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Eastman EXR Neg. Film | 261 Titles

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The Fan (1996)

Motion Picture | 2D | Color | 2.39:1 | 116 Minutes

Directed by | Tony Scott | Cinematography by | Dariusz Wolski | Editing by | Claire Simpson, Christian Wagner

Starring | Robert De Niro, Wesley Snipes, Ellen Barkin, John Leguizamo

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Score (2001)

Motion Picture | 2D | Color | 2.39:1 | 124 Minutes

The Score | ShotOnWhat?

Directed by | Frank Oz | Cinematography by | Rob Hahn | Editing by | Richard Pearson

Starring | Robert De Niro, Edward Norton, Marlon Brando, Angela Bassett

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Shawshank Redemption (1994)

Motion Picture | 2D | Color | 1.85:1 | 142 Minutes

Directed by | Frank Darabont | Cinematography by | Roger Deakins | Editing by | Richard Francis-Bruce

Starring | Tim Robbins, Morgan Freeman, Bob Gunton, William Sadler

Cameras | ARRIFLEX 35 BL4 Camera, Moviecam Compact Camera

Lenses | ARRI / Zeiss Lenses

Dead Presidents (1995)

Motion Picture | 2D | Color | 2.39:1 | 119 Minutes

Directed by | Albert Hughes, Allen Hughes | Cinematography by | Lisa Rinzler | Editing by | Dan Lebental

Starring | Larenz Tate, Keith David, Chris Tucker, Freddy Rodríguez

Cameras | Panavision Panaflex Gold II Camera

Lenses | Canon Lenses, Panavision Primo Primes Spherical Lenses

Frida (2002)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 123 Minutes

Directed by | Julie Taymor | Cinematography by | Rodrigo Prieto | Editing by | Françoise Bonnot

Starring | Salma Hayek, Alfred Molina, Geoffrey Rush, Mía Maestro

Cameras | ARRIFLEX 435 Camera, Moviecam Compact Camera

Lenses | Zeiss Ultra Prime Lenses

House of Flying Daggers (2004)

Motion Picture | 2D | Color | 2.39:1 | 119 Minutes

Directed by | Yimou Zhang | Cinematography by | Xiaoding Zhao | Editing by | Long Cheng

Starring | Ziyi Zhang, Takeshi Kaneshiro, Andy Lau, Dandan Song

Cameras | ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera

Lenses | Cooke Lenses, Zeiss Lenses

Brokeback Mountain (2005)

Motion Picture | 2D | Color | 1.85:1 | 134 Minutes

Directed by | Ang Lee | Cinematography by | Rodrigo Prieto | Editing by | Geraldine Peroni, Dylan Tichenor

Starring | Jake Gyllenhaal, Heath Ledger, Michelle Williams, Randy Quaid

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Cooke S4 Lenses

Jennifer 8 (1992)

Motion Picture | 2D | Color | 1.85:1 | 124 Minutes

Directed by | Bruce Robinson | Cinematography by | Conrad L. Hall | Editing by | Conrad Buff IV

Starring | Andy Garcia, Uma Thurman, Lance Henriksen, Graham Beckel

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Craft (1996)

Motion Picture | Color | 101 Minutes

Directed by | Andrew Fleming | Cinematography by | Alexander Gruszynski | Editing by | Jeff Freeman

Starring | Robin Tunney, Fairuza Balk, Neve Campbell, Rachel True

Cameras | Moviecam Compact Camera

Lenses | Zeiss Lenses

Kundun (1997)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 134 Minutes

Directed by | Martin Scorsese | Cinematography by | Roger Deakins | Editing by | Thelma Schoonmaker

Starring | Tenzin Thuthob Tsarong, Gyurme Tethong, Tulku Jamyang Kunga Tenzin, Tenzin Yeshi Paichang

Cameras | ARRIFLEX 535 B Camera

Lenses | Cooke Lenses, Cooke Super Cine Varotal 25-250mm f2.8 Lens, Zeiss Standard Speed Prime Lenses

The Pelican Brief (1993)

Motion Picture | 2D | Color | 2.35:1 | 141 Minutes

The Pelican Brief | ShotOnWhat?

Directed by | Alan J. Pakula | Cinematography by | Stephen Goldblatt | Editing by | Tom Rolf, Trudy Ship

Starring | Julia Roberts, Denzel Washington, Sam Shepard, John Heard

Cameras | Moviecam Compact Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision E Series Anamorphic Lenses

The Horse Whisperer (1998)

Motion Picture | 2D | Color | 1.85:1, 2.39:1 | 169 Minutes

Directed by | Robert Redford | Cinematography by | Robert Richardson | Editing by | Hank Corwin, Freeman A. Davies, Tom Rolf

Starring | Robert Redford, Kristin Scott Thomas, Sam Neill, Dianne Wiest

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision E Series Anamorphic Lenses

Mo’ Better Blues (1990)

Motion Picture | 2D | Color | 1.85:1 | 130 Minutes

Directed by | Spike Lee | Cinematography by | Ernest R. Dickerson | Editing by | Samuel D. Pollard

Starring | Denzel Washington, Spike Lee, Wesley Snipes, Giancarlo Esposito

Cameras | ARRIFLEX 35 BL4 Camera

Lenses | Zeiss Super Speed Lenses

Babel (2006)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 143 Minutes

Directed by | Alejandro G. Iñárritu | Cinematography by | Rodrigo Prieto | Editing by | Douglas Crise, Stephen Mirrione

Starring | Brad Pitt, Cate Blanchett, Gael García Bernal, Mohamed Akhzam

Cameras | ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

The Tailor of Panama (2001)

Motion Picture | 2D | Color | 2.39:1 | 109 Minutes

Directed by | John Boorman | Cinematography by | Philippe Rousselot | Editing by | Ron Davis

Starring | Pierce Brosnan, Geoffrey Rush, Jamie Lee Curtis, Leonor Varela

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses

Gosford Park (2001)

Motion Picture | 2D | Color | 2.39:1 | 131 Minutes

Directed by | Robert Altman | Cinematography by | Andrew Dunn | Editing by | Tim Squyres

Starring | Maggie Smith, Ryan Phillippe, Michael Gambon, Kristin Scott Thomas

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Affair of the Necklace (2001)

Motion Picture | 2D | Color | 2.39:1 | 118 Minutes

Directed by | Charles Shyer | Cinematography by | Ashley Rowe | Editing by | David Moritz

Starring | Hilary Swank, Simon Baker, Jonathan Pryce, Adrien Brody

Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera

Lenses | Angenieux HR Zoom Lenses, ARRI Shift & Tilt System Lens, Zeiss Ultra Prime Lenses

The Core (2003)

Motion Picture | 2D | Color | 2.39:1 | 135 Minutes

The Core | ShotOnWhat?

Directed by | Jon Amiel | Cinematography by | John Lindley | Editing by | Terry Rawlings

Starring | Aaron Eckhart, Hilary Swank, Delroy Lindo, Bruce Greenwood

Cameras | Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses | Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Angel-A (2005)

Motion Picture | 2D | Black & White | 2.39:1 | 91 Minutes

Directed by | Luc Besson | Cinematography by | Thierry Arbogast | Editing by | Christine Lucas Navarro, Frédéric Thoraval

Starring | Rie Rasmussen, Jamel Debbouze, Gilbert Melki, Serge Riaboukine

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Cooke S4 Lenses

Trainspotting (1996)

Motion Picture | 2D | Film Project | Color | 93 Minutes

Directed by | Danny Boyle | Cinematography by | Brian Tufano | Editing by | Masahiro Hirakubo

Starring | Ewan McGregor, Ewen Bremner, Jonny Lee Miller, Kevin McKidd

Cameras | Aaton 35-III Camera, ARRIFLEX 35 BL4 Camera

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