Eastman Kodak | 818 Titles
Miracle (2004)
Directed by | Gavin O'Connor | Cinematography by | Dan Stoloff | Editing by | John Gilroy, Daric Loo
Cameras | Panavision Cameras
I, Robot (2004)
Directed by | Alex Proyas | Cinematography by | Simon Duggan | Editing by | William Hoy, Richard Learoyd, Armen Minasian
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Photo-Sonics 35mm-4ER Camera
Lenses | Cooke S4 Lenses, Zeiss Ultra Prime Lenses
Ferris Bueller’s Day Off (1986)
Directed by | John Hughes | Cinematography by | Tak Fujimoto | Editing by | Paul Hirsch
Cameras | Panavision Cameras
The Negotiator (1998)
Directed by | F. Gary Gray | Cinematography by | Russell Carpenter | Editing by | Christian Wagner
Cameras | Panavision Cameras
Syriana (2005)
Directed by | Stephen Gaghan | Cinematography by | Robert Elswit | Editing by | Tim Squyres
Cameras | Panavision Panaflex Millennium XL Camera
Simon Birch (1998)
Directed by | Mark Steven Johnson | Cinematography by | Aaron Schneider | Editing by | David Finfer
Cameras | Panavision Cameras
All the Boys Love Mandy Lane (2006)
Chernobyl Diaries (2012)
Directed by | Bradley Parker | Cinematography by | Morten Søborg | Editing by | Stan Salfas
Cameras | ARRI ALEXA Camera
What’s the Worst That Could Happen? (2001)
Directed by | Sam Weisman | Cinematography by | Anastas N. Michos | Editing by | Garth Craven, Nick Moore
Cameras | Panavision Cameras
The Mummy Returns (2001)
Directed by | Stephen Sommers | Cinematography by | Adrian Biddle | Editing by | Bob Ducsay, Kelly Matsumoto
Cameras | Panavision Panaflex Millennium XL Camera
The Muppets (2011)
Directed by | James Bobin | Cinematography by | Don Burgess | Editing by | James Thomas
Cameras | Red Epic Camera, Red One MX Camera
The Out-of-Towners (1999)
Directed by | Sam Weisman | Cinematography by | John Bailey | Editing by | Kent Beyda
Cameras | Panavision Cameras
Radio (2003)
Directed by | Michael Tollin | Cinematography by | Don Burgess | Editing by | Chris Lebenzon, Harvey Rosenstock
Cameras | Panavision Cameras
Tuck Everlasting (2002)
Directed by | Jay Russell | Cinematography by | James L. Carter | Editing by | Jay Cassidy
Cameras | Panavision Panaflex Gold II Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Blue Thunder (1983)
Directed by | John Badham | Cinematography by | John A. Alonzo | Editing by | Edward M. Abroms, Frank Morriss
Cameras | Panavision Cameras
Dune (1984)
Final Destination 5 (2011)
Directed by | Steven Quale | Cinematography by | Brian Pearson | Editing by | Eric A. Sears
Cameras | ARRI ALEXA Camera
Pirates of the Caribbean: Dead Man’s Chest (2006)
Directed by | Gore Verbinski | Cinematography by | Dariusz Wolski | Editing by | Stephen E. Rivkin, Craig Wood
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Road to Perdition (2002)
Directed by | Sam Mendes | Cinematography by | Conrad L. Hall | Editing by | Jill Bilcock
Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Like Crazy (2011)
Directed by | Drake Doremus | Cinematography by | John Guleserian | Editing by | Jonathan Alberts
Cameras | Canon EOS-7D Camera
Lenses | Zeiss Ultra Prime Lenses

































































