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Deluxe, Culver City : 3Deluxe, Hollywood : 466Deluxe, Italia : 2Deluxe, London : 43Deluxe, Los Angeles : 4Deluxe, New York : 21Deluxe, Sydney : 3Deluxe, Toronto : 39Deluxe, UK : 10Deluxe, Vancouver : 4

Deluxe | 792 Titles

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Shakespeare in Love (1998)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 123 Minutes

Directed by | John Madden | Cinematography by | Richard Greatrex | Editing by | David Gamble

Starring | Gwyneth Paltrow, Joseph Fiennes, Geoffrey Rush, Tom Wilkinson

Cameras | ARRIFLEX 535 B Camera

Lenses | Zeiss Variable Prime Lenses

Life as a House (2001)

Motion Picture | Color | 2.39:1 | 125 Minutes

Directed by | Irwin Winkler | Cinematography by | Vilmos Zsigmond | Editing by | Julie Monroe

Starring | Hayden Christensen, Kevin Kline, Kristin Scott Thomas, Jena Malone

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Die Hard 2 (1990)

Motion Picture | 2D | Color | 2.20:1, 2.39:1 | 124 Minutes

Directed by | Renny Harlin | Cinematography by | Oliver Wood | Editing by | Stuart Baird, Robert A. Ferretti

Starring | Bruce Willis, William Atherton, Bonnie Bedelia, Reginald VelJohnson

Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Gold II Camera, Photo-Sonics 35mm-4ER Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

High Anxiety (1977)

Motion Picture | 2D | Color | 94 Minutes

Directed by | Mel Brooks | Cinematography by | Paul Lohmann | Editing by | John C. Howard

Starring | Mel Brooks, Madeline Kahn, Cloris Leachman, Harvey Korman

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Men of Honor (2000)

Motion Picture | 2D | Color | 2.39:1 | 129 Minutes

Directed by | George Tillman Jr. | Cinematography by | Anthony B. Richmond | Editing by | John Carter, Dirk Westervelt

Starring | Cuba Gooding Jr., Robert De Niro, Charlize Theron, Aunjanue Ellis-Taylor

Cameras | ARRIFLEX 35 III Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses | Cooke S4 Lenses

Solar Crisis (1990)

Motion Picture | 2D | Color | 2.39:1 | 112 Minutes

Directed by | Richard C. Sarafian, Alan Smithee | Cinematography by | Russell Carpenter | Editing by | Richard Trevor

Starring | Tim Matheson, Charlton Heston, Peter Boyle, Annabel Schofield

Cameras | Panavision Panaflex Platinum Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses

Why Did I Get Married Too? (2010)

Motion Picture | 2D | Color | 1.85:1 | 121 Minutes

Why Did I Get Married Too? | ShotOnWhat?

Directed by | Tyler Perry | Cinematography by | Toyomichi Kurita | Editing by | Maysie Hoy

Starring | Janet Jackson, Tyler Perry, Jill Scott, Sharon Leal

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

X-Men (2000)

Motion Picture | 2D | Color | 2.39:1 | 104 Minutes

Directed by | Bryan Singer | Cinematography by | Newton Thomas Sigel | Editing by | Steven Rosenblum, Kevin Stitt, John Wright

Starring | Patrick Stewart, Hugh Jackman, Ian McKellen, Famke Janssen

Cameras | Panavision Panaflex Millennium Camera

Lenses | Panavision Primo Anamorphic Lenses

Made of Honor (2008)

Motion Picture | 2D | Color | 2.35:1 | 101 Minutes

Made of Honor | ShotOnWhat?

Directed by | Paul Weiland | Cinematography by | Tony Pierce-Roberts | Editing by | Richard Marks

Starring | Patrick Dempsey, Michelle Monaghan, Kevin McKidd, Kadeem Hardison

Cameras | Panavision Cameras

Savages (2012)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 131 Minutes

Directed by | Oliver Stone | Cinematography by | Dan Mindel | Editing by | Joe Hutshing, Stuart Levy, Alex Marquez

Starring | Aaron Taylor-Johnson, Taylor Kitsch, Blake Lively, Benicio Del Toro

Cameras | ARRIFLEX 35 IIC Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Grey (2011)

Motion Picture | 2D | Color | 2.39:1 | 117 Minutes

The Grey | ShotOnWhat?

Directed by | Joe Carnahan | Cinematography by | Masanobu Takayanagi | Editing by | Roger Barton, Jason Hellmann

Starring | Liam Neeson, Dermot Mulroney, Frank Grillo, Dallas Roberts

Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses

DragonHeart (1996)

Motion Picture | Color | 2.39:1 | 103 Minutes

Directed by | Rob Cohen | Cinematography by | David Eggby | Editing by | Peter Amundson

Starring | Dennis Quaid, Sean Connery, Dina Meyer, Pete Postlethwaite

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras

Lenses | Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Battle Los Angeles (2011)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 116 Minutes

Directed by | Jonathan Liebesman | Cinematography by | Lukas Ettlin | Editing by | Christian Wagner

Starring | Aaron Eckhart, Michelle Rodriguez, Bridget Moynahan, Ramón Rodríguez

Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony PMW-EX3 Camera

Lenses | Panavision Compact Zoom Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses

The A-Team (2010)

Motion Picture | 2D | Color | 2.35:1 | 117 Minutes

The A-Team | ShotOnWhat?

Directed by | Joe Carnahan | Cinematography by | Mauro Fiore | Editing by | Roger Barton, Jim May

Starring | Liam Neeson, Bradley Cooper, Sharlto Copley, Jessica Biel

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Vampires Suck (2010)

Motion Picture | 2D | Color | 1.85:1 | 82 Minutes

Vampires Suck | ShotOnWhat?

Directed by | Jason Friedberg, Aaron Seltzer | Cinematography by | Shawn Maurer | Editing by | Peck Prior

Starring | Jenn Proske, Matt Lanter, Diedrich Bader, Chris Riggi

Cameras | Moviecam Compact Camera

The Rainmaker (1997)

Motion Picture | 2D | Color | 2.35:1 | 135 Minutes

The Rainmaker | ShotOnWhat?

Directed by | Francis Ford Coppola | Cinematography by | John Toll | Editing by | Melissa Kent, Barry Malkin

Starring | Matt Damon, Danny DeVito, Claire Danes, Jon Voight

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Quills (2000)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 124 Minutes

Directed by | Philip Kaufman | Cinematography by | Rogier Stoffers | Editing by | Peter Boyle

Starring | Geoffrey Rush, Kate Winslet, Joaquin Phoenix, Michael Caine

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Alien: Resurrection (1997)

Motion Picture | 2D | Color | 2.39:1 | 109 Minutes

Directed by | Jean-Pierre Jeunet | Cinematography by | Darius Khondji | Editing by | Hervé Schneid

Starring | Sigourney Weaver, Winona Ryder, Dominique Pinon, Ron Perlman

Cameras | Aaton 35-III Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Sweet and Lowdown (1999)

Motion Picture | 2D | Color | 1.85:1 | 95 Minutes

Directed by | Woody Allen | Cinematography by | Fei Zhao | Editing by | Alisa Lepselter

Starring | Sean Penn, Samantha Morton, Woody Allen, Ben Duncan

Cameras | Panavision Cameras

Lenses | Panavision Lenses

W.E. (2011)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 119 Minutes

Directed by | Madonna | Cinematography by | Hagen Bogdanski | Editing by | Danny Tull

Starring | Abbie Cornish, James D'Arcy, Andrea Riseborough, Oscar Isaac

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 16SR3 Advanced Camera

Lenses | Zeiss Ultra Prime Lenses

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