Fujifilm Eterna 250T 8553/8653 Neg. Film | 21 Titles
Skate or Die (2008)
Directed by | Miguel Courtois
Cameras | ARRIFLEX 16SR2 Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens
Le séminaire Caméra Café (2009)
Directed by | Charles Nemes | Cinematography by | Étienne Fauduet | Editing by | Kako Kelber
Lenses | Angenieux Optimo 28-76 mm T2.6 Lens
Sound of Noise (2010)
Directed by | Ola Simonsson, Johannes Stjärne Nilsson | Cinematography by | Charlotta Tengroth | Editing by | Andreas Jonsson, Ola Simonsson, Johannes Stjärne Nilsson, Stefan Sundlöf
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera
Lenses | Angenieux Lenses, Angenieux Optimo 24-290 mm T2.8 Lens, ARRI Lenses, Zeiss Ultra Prime Lenses
Io sono l’amore (2009)
Directed by | Luca Guadagnino | Cinematography by | Yorick Le Saux | Editing by | Walter Fasano
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera
Walled In (2009)
Directed by | Gilles Paquet-Brenner | Cinematography by | Karim Hussain | Editing by | Jackie Dzuba
Cameras | ARRIFLEX 535 B Camera
The Burrowers (2008)
Directed by | J.T. Petty | Cinematography by | Phil Parmet | Editing by | Andy Grieve, Robb Sullivan
Cameras | Panavision Cameras
The Raven (2012)
3:10 to Yuma (2007)
Directed by | James Mangold | Cinematography by | Phedon Papamichael | Editing by | Michael McCusker
The Heir Apparent: Largo Winch (2008)
Nanny McPhee Returns (2010)
Directed by | Susanna White | Cinematography by | Mike Eley | Editing by | Sim Evan-Jones
Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens
Mørke sjeler (2010)
Directed by | César Ducasse, Mathieu Peteul | Cinematography by | César Ducasse, Mathieu Peteul | Editing by | César Ducasse, Mathieu Peteul
Mon pire cauchemar (2011)
Directed by | Anne Fontaine | Cinematography by | Jean-Marc Fabre | Editing by | Luc Barnier, Nelly Ollivault
Big Mommas: Like Father, Like Son (2011)
Directed by | John Whitesell | Cinematography by | Anthony B. Richmond | Editing by | Priscilla Nedd-Friendly
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Man on a Ledge (2012)
Directed by | Asger Leth | Cinematography by | Paul Cameron | Editing by | Kevin Stitt
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Anamorphic Lenses, Panavision Standard Primes (SP) Lenses
Gunjô: Ai ga shizunda umi no iro (2009)
Directed by | Yosuke Nakagawa | Cinematography by | Hiro'o Yanagida | Editing by | Hiroaki Morishita
Lenses | Fujinon E Series Lenses, Panavision Lenses
The Ruins (2008)
Directed by | Carter Smith | Cinematography by | Darius Khondji | Editing by | Jeff Betancourt
Lenses | Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Funny People (2009)
Directed by | Judd Apatow | Cinematography by | Janusz Kaminski | Editing by | Craig Alpert, Brent White
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Let the Right One In (2008)
Directed by | Tomas Alfredson | Cinematography by | Hoyte Van Hoytema | Editing by | Tomas Alfredson, Dino Jonsäter
Cameras | ARRIFLEX 535 B Camera
Lenses | Zeiss Super Speed Lenses
The Fighter (2010)
Knight and Day (2010)
Directed by | James Mangold | Cinematography by | Phedon Papamichael | Editing by | Quincy Z. Gunderson, Michael McCusker
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
