Film Negative Stock » Fujifilm Neg. Film

Fujifilm Color A 250T 8518/8528 Neg. Film : 1Fujifilm Eterna 250D 8563/8663 Neg. Film : 55Fujifilm Eterna 250T 8553/8653 Neg. Film : 23Fujifilm Eterna 400T 8583/8683 Neg. Film : 20Fujifilm Eterna 500T 8573/8673 Neg. Film : 82Fujifilm Eterna Vivid 160T 8543/8643 Neg. ... : 26Fujifilm Eterna Vivid 250D 8546/8646 Neg. ... : 8Fujifilm Eterna Vivid 500T 8547/8647 Neg. ... : 28Fujifilm F-Series 125T 8530/8630 Neg. Film : 2Fujifilm F-Series F-250D 8560/8660 Neg. Fi... : 1Fujifilm F-Series F-250T 8550/8650 Neg. Fi... : 2Fujifilm F-Series F-500T 8570/8670 Neg. Fi... : 3Fujifilm F-Series F-64D 8520/8620 Neg. Fil... : 3Fujifilm F-Series F-64T 8510/8610 Neg. Fil... : 3Fujifilm Reala 500D 8592/8692 Neg. Film : 24Fujifilm Super F-Series F-125T 8532/8632 N... : 11Fujifilm Super F-Series F-250D 8562/8662 N... : 10Fujifilm Super F-Series F-250T 8552/8652 N... : 9Fujifilm Super F-Series F-400T 8582/8682 N... : 5Fujifilm Super F-Series F-500T 8572/8672 N... : 24Fujifilm Super F-Series F-64D 8522/8622 Ne... : 24

Fujifilm Neg. Film | 198 Titles

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Discontinued: 2013

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The Wings of the Dove (1997)

Motion Picture | 2D | Color | 2.39:1 | 102 Minutes

Directed by | Iain Softley | Cinematography by | Eduardo Serra | Editing by | Tariq Anwar

Starring | Helena Bonham Carter, Linus Roache, Alex Jennings, Charlotte Rampling

Cameras | ARRIFLEX 535 Camera

Lenses | Zeiss Super Speed Lenses

Le renard et l’enfant (2007)

Motion Picture | 2D | Color | 2.39:1 | 92 Minutes

Directed by | Luc Jacquet | Cinematography by | Eric Dumage, Gérard Simon | Editing by | Sabine Emiliani

Starring | Bertille Noël-Bruneau, Isabelle Carré, Thomas Laliberté, Camille Lambert

Cameras | Aaton 35-III Camera, ARRIFLEX 435 Camera, Sony HDW-750 Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

The Ruins (2008)

Motion Picture | 2D | Color | 2.39:1 | 90 Minutes

The Ruins | ShotOnWhat?

Directed by | Carter Smith | Cinematography by | Darius Khondji | Editing by | Jeff Betancourt

Starring | Shawn Ashmore, Jena Malone, Jonathan Tucker, Laura Ramsey

Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera

Lenses | Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Eternal Sunshine of the Spotless Mind (2004)

Motion Picture | 2D | Color | 1.85:1 | 108 Minutes

Directed by | Michel Gondry | Cinematography by | Ellen Kuras | Editing by | Valdís Óskarsdóttir

Starring | Jim Carrey, Kate Winslet, Tom Wilkinson, Gerry Robert Byrne

Cameras | ARRICAM Lite (LT) Camera

Lenses | Zeiss ARRI Macro Lenses, Zeiss Super Speed Lenses

Un heureux événement (2011)

Motion Picture | 2D | Color | 2.39:1 | 107 Minutes

Directed by | Rémi Bezançon | Cinematography by | Antoine Monod | Editing by | Sophie Reine

Starring | Louise Bourgoin, Pio Marmaï, Josiane Balasko, Thierry Frémont

Cameras | ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses

Nowhere Boy (2009)

Motion Picture | 2D | Color | 2.39:1 | 98 Minutes

Nowhere Boy | ShotOnWhat?

Directed by | Sam Taylor-Johnson | Cinematography by | Seamus McGarvey | Editing by | Lisa Gunning

Starring | Aaron Taylor-Johnson, Kristin Scott Thomas, Anne-Marie Duff, David Threlfall

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

I Heart Huckabees (2004)

Motion Picture | 2D | Color | 2.39:1 | 107 Minutes

I Heart Huckabees | ShotOnWhat?

Directed by | David O. Russell | Cinematography by | Peter Deming | Editing by | Robert K. Lambert

Starring | Jason Schwartzman, Jude Law, Naomi Watts, Mark Wahlberg

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Punch-Drunk Love (2002)

Motion Picture | 2D | Color | 2.39:1 | 95 Minutes

Punch-Drunk Love | ShotOnWhat?

Directed by | Paul Thomas Anderson | Cinematography by | Robert Elswit | Editing by | Leslie Jones

Starring | Adam Sandler, Emily Watson, Philip Seymour Hoffman, Jason Andrews

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

A Lot Like Love (2005)

Motion Picture | 2D | Color | 1.85:1 | 107 Minutes

Directed by | Nigel Cole | Cinematography by | John de Borman | Editing by | Susan Littenberg

Starring | Ashton Kutcher, Amanda Peet, Taryn Manning, Aimee Garcia

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Cheong wong (2000)

Motion Picture | 2D | Color | 1.85:1 | 89 Minutes

Directed by | Chi-Leung Law | Cinematography by | Kwok-Man Keung | Editing by | Chi-Leung Kwong

Starring | Leslie Cheung, Alex Fong, Ruby Wong, Vincent Kok

Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 Camera

Lenses | Angenieux Lenses, Zeiss Lenses

Corpse Bride (2005)

Motion Picture | 2D | Color | 1.85:1 | 77 Minutes

Directed by | Tim Burton, Mike Johnson | Cinematography by | Pete Kozachik | Editing by | Chris Lebenzon, Jonathan Lucas

Starring | Johnny Depp, Helena Bonham Carter, Emily Watson, Tracey Ullman

Cameras | ARRIFLEX D-20 Camera, Canon EOS-1D Mark IV Camera

Lenses | Zeiss Ultra Prime Lenses

I’m Reed Fish (2006)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 93 Minutes

Directed by | Zackary Adler | Cinematography by | Doug Chamberlain | Editing by | Yuka Ruell

Starring | Jay Baruchel, Alexis Bledel, Victor Rasuk, Schuyler Fisk

Cameras | Panavision Panaflex Millennium Camera

61* (2001)

Television Movie | 2D | Color | 1.85:1 | 129 Minutes

Directed by | Billy Crystal | Cinematography by | Haskell Wexler | Editing by | Michael Jablow

Starring | Barry Pepper, Thomas Jane, Anthony Michael Hall, Richard Masur

Cameras | ARRIFLEX 435 ES Camera

Lenses | Angenieux HR Zoom Lenses, Cooke S4 Lenses, Cooke Varotal Lenses, Hawk 150-450 mm T2.8 Lens

Friday Night (2002)

Motion Picture | 2D | Color | 1.85:1 | 90 Minutes

Friday Night | ShotOnWhat?

Directed by | Claire Denis | Cinematography by | Agnès Godard | Editing by | Nelly Quettier

Starring | Valérie Lemercier, Vincent Lindon, Hélène de Saint-Père, Hélène Fillières

Cameras | Aaton 35-III Camera, Aaton A-Minima Camera

Lenses | Zeiss Standard Speed Prime Lenses, Zeiss Ultra Prime Lenses

Funny People (2009)

Motion Picture | 2D | Color | 1.85:1 | 146 Minutes

Funny People | ShotOnWhat?

Directed by | Judd Apatow | Cinematography by | Janusz Kaminski | Editing by | Craig Alpert, Brent White

Starring | Adam Sandler, Seth Rogen, Leslie Mann, Eric Bana

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

All the Real Girls (2003)

Motion Picture | 2D | Color | 2.39:1 | 108 Minutes

Directed by | David Gordon Green | Cinematography by | Tim Orr | Editing by | Zene Baker, Steven Gonzales

Starring | Zooey Deschanel, Paul Schneider, Patricia Clarkson, Shea Whigham

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera, Moviecam SuperAmerica Camera

Lenses | Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

Identity (2003)

Motion Picture | 2D | Color | 2.39:1 | 90 Minutes

Identity | ShotOnWhat?

Directed by | James Mangold | Cinematography by | Phedon Papamichael | Editing by | David Brenner

Starring | John Cusack, Ray Liotta, Amanda Peet, John Hawkes

Cameras | Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Golden Compass (2007)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 113 Minutes

Directed by | Chris Weitz | Cinematography by | Henry Braham | Editing by | Anne V. Coates, Peter Honess, Kevin Tent

Starring | Nicole Kidman, Daniel Craig, Dakota Blue Richards, Ben Walker

Cameras | Panavision Cameras, Panavision Genesis Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Anamorphic Lenses

The Broken (2008)

Motion Picture | 2D | Color | 2.40:1 | 93 Minutes

The Broken | ShotOnWhat?

Directed by | Sean Ellis | Cinematography by | Angus Hudson | Editing by | Scott Thomas

Starring | Lena Headey, Ulrich Thomsen, Melvil Poupaud, Michelle Duncan

Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Clash of the Titans (2010)

Motion Picture | 3D | Color | 2.35:1 | 106 Minutes

Clash of the Titans | ShotOnWhat?

Directed by | Louis Leterrier | Cinematography by | Peter Menzies Jr. | Editing by | David Freeman, Vincent Tabaillon, Martin Walsh

Starring | Sam Worthington, Liam Neeson, Ralph Fiennes, Jason Flemyng

Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

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