Film Negative Stock » Eastman Kodak Neg. Films

Eastman 400T 5295 Neg. Film : 17Eastman Color Negative 100T 5254/7254 Film : 30Eastman Color Negative 125T 5247 Film : 32Eastman Color Negative 250T 5293/7293 Film : 19Eastman Color Negative 400T 5294 Film : 23Eastman Color Negative 50T 5251 Neg. Film : 12Eastman Color Negative II 100T 5247/7247 F... : 24Eastman Double-X 5222/7222 Neg. Film : 44Eastman Ektachrome (Daylight) 160D 5239/72... : 8Eastman Ektachrome (Tungsten) 7240 Neg. Fi... : 4Eastman Ektachrome 25T 7252 Neg. Film : 2Eastman Ektachrome High Speed (Daylight) 7... : 3Eastman Ektachrome High Speed (Tungsten) 7... : 1Eastman EXR Neg. Film : 261Eastman High Speed 250D 5297/7297 Neg. Fil... : 18Eastman Plus-X 7276 Neg. Film : 4Eastman Plus-X 80D/64T 5231/7231 Neg. Film : 9Eastman Super-XX 1232 Neg. Film : 2Eastman Tri-X 7278 Neg. Film : 2Kodachrome 25 (Daylight) 7267 Neg. Film : 1Kodachrome Professional 5267 Neg. Film : 1Kodak 500T 5230/7230 Neg. Film : 6Kodak Ektachrome 100D 5285/7285 Neg. Film : 18Kodak SFX 200T SO-214 Neg. Film : 17Kodak Tri-X 7266 Neg. Film : 1Kodak Vision 2 Film Neg. Film : 402Kodak Vision 200T 5274 Neg. Film : 98Kodak Vision 250D 5246/7246 Neg. Film : 96Kodak Vision 3 Film Neg. Film : 398Kodak Vision 320T 5277/7277 Neg. Film : 55Kodak Vision 500T 5263/7263 Neg. Film : 3Kodak Vision 500T 5279 Neg. Film : 226Kodak Vision 800T 5289/7289 Neg. Film : 31Kodak Vision Expression 500T 5284/7284 Neg... : 10Kodak Vision Film : 7

Eastman Kodak Neg. Films | 1495 Titles

Eastman Kodak Neg. Films 4.00/5 2 Votes

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Desperate Measures (1998)

Motion Picture | 2D | Color | 1.85:1 | 100 Minutes

Directed by | Barbet Schroeder | Cinematography by | Luciano Tovoli | Editing by | Lee Percy

Starring | Michael Keaton, Andy Garcia, Brian Cox, Marcia Gay Harden

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Noah (2014)

Motion Picture | 2D | Color | 1.85:1 | 138 Minutes

Directed by | Darren Aronofsky | Cinematography by | Matthew Libatique | Editing by | Andrew Weisblum

Starring | Russell Crowe, Jennifer Connelly, Anthony Hopkins, Emma Watson

Cameras | ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Hawk 150-450 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Lion of the Desert (1980)

Motion Picture | 2D | Black & White, Color | 1.78:1 (16x9), 2.35:1 | 173 Minutes

Directed by | Moustapha Akkad | Cinematography by | Jack Hildyard | Editing by | John Shirley

Starring | Anthony Quinn, Oliver Reed, Rod Steiger, Irene Papas

Cameras | Panavision Cameras

Lenses | Panavision Lenses

The Butler (2013)

Motion Picture | 2D | Color | 1.85:1 | 132 Minutes

Directed by | Lee Daniels | Cinematography by | Andrew Dunn | Editing by | Brian A. Kates, Joe Klotz

Starring | Forest Whitaker, Oprah Winfrey, John Cusack, Jane Fonda

Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Platinum Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

The Hangover Part III (2013)

Motion Picture | 2D | Color | 2.39:1 | 100 Minutes

Directed by | Todd Phillips | Cinematography by | Lawrence Sher | Editing by | Jeff Groth, Debra Neil-Fisher

Starring | Bradley Cooper, Zach Galifianakis, Ed Helms, Justin Bartha

Cameras | ARRI ALEXA Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses

Ain’t Them Bodies Saints (2013)

Motion Picture | 2D | Color | 2.39:1 | 96 Minutes

Directed by | David Lowery | Cinematography by | Bradford Young | Editing by | Craig McKay, Jane Rizzo

Starring | Rooney Mara, Casey Affleck, Ben Foster, Nate Parker

Cameras | ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Panavision Primo Primes Spherical Lenses, Zeiss Master Prime Lenses

2012 (2009)

Motion Picture | 2D, 3D | Color | 2.39:1 | 158 Minutes

Directed by | Roland Emmerich | Cinematography by | Dean Semler | Editing by | David Brenner, Peter S. Elliot

Starring | John Cusack, Thandiwe Newton, Chiwetel Ejiofor, Amanda Peet

Cameras | Panavision Cameras, Panavision Genesis Camera

Lenses | Panavision Lenses, Panavision Primo Primes Spherical Lenses

Treme (2010)

Television Series | 2D | Color | 1.78:1 (16x9) | 59 Minutes

| Cinematography by | Ivan Strasburg, Irek Hartowicz, Tim Ives, Lisa Rinzler | Editing by | Alex Hall, Malcolm Jamieson, Naomi Geraghty, Brian A. Kates, Kate Sanford, Matthew Booras, Bill Pankow

Starring | Khandi Alexander, Rob Brown, Kim Dickens, Melissa Leo

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses

Scrubs (2001)

Television Series | 2D | Color | 22 Minutes

Scrubs | ShotOnWhat?

| Cinematography by | John Inwood, Andrew Rawson, Dave Perkal, Richard W. Davis, Blake T. Evans, Richard Quinlan | Editing by | John Michel, Rick Blue, Jay Scherberth, Stuart Bass, Daniel S. Russ, Timothy Serda

Starring | Zach Braff, Donald Faison, Sarah Chalke, John C. McGinley

Cameras | Aaton A-Minima Camera, Aaton Cameras, Aaton XTR Plus Camera

The Amazing Spider-Man 2 (2014)

Motion Picture | 3D | 4K Project | Color | 2.39:1 | 142 Minutes

Directed by | Marc Webb | Cinematography by | Dan Mindel | Editing by | Pietro Scalia

Starring | Andrew Garfield, Emma Stone, Jamie Foxx, Paul Giamatti

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Incredible Burt Wonderstone (2013)

Motion Picture | 2D | Color | 2.39:1 | 100 Minutes

Directed by | Don Scardino | Cinematography by | Matthew Clark | Editing by | Lee Haxall

Starring | Steve Carell, Luke Vanek, Steve Buscemi, Mason Cook

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Pursuit of Happiness (2001)

Motion Picture | 2D | Color | 1.85:1 | 93 Minutes

Directed by | John Putch | Cinematography by | Ross Berryman | Editing by | Vanick Moradian

Starring | Frank Whaley, Annabeth Gish, Amy Jo Johnson, Patrick Van Horn

Cameras | ARRIFLEX 35 Camera

Lenses | Angenieux Lenses, Cooke Lenses

The Mentalist (2008)

Television Series | 2D | Color | 1.78:1 (16x9) | 43 Minutes

| Cinematography by | Geary McLeod, Tom Camarda, Frank Perl, Christopher Faloona, Michael Goi, Alex Nepomniaschy, Jeffrey Jur, Bill Roe | Editing by | Christopher Cibelli, David Ekstrom, Glenn Farr, James Gadd, Joseph Butler, Anthony J. Rivard, Paul Karasick

Starring | Simon Baker, Robin Tunney, Tim Kang, Owain Yeoman

Cameras | Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

The Mortal Instruments: City of Bones (2013)

Motion Picture | 2D | Color | 2.39:1 | 130 Minutes

The Mortal Instruments: City of Bones | ShotOnWhat?

Directed by | Harald Zwart | Cinematography by | Geir Hartly Andreassen | Editing by | Jacqueline Carmody

Starring | Lily Collins, Jamie Campbell Bower, Robert Sheehan, Jemima West

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision G Series Anamorphic Lenses

Now You See Me (2013)

Motion Picture | 2D | Color | 2.39:1 | 115 Minutes

Now You See Me | ShotOnWhat?

Directed by | Louis Leterrier | Cinematography by | Mitchell Amundsen, Larry Fong | Editing by | Robert Leighton, Vincent Tabaillon

Starring | Jesse Eisenberg, Common, Mark Ruffalo, Woody Harrelson

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision G Series Anamorphic Lenses

Pain & Gain (2013)

Motion Picture | 2D | Color | 2.39:1 | 129 Minutes

Directed by | Michael Bay | Cinematography by | Ben Seresin | Editing by | Tom Muldoon, Joel Negron

Starring | Mark Wahlberg, Dwayne Johnson, Anthony Mackie, Tony Shalhoub

Cameras | Canon EOS-7D Camera, GoPro HD Hero3 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Gold Camera, Red Epic Camera

Lenses | Panavision C Series Anamorphic Lenses

Plan 9 (2015)

Motion Picture | 2D | Color | 2.39:1 | 103 Minutes

Plan 9 | ShotOnWhat?

Directed by | John Johnson | Cinematography by | B. Sweeney | Editing by | John Johnson, Neil Wagner

Starring | Brian Krause, Sara Eshleman, Mister Lobo, Amy Hart

Cameras | Aaton 35-III Camera, Sony PMW-F3 Camera

Lenses | Zeiss Lenses

For Your Consideration (2006)

Motion Picture | 2D | Color | 1.85:1 | 86 Minutes

For Your Consideration | ShotOnWhat?

Directed by | Christopher Guest | Cinematography by | Roberto Schaefer | Editing by | Robert Leighton

Starring | Catherine O'Hara, Harry Shearer, Parker Posey, Christopher Guest

Cameras | Aaton XTR Prod Camera, Ultracam 35 Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Angenieux HR Zoom Lenses, Canon Lenses, Zeiss Lenses

The Paperboy (2012)

Motion Picture | 2D | Color | 2.35:1 | 107 Minutes

The Paperboy | ShotOnWhat?

Directed by | Lee Daniels | Cinematography by | Roberto Schaefer | Editing by | Joe Klotz

Starring | Matthew McConaughey, Nicole Kidman, John Cusack, Zac Efron

Cameras | Aaton XTR Prod Camera, ARRIFLEX 16SR3 Camera

Lenses | Canon Lenses, Zeiss Super Speed Lenses

Stay (2005)

Motion Picture | 2D | Color | 2.35:1 | 15 Minutes

Stay | ShotOnWhat?

Directed by | David Brind | Cinematography by | Kenneth Wilson II

Starring | Tessa Auberjonois, Louis Cancelmi, John Boyd, Adriana DeMeo

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Zeiss Super Speed Lenses

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