Eastman Kodak | 818 Titles
Captain America: The First Avenger (2011)
Directed by | Joe Johnston | Cinematography by | Shelly Johnson | Editing by | Robert Dalva, Jeffrey Ford
Cameras | ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera
The Legend of Zorro (2005)
Directed by | Martin Campbell | Cinematography by | Phil Meheux | Editing by | Stuart Baird
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
The Help (2011)
Directed by | Tate Taylor | Cinematography by | Stephen Goldblatt | Editing by | Hughes Winborne
Lenses | Panavision Primo Anamorphic Lenses
Io sono l’amore (2009)
Directed by | Luca Guadagnino | Cinematography by | Yorick Le Saux | Editing by | Walter Fasano
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera
Shall We Dance (2004)
Directed by | Peter Chelsom | Cinematography by | John de Borman | Editing by | Charles Ireland, Robert Leighton
Cameras | ARRI Cameras
To Rome with Love (2012)
Directed by | Woody Allen | Cinematography by | Darius Khondji | Editing by | Alisa Lepselter
Lenses | Cooke 5/i Lenses, Cooke Speed Panchro Lenses
Life as We Know It (2010)
Directed by | Greg Berlanti | Cinematography by | Andrew Dunn | Editing by | Jim Page
Lenses | Panavision Primo Anamorphic Lenses
South Pacific (1958)
Directed by | Joshua Logan | Cinematography by | Leon Shamroy | Editing by | Robert L. Simpson
Cameras | Todd-AO 65mm Camera
Gone in Sixty Seconds (2000)
Directed by | Dominic Sena | Cinematography by | Paul Cameron | Editing by | Roger Barton, Chris Lebenzon, Tom Muldoon
Bronson (2008)
Tears of the Sun (2003)
Directed by | Antoine Fuqua | Cinematography by | Mauro Fiore | Editing by | Conrad Buff IV, Christopher Holmes
Cameras | Panavision Cameras
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
The Bourne Supremacy (2004)
Directed by | Paul Greengrass | Cinematography by | Oliver Wood | Editing by | Richard Pearson, Christopher Rouse
Cameras | ARRI Cameras
Camp Nowhere (1994)
Directed by | Jonathan Prince | Cinematography by | Sandi Sissel | Editing by | Jon Poll
Lenses | Panavision Primo Anamorphic Lenses
Secretariat (2010)
Directed by | Randall Wallace | Cinematography by | Dean Semler | Editing by | John Wright
Cameras | ARRIFLEX 435 Camera, Olympus PEN E-P1 Camera, Pan-Arri 435 Camera, Panavision Genesis Camera, Phantom HD Camera
Lenses | Panavision Primo Anamorphic Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens
Friends with Benefits (2011)
Directed by | Will Gluck | Cinematography by | Michael Grady | Editing by | Tia Nolan
Cameras | Sony CineAlta F35 Camera, Sony Other Camera
Lenses | Panavision Primo Anamorphic Lenses
Aquamarine (2006)
Directed by | Elizabeth Allen Rosenbaum | Cinematography by | Brian J. Breheny | Editing by | Jane Moran
Cameras | Panavision Cameras
Indiana Jones and the Temple of Doom (1984)
Directed by | Steven Spielberg | Cinematography by | Douglas Slocombe | Editing by | Michael Kahn, George Lucas
Cameras | Panavision Panaflex Gold Camera
They Live (1988)
Directed by | John Carpenter | Cinematography by | Gary B. Kibbe | Editing by | Gib Jaffe, Frank E. Jimenez
Cameras | Panavision Panaflex Gold Camera
Villa Amalia (2009)
Directed by | Benoît Jacquot | Cinematography by | Caroline Champetier | Editing by | Luc Barnier
Cameras | Aaton 35-III Camera, Moviecam Compact Camera
21 Grams (2003)
Directed by | Alejandro G. Iñárritu | Cinematography by | Rodrigo Prieto | Editing by | Stephen Mirrione
Cameras | Moviecam Superlight Camera
Lenses | Zeiss Ultra Prime Lenses
