Fujifilm Neg. Film | 195 Titles
Discontinued: 2013
Assassination of a High School President (2008)
Directed by | Brett Simon | Cinematography by | M. David Mullen | Editing by | William M. Anderson, Thomas J. Nordberg
Lenses | Angenieux Optimo Zoom Lenses, Zeiss Lenses
Valkyrie (2008)
Directed by | Bryan Singer | Cinematography by | Newton Thomas Sigel | Editing by | John Ottman
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
A Prophet (2009)
Directed by | Jacques Audiard | Cinematography by | Stéphane Fontaine | Editing by | Juliette Welfling
Cameras | Aaton 35-III Camera, ARRIFLEX 435 Camera
Into the Wild (2007)
Directed by | Sean Penn | Cinematography by | Eric Gautier | Editing by | Jay Cassidy
Lenses | Canon Lenses, Zeiss Ultra Prime Lenses
Contraband (2012)
Directed by | Baltasar Kormákur | Cinematography by | Barry Ackroyd | Editing by | Elísabet Ronaldsdóttir
Cameras | Aaton Penelope Camera
Tinker Tailor Soldier Spy (2011)
Directed by | Tomas Alfredson | Cinematography by | Hoyte Van Hoytema | Editing by | Dino Jonsäter
Cameras | Panavision Panaflex Millennium Camera
All or Nothing (2002)
Directed by | Mike Leigh | Cinematography by | Dick Pope | Editing by | Lesley Walker
Lenses | Angenieux Lenses, Zeiss Lenses
Gunjô: Ai ga shizunda umi no iro (2009)
Directed by | Yosuke Nakagawa | Cinematography by | Hiro'o Yanagida | Editing by | Hiroaki Morishita
Lenses | Fujinon E Series Lenses, Panavision Lenses
J. Edgar (2011)
Directed by | Clint Eastwood | Cinematography by | Tom Stern | Editing by | Joel Cox, Gary Roach
Lenses | Panavision C Series Anamorphic Lenses, Panavision C100 100 mm T2.8 Lens, Panavision C75 75 mm T2.5 Lens, Panavision E Series Anamorphic Lenses, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens
Boy A (2007)
Directed by | John Crowley | Cinematography by | Rob Hardy | Editing by | Lucia Zucchetti
Cameras | ARRIFLEX 416 Camera
Columbus Circle (2012)
Directed by | George Gallo | Cinematography by | Anastas N. Michos | Editing by | Malcolm Campbell
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Green Zone (2010)
Directed by | Paul Greengrass | Cinematography by | Barry Ackroyd | Editing by | Christopher Rouse
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Ultra Prime Lenses
The Astronaut Farmer (2006)
Directed by | Michael Polish | Cinematography by | M. David Mullen | Editing by | James Haygood
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
We Need to Talk About Kevin (2011)
Directed by | Lynne Ramsay | Cinematography by | Seamus McGarvey | Editing by | Joe Bini
Cameras | Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
The Cooler (2003)
Affliction (1997)
Directed by | Paul Schrader | Cinematography by | Paul Sarossy | Editing by | Jay Rabinowitz
Cameras | Panavision Panaflex Gold II Camera
The Wings of the Dove (1997)
Directed by | Iain Softley | Cinematography by | Eduardo Serra | Editing by | Tariq Anwar
Cameras | ARRIFLEX 535 Camera
Lenses | Zeiss Super Speed Lenses
Kynodontas (2009)
Directed by | Yorgos Lanthimos | Cinematography by | Thimios Bakatakis | Editing by | Yorgos Mavropsaridis
Cameras | Moviecam Compact MK2 Camera
Lenses | Optica Elite Lenses
Le renard et l’enfant (2007)
Directed by | Luc Jacquet | Cinematography by | Eric Dumage, Gérard Simon | Editing by | Sabine Emiliani
The Ruins (2008)
Directed by | Carter Smith | Cinematography by | Darius Khondji | Editing by | Jeff Betancourt
Lenses | Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
