Film Negative Stock » Fujifilm Neg. Film

Fujifilm Color A 250T 8518/8528 Neg. Film : 1Fujifilm Eterna 250D 8563/8663 Neg. Film : 55Fujifilm Eterna 250T 8553/8653 Neg. Film : 23Fujifilm Eterna 400T 8583/8683 Neg. Film : 20Fujifilm Eterna 500T 8573/8673 Neg. Film : 82Fujifilm Eterna Vivid 160T 8543/8643 Neg. ... : 26Fujifilm Eterna Vivid 250D 8546/8646 Neg. ... : 8Fujifilm Eterna Vivid 500T 8547/8647 Neg. ... : 28Fujifilm F-Series 125T 8530/8630 Neg. Film : 2Fujifilm F-Series F-250D 8560/8660 Neg. Fi... : 1Fujifilm F-Series F-250T 8550/8650 Neg. Fi... : 2Fujifilm F-Series F-500T 8570/8670 Neg. Fi... : 3Fujifilm F-Series F-64D 8520/8620 Neg. Fil... : 3Fujifilm F-Series F-64T 8510/8610 Neg. Fil... : 3Fujifilm Reala 500D 8592/8692 Neg. Film : 24Fujifilm Super F-Series F-125T 8532/8632 N... : 11Fujifilm Super F-Series F-250D 8562/8662 N... : 10Fujifilm Super F-Series F-250T 8552/8652 N... : 9Fujifilm Super F-Series F-400T 8582/8682 N... : 5Fujifilm Super F-Series F-500T 8572/8672 N... : 24Fujifilm Super F-Series F-64D 8522/8622 Ne... : 24

Fujifilm Neg. Film | 198 Titles

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Discontinued: 2013

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Where the Truth Lies (2005)

Motion Picture | 2D | Color | 2.39:1 | 107 Minutes

Directed by | Atom Egoyan | Cinematography by | Paul Sarossy | Editing by | Susan Shipton

Starring | Kevin Bacon, Colin Firth, Alison Lohman, David Hayman

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Intouchables (2011)

Motion Picture | 2D | Color | 1.85:1 | 112 Minutes

The Intouchables | ShotOnWhat?

Directed by | Olivier Nakache, Éric Toledano | Cinematography by | Mathieu Vadepied | Editing by | Dorian Rigal-Ansous

Starring | François Cluzet, Omar Sy, Anne Le Ny, Audrey Fleurot

Cameras | Aaton Penelope Camera, ARRI ALEXA Camera, ARRIFLEX 435 Camera

Lenses | Panavision Primo Anamorphic Lenses

La princesse de Montpensier (2010)

Motion Picture | 2D | Color | 2.39:1 | 139 Minutes

Directed by | Bertrand Tavernier | Cinematography by | Bruno de Keyzer | Editing by | Sophie Brunet

Starring | Mélanie Thierry, Lambert Wilson, Gaspard Ulliel, Grégoire Leprince-Ringuet

Cameras | Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses | Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The King’s Speech (2010)

Motion Picture | 2D | Color | 1.85:1 | 118 Minutes

The King’s Speech | ShotOnWhat?

Directed by | Tom Hooper | Cinematography by | Danny Cohen | Editing by | Tariq Anwar

Starring | Colin Firth, Geoffrey Rush, Helena Bonham Carter, Derek Jacobi

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Zeiss Master Prime Lenses

A Soldier’s Daughter Never Cries (1998)

Motion Picture | 2D | Color | 1.85:1 | 127 Minutes

Directed by | James Ivory | Cinematography by | Jean-Marc Fabre | Editing by | Noëlle Boisson

Starring | Leelee Sobieski, Kris Kristofferson, Barbara Hershey, Jane Birkin

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Hereafter (2010)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 129 Minutes

Directed by | Clint Eastwood | Cinematography by | Tom Stern | Editing by | Joel Cox, Gary Roach

Starring | Matt Damon, Cécile de France, Bryce Dallas Howard, Thierry Neuvic

Cameras | Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Red One Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Ali (2001)

Motion Picture | 2D | Color | 2.39:1 | 157 Minutes

Directed by | Michael Mann | Cinematography by | Emmanuel Lubezki | Editing by | William Goldenberg, Lynzee Klingman, Stephen E. Rivkin, Stuart Waks

Starring | Will Smith, Jamie Foxx, Jon Voight, Mario Van Peebles

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Sony HDW-F900 Camera

Lenses | Panavision Primo Primes Spherical Lenses

Broken Embraces (2009)

Motion Picture | 2D | Color | 2.39:1 | 127 Minutes

Directed by | Pedro Almodóvar | Cinematography by | Rodrigo Prieto | Editing by | José Salcedo, Roberto Serrano

Starring | Penélope Cruz, Lluís Homar, Blanca Portillo, José Luis Gómez

Cameras | ARRIFLEX 416 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra 16 Lenses

3:10 to Yuma (2007)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 122 Minutes

Directed by | James Mangold | Cinematography by | Phedon Papamichael | Editing by | Michael McCusker

Starring | Russell Crowe, Christian Bale, Ben Foster, Logan Lerman

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

United 93 (2006)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 111 Minutes

Directed by | Paul Greengrass | Cinematography by | Barry Ackroyd | Editing by | Clare Douglas, Richard Pearson, Christopher Rouse

Starring | David Alan Basche, Olivia Thirlby, Liza Colón-Zayas, J.J. Johnson

Cameras | Aaton A-Minima Camera, ARRICAM Lite (LT) Camera

Lenses | Cooke S4 Lenses, Zeiss Variable Prime Lenses

The Lightkeepers (2009)

Motion Picture | 2D | Color | 97 Minutes

The Lightkeepers | ShotOnWhat?

Directed by | Daniel Adams | Cinematography by | Tom Jewett | Editing by | Dean Goodhill

Starring | Bruce Dern, Richard Dreyfuss, Mamie Gummer, Blythe Danner

Cameras | ARRI Cameras

Alien Nation (1988)

Motion Picture | 2D | Color | 2.39:1 | 91 Minutes

Directed by | Graham Baker | Cinematography by | Adam Greenberg | Editing by | Kent Beyda

Starring | James Caan, Mandy Patinkin, Terence Stamp, Kevyn Major Howard

Cameras | ARRIFLEX Camera

Lenses | ARRI / Zeiss Lenses

The Big Slice (1991)

Motion Picture | 2D | Other Project Resolution | Color | 86 Minutes

Directed by | John Bradshaw | Cinematography by | Ludek Bogner | Editing by | Nick Rotundo

Starring | Casey Siemaszko, Leslie Hope, Louis Ferreira, Kenneth Welsh

Cameras | ARRI ARRIFLEX Series Cameras

Tamara Drewe (2010)

Motion Picture | 2D | Color | 2.39:1 | 107 Minutes

Directed by | Stephen Frears | Cinematography by | Ben Davis | Editing by | Mick Audsley

Starring | Gemma Arterton, Luke Evans, Dominic Cooper, Roger Allam

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

The Heir Apparent: Largo Winch (2008)

Motion Picture | 2D | Color | 2.39:1 | 108 Minutes

Directed by | Jérôme Salle | Cinematography by | Denis Rouden | Editing by | Richard Marizy

Starring | Tomer Sisley, Kristin Scott Thomas, Predrag 'Miki' Manojlovic, Mélanie Thierry

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

Black Swan (2010)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 108 Minutes

Directed by | Darren Aronofsky | Cinematography by | Matthew Libatique | Editing by | Andrew Weisblum

Starring | Natalie Portman, Mila Kunis, Vincent Cassel, Winona Ryder

Cameras | ARRIFLEX 416 Camera, Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera

Lenses | Zeiss Ultra 16 Lenses

Nanny McPhee Returns (2010)

Motion Picture | 2D | Color | 2.39:1 | 109 Minutes

Directed by | Susanna White | Cinematography by | Mike Eley | Editing by | Sim Evan-Jones

Starring | Emma Thompson, Maggie Gyllenhaal, Ralph Fiennes, Oscar Steer

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens

Northfork (2003)

Motion Picture | 2D | Color | 2.39:1 | 103 Minutes

Directed by | Michael Polish | Cinematography by | M. David Mullen | Editing by | Leo Trombetta

Starring | Duel Farnes, Nick Nolte, Anthony Edwards, James Woods

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

Walk the Line (2005)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 136 Minutes

Directed by | James Mangold | Cinematography by | Phedon Papamichael | Editing by | Michael McCusker

Starring | Joaquin Phoenix, Reese Witherspoon, Ginnifer Goodwin, Robert Patrick

Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Angenieux Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Standard Primes (SP) Lenses

An American Crime (2007)

Motion Picture | 2D | Color | 2.39:1 | 98 Minutes

Directed by | Tommy O'Haver | Cinematography by | Byron Shah | Editing by | Melissa Kent

Starring | Elliot Page, Hayley McFarland, Nick Searcy, Romy Rosemont

Cameras | Moviecam Compact Camera

Lenses | Hawk C-Series Lenses

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