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Modern VideoFilm, Burbank | 19 Titles

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Avatar (2009)

Motion Picture | 3D | 2K Project | Color | 1.78:1 (16x9), 2.39:1 | 162 Minutes

Directed by | James Cameron | Cinematography by | Mauro Fiore | Editing by | James Cameron, John Refoua, Stephen E. Rivkin

Starring | Sam Worthington, Zoe Saldana, Sigourney Weaver, Michelle Rodriguez

Cameras | Sony CineAlta F23 Camera, Sony HDC-1500 Camera, Sony HDC-F950 Camera

Lenses | Canon Lenses, Fujinon HA16x6.3BE 6.3-101 mm T1.8 Lens, Fujinon HA5x7B-W50 7-35 mm Lens, Fujinon Lenses

30 Minutes or Less (2011)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 83 Minutes

Directed by | Ruben Fleischer | Cinematography by | Jess Hall | Editing by | Alan Baumgarten

Starring | Jesse Eisenberg, Danny McBride, Nick Swardson

Cameras | Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Whiplash (2014)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 106 Minutes

Directed by | Damien Chazelle | Cinematography by | Sharone Meir | Editing by | Tom Cross

Starring | Miles Teller, J.K. Simmons, Melissa Benoist, Paul Reiser

Cameras | ARRI ALEXA Camera, Canon EOS-7D Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses, Leitz Summilux-C Series Lenses

The Expendables (2010)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 103 Minutes

Directed by | Sylvester Stallone | Cinematography by | Jeffrey L. Kimball | Editing by | Ken Blackwell, Paul Harb

Starring | Sylvester Stallone, Jason Statham, Jet Li, Dolph Lundgren

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Labor Day (2013)

Motion Picture | 2D | Color | 2.39:1 | 111 Minutes

Directed by | Jason Reitman | Cinematography by | Eric Steelberg | Editing by | Dana E. Glauberman

Starring | Kate Winslet, Josh Brolin, Gattlin Griffith, Clark Gregg

Cameras | Red Epic Camera

Lenses | Angenieux Optimo Zoom Lenses, Bausch & Lomb Super Baltar Lenses, Cooke Varotal Lenses, Fujinon Premier Lenses, Zeiss Master Prime Lenses

Pretty Little Liars (2010)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) | 44 Minutes

| Cinematography by | Larry Reibman, Dana Gonzales, Buzz Feitshans IV, Craig Fikse, Robert LaBonge, Geoffrey Haley | Editing by | Robert Lattanzio, Lois Blumenthal, Melissa Gearhart, Susanne Malles, Jill D'Agnenica, Michael S. Murphy, Kaja Fehr, Jacqueline Cambas

Starring | Troian Bellisario, Ashley Benson, Lucy Hale, Shay Mitchell

Cameras | Red One MX Camera, Red Scarlet Camera

Lenses | Cooke S4/i Prime 300mm T2.8 Lens, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 20 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 28 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 65 mm T1.9 Lens, Zeiss Ultra Prime Planar 85 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 100 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 135 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 180 mm T1.9 Lens

Olympus Has Fallen (2013)

Motion Picture | 2D | Color | 2.39:1 | 119 Minutes

Directed by | Antoine Fuqua | Cinematography by | Conrad W. Hall | Editing by | John Refoua

Starring | Gerard Butler, Aaron Eckhart, Morgan Freeman, Angela Bassett

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Desperate Housewives (2004)

Television Series | 2D | Color | 1.33:1 (4x3), 1.78:1 (16x9) | 45 Minutes

Desperate Housewives | ShotOnWhat?

Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan (2006)

Motion Picture | 2D | HD Project | Color | 1.85:1 | 84 Minutes

Directed by | Larry Charles | Cinematography by | Luke Geissbuhler, Anthony Hardwick | Editing by | Craig Alpert, Peter Teschner, James Thomas

Starring | Sacha Baron Cohen, Ken Davitian, Luenell, Chester

Cameras | Panasonic AJ-HDC27 Varicam Camera

The Descendants (2011)

Motion Picture | 2D | Color | 2.39:1 | 115 Minutes

Directed by | Alexander Payne | Cinematography by | Phedon Papamichael | Editing by | Kevin Tent

Starring | George Clooney, Shailene Woodley, Amara Miller, Nick Krause

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

3:10 to Yuma (2007)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 122 Minutes

Directed by | James Mangold | Cinematography by | Phedon Papamichael | Editing by | Michael McCusker

Starring | Russell Crowe, Christian Bale, Ben Foster, Logan Lerman

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Walk the Line (2005)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 136 Minutes

Directed by | James Mangold | Cinematography by | Phedon Papamichael | Editing by | Michael McCusker

Starring | Joaquin Phoenix, Reese Witherspoon, Ginnifer Goodwin, Robert Patrick

Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Angenieux Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Standard Primes (SP) Lenses

All About Steve (2009)

Motion Picture | 2D | Color | 1.85:1 | 99 Minutes

All About Steve | ShotOnWhat?

Directed by | Phil Traill | Cinematography by | Tim Suhrstedt | Editing by | Rod Dean, Virginia Katz

Starring | Sandra Bullock, Bradley Cooper, Thomas Haden Church, Ken Jeong

Cameras | Panavision Cameras

Tropic Thunder (2008)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 107 Minutes

Directed by | Ben Stiller | Cinematography by | John Toll | Editing by | Greg Hayden

Starring | Ben Stiller, Jack Black, Robert Downey Jr., Jeff Kahn

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Whip It (2009)

Motion Picture | Color | 2.39:1 | 111 Minutes

Directed by | Drew Barrymore | Cinematography by | Robert D. Yeoman | Editing by | Dylan Tichenor

Starring | Ellen Page, Drew Barrymore, Kristen Wiig, Sarah Habel

Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Gone Baby Gone (2007)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 114 Minutes

Directed by | Ben Affleck | Cinematography by | John Toll | Editing by | William Goldenberg

Starring | Morgan Freeman, Ed Harris, Casey Affleck, Michelle Monaghan

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

My Bloody Valentine (2009)

Motion Picture | 3D | Color | 1.85:1 | 101 Minutes

My Bloody Valentine | ShotOnWhat?

Directed by | Patrick Lussier | Cinematography by | Brian Pearson | Editing by | Cynthia Ludwig, Patrick Lussier

Starring | Jensen Ackles, Jaime King, Kerr Smith, Betsy Rue

Cameras | Red One Camera, Silicon Imaging SI-2K Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo Zoom Lenses

Knight and Day (2010)

Motion Picture | 2D | Color | 2.35:1 | 109 Minutes

Knight and Day | ShotOnWhat?

Directed by | James Mangold | Cinematography by | Phedon Papamichael | Editing by | Quincy Z. Gunderson, Michael McCusker

Starring | Tom Cruise, Cameron Diaz, Peter Sarsgaard, Jordi Mollà

Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

Halloween II (2009)

Motion Picture | 2D | Color | 1.85:1 | 105 Minutes

Halloween II | ShotOnWhat?

Directed by | Rob Zombie | Cinematography by | Brandon Trost | Editing by | Glenn Garland, Joel T. Pashby

Starring | Scout Taylor-Compton, Tyler Mane, Malcolm McDowell, Sheri Moon Zombie

Cameras | ARRI Cameras

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