Eastman Kodak | 818 Titles
Whale Rider (2002)
Directed by | Niki Caro | Cinematography by | Leon Narbey | Editing by | David Coulson
Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera
Moneyball (2011)
Directed by | Bennett Miller | Cinematography by | Wally Pfister | Editing by | Christopher Tellefsen
Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Nothing to Lose (1997)
Directed by | Steve Oedekerk | Cinematography by | Donald E. Thorin | Editing by | Malcolm Campbell
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Corruptor (1999)
Directed by | James Foley | Cinematography by | Juan Ruiz Anchía | Editing by | Howard E. Smith
Cameras | Aaton 35-III Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Who Framed Roger Rabbit (1988)
Directed by | Robert Zemeckis | Cinematography by | Dean Cundey | Editing by | Arthur Schmidt
Cameras | Panavision Panaflex Camera, VistaVision Cameras
Lenses | Panavision Lenses
The Change-Up (2011)
Directed by | David Dobkin | Cinematography by | Eric Alan Edwards | Editing by | Lee Haxall, Greg Hayden
Lenses | Cooke S4 Lenses
City of God (2002)
Directed by | Fernando Meirelles, Kátia Lund | Cinematography by | César Charlone | Editing by | Daniel Rezende
Step Brothers (2008)
Directed by | Adam McKay | Cinematography by | Oliver Wood | Editing by | Brent White
Cameras | Panavision Cameras
Transformers: Revenge of the Fallen (2009)
Directed by | Michael Bay | Cinematography by | Ben Seresin | Editing by | Roger Barton, Tom Muldoon, Joel Negron, Paul Rubell
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Iwerks IW5A Camera, Panavision Panaflex Platinum Camera
Lenses | Angenieux Optimo Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Leaves of Grass (2009)
Directed by | Tim Blake Nelson | Cinematography by | Roberto Schaefer | Editing by | Michelle Botticelli
Cameras | Red One Camera
No Country for Old Men (2007) 
Directed by | Ethan Coen, Joel Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera
Lenses | Cooke S4 Lenses, Zeiss Master Prime Lenses
People Like Us (2012)
Directed by | Alex Kurtzman | Cinematography by | Salvatore Totino | Editing by | Robert Leighton
Lenses | Cooke S4 Lenses
The Safety of Objects (2001)
Directed by | Rose Troche | Cinematography by | Enrique Chediak | Editing by | Geraldine Peroni
Lenses | Panavision Primo Anamorphic Lenses
De-Lovely (2004)
Directed by | Irwin Winkler | Cinematography by | Tony Pierce-Roberts | Editing by | Julie Monroe
Cameras | Panavision Panaflex Millennium Camera
Lenses | Panavision Primo Anamorphic Lenses
Kill Bill: Vol. 1 (2003)
Directed by | Quentin Tarantino | Cinematography by | Robert Richardson | Editing by | Sally Menke
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Garfield (2004)
Directed by | Peter Hewitt | Cinematography by | Dean Cundey | Editing by | Peter E. Berger, Michael A. Stevenson
Cameras | Panavision Cameras
Far from Heaven (2002)
Directed by | Todd Haynes | Cinematography by | Edward Lachman | Editing by | James Lyons
Cameras | Moviecam Compact Camera
Lenses | Cooke S4 Lenses, Cooke Speed Panchro Lenses
Jonah Hex (2010)
Directed by | Jimmy Hayward | Cinematography by | Mitchell Amundsen | Editing by | Kent Beyda, Daniel P. Hanley, Tom Lewis, Fernando Villena
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
The Dilemma (2011)
Directed by | Ron Howard | Cinematography by | Salvatore Totino | Editing by | Daniel P. Hanley, Mike Hill
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
La teta asustada (2009)
Directed by | Claudia Llosa | Cinematography by | Natasha Braier | Editing by | Frank Gutiérrez
Cameras | Moviecam Compact MK2 Camera
