Deluxe | 792 Titles
Aliens (1986)
Directed by | James Cameron | Cinematography by | Adrian Biddle | Editing by | Ray Lovejoy
Lenses | Canon K35 Prime Lenses
Rain Man (1988) 
Directed by | Barry Levinson | Cinematography by | John Seale | Editing by | Stu Linder
Cameras | Panavision Panaflex Camera
Across 110th Street (1972)
Directed by | Barry Shear | Cinematography by | Jack Priestley | Editing by | Byron 'Buzz' Brandt, Carl Pingitore
Cameras | ARRIFLEX 35 BL Camera, ARRIFLEX 35 IIC Camera
You Don’t Mess with the Zohan (2008)
Directed by | Dennis Dugan | Cinematography by | Michael Barrett | Editing by | Tom Costain
Cameras | Panavision Genesis Camera
50 First Dates (2004)
Directed by | Peter Segal | Cinematography by | Jack N. Green | Editing by | Jeff Gourson
Cameras | Panavision Cameras
American Me (1992)
Directed by | Edward James Olmos | Cinematography by | Reynaldo Villalobos | Editing by | Richard Candib, Arthur Coburn
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Men Who Stare at Goats (2009)
Directed by | Grant Heslov | Cinematography by | Robert Elswit | Editing by | Tatiana S. Riegel
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses
Vantage Point (2008)
She Hate Me (2004)
Directed by | Spike Lee | Cinematography by | Matthew Libatique | Editing by | Barry Alexander Brown
Cameras | Aaton A-Minima Camera, ARRI Cameras
Harley Davidson and the Marlboro Man (1991)
Directed by | Simon Wincer | Cinematography by | David Eggby | Editing by | Corky Ehlers
Cameras | Panavision Cameras
Angel Eyes (2001)
Directed by | Luis Mandoki | Cinematography by | Piotr Sobocinski | Editing by | Gerald B. Greenberg
The Back-up Plan (2010)
Jerry Maguire (1996)
Directed by | Cameron Crowe | Cinematography by | Janusz Kaminski | Editing by | Joe Hutshing, David Moritz
Cameras | Panavision Panaflex Camera
Lenses | Panavision Lenses
The Iron Lady (2011)
Directed by | Phyllida Lloyd | Cinematography by | Elliot Davis | Editing by | Justine Wright
Lenses | Angenieux Optimo Zoom Lenses, Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses
Snow Falling on Cedars (1999)
Directed by | Scott Hicks | Cinematography by | Robert Richardson | Editing by | Hank Corwin
Cameras | Panavision Panaflex Platinum Camera
The Master (2012)
Directed by | Paul Thomas Anderson | Cinematography by | Mihai Malaimare Jr. | Editing by | Leslie Jones, Peter McNulty
Cameras | Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses | Panavision 65mm Prime Lenses
The Saint (1997)
Directed by | Phillip Noyce | Cinematography by | Phil Meheux | Editing by | Terry Rawlings
Cameras | Panavision Panaflex Gold II Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
A Single Man (2009)
Directed by | Tom Ford | Cinematography by | Eduard Grau | Editing by | Joan Sobel
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | Panavision Primo Anamorphic Lenses
The Soloist (2009)
Directed by | Joe Wright | Cinematography by | Seamus McGarvey | Editing by | Paul Tothill
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Charlie Wilson’s War (2007)
Directed by | Mike Nichols | Cinematography by | Stephen Goldblatt | Editing by | John Bloom, Antonia Van Drimmelen
