Cinematography by | Lawrence Sher | Editing by | Greg Hayden, Eric Kissack
Cameras | ARRI ALEXA Camera, Canon EOS-5D Mark III Camera
Lenses | Panavision Primo Anamorphic Lenses
Babel (2006)
Directed by | Alejandro G. Iñárritu | Cinematography by | Rodrigo Prieto | Editing by | Douglas Crise, Stephen Mirrione
Cameras | ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
The Tourist (2010)
Directed by | Florian Henckel von Donnersmarck | Cinematography by | John Seale | Editing by | Joe Hutshing, Patricia Rommel
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
I Am Number Four (2011)
Directed by | D.J. Caruso | Cinematography by | Guillermo Navarro | Editing by | Vince Filippone, Jim Page
Jane Eyre (2011)
Directed by | Cary Joji Fukunaga | Cinematography by | Adriano Goldman | Editing by | Melanie Oliver
Cameras | ARRICAM Lite (LT) Camera
Salt (2010)
Directed by | Phillip Noyce | Cinematography by | Robert Elswit | Editing by | Stuart Baird, John Gilroy
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision 70-210 mm T2.8 (Custom by Dan Sasaki) Lens, Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII 24 mm T1.3 Lens, Panavision Ultra Speed MKII Lenses
New Year’s Eve (2011)
Directed by | Garry Marshall | Cinematography by | Charles Minsky | Editing by | Michael Tronick
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Fantastic Four: Rise of the Silver Surfer (2007)
Directed by | Tim Story | Cinematography by | Larry Blanford | Editing by | Peter S. Elliot, William Hoy
Cameras | Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Wescam Cameras
Lenses | Panavision Primo Anamorphic Lenses
G.I. Joe: The Rise of Cobra (2009)
Directed by | Stephen Sommers | Cinematography by | Mitchell Amundsen | Editing by | Bob Ducsay, Kelly Matsumoto, Jim May
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Panaflex Millennium XL Camera, Red One Camera
The Affair of the Necklace (2001)
Directed by | Charles Shyer | Cinematography by | Ashley Rowe | Editing by | David Moritz
Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera
American Gun (2005)
Directed by | Aric Avelino | Cinematography by | Nancy Schreiber | Editing by | Richard Nord
Cameras | Aaton XTR Prod Camera
Lenses | Canon Lenses
Intolerable Cruelty (2003)
Directed by | Joel Coen, Ethan Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen
Cameras | ARRIFLEX 535 Camera
Dreamgirls (2006)
