Film Negative Stock » Fujifilm Neg. Film

Fujifilm Color A 250T 8518/8528 Neg. Film : 1Fujifilm Eterna 250D 8563/8663 Neg. Film : 55Fujifilm Eterna 250T 8553/8653 Neg. Film : 23Fujifilm Eterna 400T 8583/8683 Neg. Film : 20Fujifilm Eterna 500T 8573/8673 Neg. Film : 82Fujifilm Eterna Vivid 160T 8543/8643 Neg. ... : 26Fujifilm Eterna Vivid 250D 8546/8646 Neg. ... : 8Fujifilm Eterna Vivid 500T 8547/8647 Neg. ... : 28Fujifilm F-Series 125T 8530/8630 Neg. Film : 2Fujifilm F-Series F-250D 8560/8660 Neg. Fi... : 1Fujifilm F-Series F-250T 8550/8650 Neg. Fi... : 2Fujifilm F-Series F-500T 8570/8670 Neg. Fi... : 3Fujifilm F-Series F-64D 8520/8620 Neg. Fil... : 3Fujifilm F-Series F-64T 8510/8610 Neg. Fil... : 3Fujifilm Reala 500D 8592/8692 Neg. Film : 24Fujifilm Super F-Series F-125T 8532/8632 N... : 11Fujifilm Super F-Series F-250D 8562/8662 N... : 10Fujifilm Super F-Series F-250T 8552/8652 N... : 9Fujifilm Super F-Series F-400T 8582/8682 N... : 5Fujifilm Super F-Series F-500T 8572/8672 N... : 24Fujifilm Super F-Series F-64D 8522/8622 Ne... : 24

Fujifilm Neg. Film | 198 Titles

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Discontinued: 2013

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Judy Moody and the Not Bummer Summer (2011)

Motion Picture | 2D | Color | 1.85:1 | 91 Minutes

Judy Moody and the Not Bummer Summer | ShotOnWhat?

Directed by | John Schultz | Cinematography by | Shawn Maurer | Editing by | John Pace

Starring | Jordana Beatty, Heather Graham, Parris Mosteller, Janet Varney

Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Jing mo gaa ting (2005)

Motion Picture | 2D | Color | 2.35:1 | 102 Minutes

Jing mo gaa ting | ShotOnWhat?

Directed by | Stephen Fung | Cinematography by | Hang-Sang Poon | Editing by | Ka-Fai Cheung

Starring | Anthony Chau-Sang Wong, Gillian Chung, Stephen Fung, Charlene Choi

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Best Exotic Marigold Hotel (2011)

Motion Picture | 2D | Color | 2.35:1 | 124 Minutes

The Best Exotic Marigold Hotel | ShotOnWhat?

Directed by | John Madden | Cinematography by | Ben Davis | Editing by | Chris Gill

Starring | Judi Dench, Bill Nighy, Maggie Smith, Tom Wilkinson

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Anamorphic Lenses

Attack the Block (2011)

Motion Picture | 2D | Color | 2.35:1 | 88 Minutes

Attack the Block | ShotOnWhat?

Directed by | Joe Cornish | Cinematography by | Thomas Townend | Editing by | Jonathan Amos

Starring | John Boyega, Jodie Whittaker, Alex Esmail, Leeon Jones

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses | Cooke S4 Lenses

Waitress (2007)

Motion Picture | 2D | Color | 1.85:1 | 108 Minutes

Waitress | ShotOnWhat?

Directed by | Adrienne Shelly | Cinematography by | Matthew Irving | Editing by | Annette Davey

Starring | Keri Russell, Nathan Fillion, Jeremy Sisto, Cheryl Hines

Cameras | Panavision Panaflex Gold II Camera

Lenses | Panavision Primo Anamorphic Lenses

The Tempest (2010)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 110 Minutes

Directed by | Julie Taymor | Cinematography by | Stuart Dryburgh | Editing by | Françoise Bonnot

Starring | Helen Mirren, Felicity Jones, Djimon Hounsou, Russell Brand

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Exam (2009)

Motion Picture | 2D | Color, Black and White | 2.35:1 | 101 Minutes

Exam | ShotOnWhat?

Directed by | Stuart Hazeldine | Cinematography by | Tim Wooster | Editing by | Mark Talbot-Butler

Starring | Adar Beck, Gemma Chan, Nathalie Cox, John Lloyd Fillingham

Cameras | Panavision Cameras

Io sono l’amore (2009)

Motion Picture | 2D | Color | 1.85:1 | 120 Minutes

Directed by | Luca Guadagnino | Cinematography by | Yorick Le Saux | Editing by | Walter Fasano

Starring | Tilda Swinton, Flavio Parenti, Edoardo Gabbriellini, Alba Rohrwacher

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses, Zeiss ARRI Macro Lenses

Shall We Dance (2004)

Motion Picture | 2D | Color | 1.85:1 | 106 Minutes

Shall We Dance | ShotOnWhat?

Directed by | Peter Chelsom | Cinematography by | John de Borman | Editing by | Charles Ireland, Robert Leighton

Starring | Richard Gere, Jennifer Lopez, Susan Sarandon, Stanley Tucci

Cameras | ARRI Cameras

Shrink (2009)

Motion Picture | 2D | Color | 1.85:1 | 104 Minutes

Shrink | ShotOnWhat?

Directed by | Jonas Pate | Cinematography by | Lukas Ettlin, Isaac Phillips | Editing by | Luis Carballar

Starring | Kevin Spacey, Mark Webber, Keke Palmer, Joe Nunez

Cameras | Panavision Cameras

Walled In (2009)

Motion Picture | 2D | Color | 1.85:1 | 91 Minutes

Walled In | ShotOnWhat?

Directed by | Gilles Paquet-Brenner | Cinematography by | Karim Hussain | Editing by | Jackie Dzuba

Starring | Tim Allen, Mischa Barton, Darla Biccum, Cameron Bright

Cameras | ARRIFLEX 535 B Camera

Life as We Know It (2010)

Motion Picture | 2D | Color | 2.35:1 | 114 Minutes

Life as We Know It | ShotOnWhat?

Directed by | Greg Berlanti | Cinematography by | Andrew Dunn | Editing by | Jim Page

Starring | Katherine Heigl, Josh Duhamel, Josh Lucas, Alexis Clagett

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

The Burrowers (2008)

Motion Picture | 2D | Color, Color | 2.35:1 | 96 Minutes

The Burrowers | ShotOnWhat?

Directed by | J.T. Petty | Cinematography by | Phil Parmet | Editing by | Andy Grieve, Robb Sullivan

Starring | Clancy Brown, David Busse, William Mapother, Jocelin Donahue

Cameras | Panavision Cameras

Jiang shi xin zhan shi (2010)

Motion Picture | 2D | Color | 1.85:1 | 100 Minutes

Jiang shi xin zhan shi | ShotOnWhat?

Directed by | Dennis Law | Cinematography by | Herman Yau | Editing by | Chi Wai Yau

Starring | Wah Yuen, Luxia Jiang, Chrissie Chau, Siu-Ho Chin

Cameras | Moviecam Compact Camera

L: Change the World (2008)

Motion Picture | 2D | Color | 1.85:1 | 129 Minutes

L: Change the World | ShotOnWhat?

Directed by | Hideo Nakata | Cinematography by | Tokushô Kikumura | Editing by | Nobuyuki Takahashi

Starring | Ken'ichi Matsuyama, Sota Aoyama, David Bueno, Shunji Fujimura

Cameras | ARRIFLEX 535 B Camera

Un homme qui crie (2010)

Motion Picture | 2D | Color | 2.35:1 | 92 Minutes

Un homme qui crie | ShotOnWhat?

Directed by | Mahamat-Saleh Haroun | Cinematography by | Laurent Brunet | Editing by | Marie-Hélène Dozo

Starring | Youssouf Djaoro, Diouc Koma, Emile Abossolo M'bo, Hadje Fatime N'Goua

Cameras | Aaton 35-III Camera

The Raven (2012)

Motion Picture | 2D | Color | 2.35:1 | 110 Minutes

The Raven | ShotOnWhat?

Directed by | James McTeigue | Cinematography by | Danny Ruhlmann | Editing by | Niven Howie

Starring | John Cusack, Alice Eve, Luke Evans, Brendan Gleeson

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Enigma (2001)

Motion Picture | 2D | Color | 2.35:1 | 119 Minutes

Enigma | ShotOnWhat?

Directed by | Michael Apted | Cinematography by | Seamus McGarvey | Editing by | Rick Shaine

Starring | Dougray Scott, Kate Winslet, Saffron Burrows, Jeremy Northam

Cameras | Panavision Panaflex Camera

Lenses | Panavision Primo Anamorphic Lenses

On the Road (2012)

Motion Picture | 2D | Color | 2.39:1 | 124 Minutes

Directed by | Walter Salles | Cinematography by | Eric Gautier | Editing by | François Gédigier

Starring | Sam Riley, Garrett Hedlund, Kristen Stewart, Amy Adams

Cameras | Aaton Penelope Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens

The Fast Life (2003)

Direct to Video | 2D | Color | 1.85:1 | 57 Minutes

Directed by | Douglas Elford-Argent | Cinematography by | William M. Miller | Editing by | Kishore Verma

Starring | Frantz G. Saint Louis Jr., Jamie Hector, Jimmy Gary Jr., Matthew Aaron

Cameras | ARRIFLEX 16SR3 Advanced Camera

Lenses | ARRI / Zeiss Lenses

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