Fujifilm Eterna 250T 8553/8653 Neg. Film | 23 Titles
Age of Heroes (2011)
Directed by | Adrian Vitoria | Cinematography by | Mark Hamilton | Editing by | Chris Gill, Joe Parsons
Cameras | ARRICAM Lite (LT) Camera, Moviecam Compact Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
Bran Nue Dae (2009)
Skate or Die (2008)
Directed by | Miguel Courtois
Cameras | ARRIFLEX 16SR2 Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens
Le séminaire Caméra Café (2009)
Directed by | Charles Nemes | Cinematography by | Étienne Fauduet | Editing by | Kako Kelber
Lenses | Angenieux Optimo 28-76 mm T2.6 Lens
Sound of Noise (2010)
Directed by | Ola Simonsson, Johannes Stjärne Nilsson | Cinematography by | Charlotta Tengroth | Editing by | Andreas Jonsson, Ola Simonsson, Johannes Stjärne Nilsson, Stefan Sundlöf
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera
Lenses | Angenieux Lenses, Angenieux Optimo 24-290 mm T2.8 Lens, ARRI Lenses, Zeiss Ultra Prime Lenses
Io sono l’amore (2009)
Directed by | Luca Guadagnino | Cinematography by | Yorick Le Saux | Editing by | Walter Fasano
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera
Walled In (2009)
Directed by | Gilles Paquet-Brenner | Cinematography by | Karim Hussain | Editing by | Jackie Dzuba
Cameras | ARRIFLEX 535 B Camera
The Burrowers (2008)
Directed by | J.T. Petty | Cinematography by | Phil Parmet | Editing by | Andy Grieve, Robb Sullivan
Cameras | Panavision Cameras
The Raven (2012)
3:10 to Yuma (2007)
Directed by | James Mangold | Cinematography by | Phedon Papamichael | Editing by | Michael McCusker
The Heir Apparent: Largo Winch (2008)
Nanny McPhee Returns (2010)
Directed by | Susanna White | Cinematography by | Mike Eley | Editing by | Sim Evan-Jones
Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens
Mørke sjeler (2010)
Directed by | César Ducasse, Mathieu Peteul | Cinematography by | César Ducasse, Mathieu Peteul | Editing by | César Ducasse, Mathieu Peteul
Mon pire cauchemar (2011)
Directed by | Anne Fontaine | Cinematography by | Jean-Marc Fabre | Editing by | Luc Barnier, Nelly Ollivault
Big Mommas: Like Father, Like Son (2011)
Directed by | John Whitesell | Cinematography by | Anthony B. Richmond | Editing by | Priscilla Nedd-Friendly
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Man on a Ledge (2012)
Directed by | Asger Leth | Cinematography by | Paul Cameron | Editing by | Kevin Stitt
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Anamorphic Lenses, Panavision Standard Primes (SP) Lenses
Gunjô: Ai ga shizunda umi no iro (2009)
Directed by | Yosuke Nakagawa | Cinematography by | Hiro'o Yanagida | Editing by | Hiroaki Morishita
Lenses | Fujinon E Series Lenses, Panavision Lenses
The Ruins (2008)
Directed by | Carter Smith | Cinematography by | Darius Khondji | Editing by | Jeff Betancourt
Lenses | Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Funny People (2009)
Directed by | Judd Apatow | Cinematography by | Janusz Kaminski | Editing by | Craig Alpert, Brent White
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Let the Right One In (2008)
Directed by | Tomas Alfredson | Cinematography by | Hoyte Van Hoytema | Editing by | Tomas Alfredson, Dino Jonsäter
Cameras | ARRIFLEX 535 B Camera
Lenses | Zeiss Super Speed Lenses
