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Modern VideoFilm, Burbank : 19

Modern VideoFilm | 25 Titles

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Avatar (2009)

Motion Picture | 3D | 2K Project | Color | 1.78:1 (16x9), 2.39:1 | 162 Minutes

Directed by | James Cameron | Cinematography by | Mauro Fiore | Editing by | James Cameron, John Refoua, Stephen E. Rivkin

Starring | Sam Worthington, Zoe Saldaña, Sigourney Weaver

Cameras | Sony CineAlta F23 Camera, Sony HDC-1500 Camera, Sony HDC-F950 Camera

Lenses | Canon Lenses, Fujinon HA16x6.3BE 6.3-101 mm T1.8 Lens, Fujinon HA5x7B-W50 7-35 mm Lens, Fujinon Lenses

Minority Report (2002)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 145 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn

Starring | Tom Cruise, Colin Farrell, Samantha Morton, Max von Sydow

Cameras | Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Lenses

Talladega Nights: The Ballad of Ricky Bobby (2006)

Motion Picture | 2D | 2K Project | Color | 108 Minutes

Directed by | Adam McKay | Cinematography by | Oliver Wood | Editing by | Brent White

Starring | Will Ferrell, John C. Reilly, Sacha Baron Cohen, Gary Cole

Cameras | Panavision Cameras

Lenses | Panavision Lenses

30 Minutes or Less (2011)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 83 Minutes

Directed by | Ruben Fleischer | Cinematography by | Jess Hall | Editing by | Alan Baumgarten

Starring | Jesse Eisenberg, Danny McBride, Nick Swardson

Cameras | Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Whiplash (2014)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 106 Minutes

Directed by | Damien Chazelle | Cinematography by | Sharone Meir | Editing by | Tom Cross

Starring | Miles Teller, J.K. Simmons, Melissa Benoist, Paul Reiser

Cameras | ARRI ALEXA Camera, Canon EOS-7D Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses, Leitz Summilux-C Series Lenses

The Expendables (2010)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 103 Minutes

Directed by | Sylvester Stallone | Cinematography by | Jeffrey L. Kimball | Editing by | Ken Blackwell, Paul Harb

Starring | Sylvester Stallone, Jason Statham, Jet Li, Dolph Lundgren

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Labor Day (2013)

Motion Picture | 2D | Color | 2.39:1 | 111 Minutes

Directed by | Jason Reitman | Cinematography by | Eric Steelberg | Editing by | Dana E. Glauberman

Starring | Kate Winslet, Josh Brolin, Gattlin Griffith, Clark Gregg

Cameras | Red Epic Camera

Lenses | Angenieux Optimo Zoom Lenses, Bausch & Lomb Super Baltar Lenses, Cooke Varotal Lenses, Fujinon Premier Lenses, Zeiss Master Prime Lenses

Wild (2014)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 115 Minutes

Directed by | Jean-Marc Vallée | Cinematography by | Yves Bélanger | Editing by | Martin Pensa, Jean-Marc Vallée

Starring | Reese Witherspoon, Laura Dern, Gaby Hoffmann, Michiel Huisman

Cameras | ARRI ALEXA XT Camera

Lenses | Zeiss Master Prime Lenses, Zeiss Super Speed Lenses

Pretty Little Liars (2010)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) | 44 Minutes

| Cinematography by | Larry Reibman, Dana Gonzales, Buzz Feitshans IV, Craig Fikse, Robert LaBonge, Geoffrey Haley | Editing by | Robert Lattanzio, Lois Blumenthal, Melissa Gearhart, Susanne Malles, Jill D'Agnenica, Michael S. Murphy, Kaja Fehr, Jacqueline Cambas

Starring | Troian Bellisario, Ashley Benson, Lucy Hale, Shay Mitchell

Cameras | Red One MX Camera, Red Scarlet Camera

Lenses | Cooke S4/i Prime 300mm T2.8 Lens, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 20 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 28 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 65 mm T1.9 Lens, Zeiss Ultra Prime Planar 85 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 100 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 135 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 180 mm T1.9 Lens

Olympus Has Fallen (2013)

Motion Picture | 2D | Color | 2.39:1 | 119 Minutes

Directed by | Antoine Fuqua | Cinematography by | Conrad W. Hall | Editing by | John Refoua

Starring | Gerard Butler, Aaron Eckhart, Morgan Freeman, Angela Bassett

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Desperate Housewives (2004)

Television Series | 2D | Color | 1.33:1 (4x3), 1.78:1 (16x9) | 45 Minutes

Desperate Housewives | ShotOnWhat?

I, Robot (2004)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 115 Minutes

Directed by | Alex Proyas | Cinematography by | Simon Duggan | Editing by | William Hoy, Richard Learoyd, Armen Minasian

Starring | Will Smith, Bridget Moynahan, Bruce Greenwood, Alan Tudyk

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Photo-Sonics 35mm-4ER Camera

Lenses | Cooke S4 Lenses, Zeiss Ultra Prime Lenses

Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan (2006)

Motion Picture | 2D | HD Project | Color | 1.85:1 | 84 Minutes

Directed by | Larry Charles | Cinematography by | Luke Geissbuhler, Anthony Hardwick | Editing by | Craig Alpert, Peter Teschner, James Thomas

Starring | Sacha Baron Cohen, Ken Davitian, Luenell, Chester

Cameras | Panasonic AJ-HDC27 Varicam Camera

The Descendants (2011)

Motion Picture | 2D | Color | 2.39:1 | 115 Minutes

Directed by | Alexander Payne | Cinematography by | Phedon Papamichael | Editing by | Kevin Tent

Starring | George Clooney, Shailene Woodley, Amara Miller, Nick Krause

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

3:10 to Yuma (2007)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 122 Minutes

Directed by | James Mangold | Cinematography by | Phedon Papamichael | Editing by | Michael McCusker

Starring | Russell Crowe, Christian Bale, Ben Foster, Logan Lerman

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Walk the Line (2005)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 136 Minutes

Directed by | James Mangold | Cinematography by | Phedon Papamichael | Editing by | Michael McCusker

Starring | Joaquin Phoenix, Reese Witherspoon, Ginnifer Goodwin, Robert Patrick

Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Angenieux Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Standard Primes (SP) Lenses

All About Steve (2009)

Motion Picture | 2D | Color | 1.85:1 | 99 Minutes

All About Steve | ShotOnWhat?

Directed by | Phil Traill | Cinematography by | Tim Suhrstedt | Editing by | Rod Dean, Virginia Katz

Starring | Sandra Bullock, Bradley Cooper, Thomas Haden Church, Ken Jeong

Cameras | Panavision Cameras

Master and Commander: The Far Side of the World (2003)

Motion Picture | 2D | Color | 2.39:1 | 138 Minutes

Directed by | Peter Weir | Cinematography by | Russell Boyd | Editing by | Lee Smith

Starring | Russell Crowe, Paul Bettany, Billy Boyd, James D'Arcy

Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

Tropic Thunder (2008)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 107 Minutes

Directed by | Ben Stiller | Cinematography by | John Toll | Editing by | Greg Hayden

Starring | Ben Stiller, Jack Black, Robert Downey Jr., Jeff Kahn

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

A Good Year (2006)

Motion Picture | 2D | Color | 2.39:1 | 117 Minutes

Directed by | Ridley Scott | Cinematography by | Philippe Le Sourd | Editing by | Dody Dorn, Robb Sullivan

Starring | Russell Crowe, Abbie Cornish, Albert Finney, Marion Cotillard

Cameras | ARRICAM Lite (LT) Camera

Lenses | Panavision Primo Primes Spherical Lenses

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