Eastman EXR Neg. Film | 261 Titles
Mousehunt (1997)
The Rookie (1990)
Directed by | Clint Eastwood | Cinematography by | Jack N. Green | Editing by | Joel Cox
Cameras | ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Gold Camera, Panavision Panaflex-X Camera
Lenses | Panavision Super Speed Lenses
Box of Moon Light (1996)
Directed by | Tom DiCillo | Cinematography by | Paul Ryan | Editing by | Camilla Toniolo
Cameras | ARRIFLEX 35 III Camera, Moviecam Compact Camera
Divine Secrets of the Ya-Ya Sisterhood (2002)
Directed by | Callie Khouri | Cinematography by | John Bailey | Editing by | Andrew Marcus
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
A Civil Action (1998)
Directed by | Steven Zaillian | Cinematography by | Conrad L. Hall | Editing by | Wayne Wahrman
Cameras | Panavision Panaflex Platinum Camera
The Alamo (2004)
Directed by | John Lee Hancock | Cinematography by | Dean Semler | Editing by | Eric L. Beason
Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Bulworth (1998)
Directed by | Warren Beatty | Cinematography by | Vittorio Storaro | Editing by | Robert C. Jones, Billy Weber
61* (2001)
Directed by | Billy Crystal | Cinematography by | Haskell Wexler | Editing by | Michael Jablow
Cameras | ARRIFLEX 435 ES Camera
The General’s Daughter (1999)
Directed by | Simon West | Cinematography by | Peter Menzies Jr. | Editing by | Glen Scantlebury
Cameras | Pan-Arri III Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Man on Fire (2004)
Directed by | Tony Scott | Cinematography by | Paul Cameron | Editing by | Christian Wagner
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Lost (2004)
| Cinematography by | John S. Bartley, Michael Bonvillain, Cort Fey, Larry Fong, Stephen St. John, Edward J. Pei | Editing by | Stephen Semel, Mark Goldman, Christopher Nelson, Mary Jo Markey, Sarah Boyd, Henk Van Eeghen, David Eisenberg, Lance Stubblefield, Robert Florio, Sue Blainey, Jo Francis, Martin Nicholson, Chris Braun
Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Wild Wild West (1999)
Directed by | Barry Sonnenfeld | Cinematography by | Michael Ballhaus | Editing by | Jim Miller
Lenses | Zeiss Variable Prime VP1 16-30 mm T2.2 Lens, Zeiss Variable Prime VP2 29-60 mm T2.2 Lens, Zeiss Variable Prime VP3 55-150 mm T2.2 Lens
Harry Potter and the Prisoner of Azkaban (2004)
Directed by | Alfonso Cuarón | Cinematography by | Michael Seresin | Editing by | Steven Weisberg
Lenses | Cooke S4 Lenses
Passion in the Desert (1997)
The Ghost and the Darkness (1996)
Directed by | Stephen Hopkins | Cinematography by | Vilmos Zsigmond | Editing by | Roger Bondelli, Robert Brown, Steve Mirkovich, Bert Lovitt
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Kill Bill: Vol. 2 (2004)
Directed by | Quentin Tarantino | Cinematography by | Robert Richardson | Editing by | Sally Menke
Cameras | Panavision Panaflex Platinum Camera
Reservoir Dogs (1992)
Hak hap (1996)
Directed by | Daniel Lee | Cinematography by | Tony Cheung | Editing by | Ka Tai Cheung, Ka-Fai Cheung, Ettie M. Feldman
Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 535 Camera
Lenses | Angenieux Lenses, ARRI / Zeiss Lenses
American Beauty (1999) 
Directed by | Sam Mendes | Cinematography by | Conrad L. Hall | Editing by | Tariq Anwar, Christopher Greenbury
Cameras | Panavision Panaflex Platinum Camera
Crouching Tiger, Hidden Dragon (2000)
Directed by | Ang Lee | Cinematography by | Peter Pau | Editing by | Tim Squyres
Cameras | ARRIFLEX 435 ES Camera
Lenses | Zeiss Lenses
