Fujifilm Super F-Series F-125T 8532/8632 Neg. Film | 11 Titles
Munich (2005)
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses | Cooke Cine Varotal Mark II 25-250mm T3.9 Lens, Cooke S4/i Prime 100mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 16mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Ratcatcher (1999)
Directed by | Lynne Ramsay | Cinematography by | Alwin H. Küchler | Editing by | Lucia Zucchetti
Cameras | ARRIFLEX 16mm Cameras, ARRIFLEX 35mm Cameras
Lenses | Zeiss Lenses, Zeiss Variable Prime Lenses
Green Planet (2003)
Directed by | Tyler Norman | Cinematography by | Tyler Norman | Editing by | Tyler Norman
Cameras | Canon Scoopic 16 / 16M Camera
Harold & Kumar Go to White Castle (2004)
Directed by | Danny Leiner | Cinematography by | Bruce Douglas Johnson | Editing by | Jeff Betancourt
Cameras | Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | Panavision Primo Classic Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Shrink (2009)
Directed by | Jonas Pate | Cinematography by | Lukas Ettlin, Isaac Phillips | Editing by | Luis Carballar
Cameras | Panavision Cameras
Northfork (2003)
Directed by | Michael Polish | Cinematography by | M. David Mullen | Editing by | Leo Trombetta
Lenses | Panavision Primo Anamorphic Lenses
Affliction (1997)
Directed by | Paul Schrader | Cinematography by | Paul Sarossy | Editing by | Jay Rabinowitz
Cameras | Panavision Panaflex Gold II Camera
Punch-Drunk Love (2002)
Directed by | Paul Thomas Anderson | Cinematography by | Robert Elswit | Editing by | Leslie Jones
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Corpse Bride (2005)
Directed by | Tim Burton, Mike Johnson | Cinematography by | Pete Kozachik | Editing by | Chris Lebenzon, Jonathan Lucas
Cameras | ARRIFLEX D-20 Camera, Canon EOS-1D Mark IV Camera
Lenses | Zeiss Ultra Prime Lenses
All the Real Girls (2003)
Directed by | David Gordon Green | Cinematography by | Tim Orr | Editing by | Zene Baker, Steven Gonzales
The Counterfeiters (2007)
Directed by | Stefan Ruzowitzky | Cinematography by | Benedict Neuenfels | Editing by | Britta Nahler
