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Film Print Anamorphic | 714 Titles

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The Fast and the Furious (2001)

Motion Picture | 2D | Color | 2.39:1 | 106 Minutes

Directed by | Rob Cohen | Cinematography by | Ericson Core | Editing by | Peter Honess

Starring | Vin Diesel, Paul Walker, Michelle Rodriguez, Jordana Brewster

Cameras | ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses | Zeiss Ultra Prime Lenses

Gladiator (2000)

Motion Picture | 2D | Color | 2.39:1 | 155 Minutes

Directed by | Ridley Scott | Cinematography by | John Mathieson | Editing by | Pietro Scalia

Starring | Russell Crowe, Joaquin Phoenix, Connie Nielsen, Oliver Reed

Cameras | Aaton 35-III Camera, Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens

Dunkirk (2017)

Motion Picture | 2D | 2K Project, 4K Project | Color | 1.43:1, 1.90:1, 2.20:1, 2.35:1 | 106 Minutes

Directed by | Christopher Nolan | Cinematography by | Hoyte Van Hoytema | Editing by | Lee Smith

Starring | Fionn Whitehead, Barry Keoghan, Mark Rylance, Tom Hardy

Cameras | IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Hasselblad Lenses, Panavision 65mm Prime Lenses

Heaven Is for Real (2014)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 99 Minutes

Directed by | Randall Wallace | Cinematography by | Dean Semler | Editing by | John Wright

Starring | Greg Kinnear, Kelly Reilly, Thomas Haden Church, Connor Corum

Cameras | Panavision Genesis Camera

Lenses | Panavision Primo Primes Spherical Lenses

No Good Deed (2014)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 84 Minutes

Directed by | Sam Miller | Cinematography by | Michael Barrett | Editing by | Randy Bricker, Jim Page

Starring | Taraji P. Henson, Idris Elba, Leslie Bibb, Kate del Castillo

Cameras | Sony CineAlta F65 Camera

Lenses | Angenieux Optimo Zoom Lenses, Leitz Summilux-C Series Lenses

Think Like a Man Too (2014)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 106 Minutes

Directed by | Tim Story | Cinematography by | Christopher Duskin | Editing by | Peter S. Elliot

Starring | Kevin Hart, Gabrielle Union, Wendi McLendon-Covey, La La Anthony

Cameras | Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Lenses | Panavision Super Speed Lenses

Kung Fu Panda 3 (2016)

Motion Picture | 3D | Color | 2.39:1 | 95 Minutes

Directed by | Alessandro Carloni, Jennifer Yuh Nelson | Editing by | Clare Knight

Starring | Jack Black, Bryan Cranston, Dustin Hoffman, Angelina Jolie

Lust for Life (1956)

Motion Picture | 2D | Film Project | Color | 2.55:1 | 122 Minutes

Directed by | Vincente Minnelli, George Cukor | Cinematography by | Russell Harlan, Freddie Young | Editing by | Adrienne Fazan

Starring | Kirk Douglas, Anthony Quinn, James Donald, Pamela Brown

The Story of the Count of Monte Cristo (1961)

Motion Picture | 2D | Film Project | Color | 2.35:1 | 132 Minutes

Directed by | Claude Autant-Lara | Cinematography by | Jean Isnard, Jacques Natteau | Editing by | Madeleine Gug

Starring | Louis Jourdan, Yvonne Furneaux, Pierre Mondy, Bernard Dhéran

Run of the Arrow (1957)

Motion Picture | 2D | Color | 1.33:1 (4x3), 2.0:1, 2.35:1 | 86 Minutes

Directed by | Samuel Fuller | Cinematography by | Joseph F. Biroc | Editing by | Gene Fowler Jr.

Starring | Rod Steiger, Sara Montiel, Brian Keith, Ralph Meeker

THX 1138 (1971)

Motion Picture | 2D | Film Project | Color | 2.35:1 | 86 Minutes

Directed by | George Lucas | Cinematography by | Albert Kihn, David Myers | Editing by | George Lucas

Starring | Robert Duvall, Donald Pleasence, Don Pedro Colley, Maggie McOmie

The Greatest Story Ever Told (1965)

Motion Picture | 2D | Film Project | Color | 2.59:1, 2.76:1 | 260 Minutes

Directed by | George Stevens, David Lean, Jean Negulesco | Cinematography by | Loyal Griggs, William C. Mellor | Editing by | Harold F. Kress, Argyle Nelson Jr., J. Frank O'Neill

Starring | Max von Sydow, Dorothy McGuire, Charlton Heston, Michael Anderson Jr.

Cameras | Ultra Panavision 70 Camera

It’s a Mad, Mad, Mad, Mad World (1963)

Motion Picture | 2D | Film Project | Color | 2.59:1, 2.76:1 | 205 Minutes

Directed by | Stanley Kramer | Cinematography by | Ernest Laszlo | Editing by | Gene Fowler Jr., Robert C. Jones, Frederic Knudtson

Starring | Spencer Tracy, Milton Berle, Ethel Merman, Mickey Rooney

Cameras | Ultra Panavision 70 Camera

Sette opere di misericordia (2011)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 100 Minutes

Directed by | Gianluca De Serio, Massimiliano De Serio | Cinematography by | Piero Basso | Editing by | Stefano Cravero

Starring | Roberto Herlitzka, Ignazio Oliva, Olimpia Melinte, Stefano Cassetti

Cameras | ARRICAM Lite (LT) Camera

Lenses | Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens

The Hateful Eight (2015)

Motion Picture | 2D | Color | 2.76:1 | 168 Minutes

Directed by | Quentin Tarantino | Cinematography by | Robert Richardson | Editing by | Fred Raskin

Starring | Samuel L. Jackson, Kurt Russell, Jennifer Jason Leigh, Walton Goggins

Cameras | ARRIFLEX 765 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Panavision APO Panatar 100mm T2.8 Lens, Panavision APO Panatar 135mm T3.0 Lens, Panavision APO Panatar 35mm T2.8 Lens, Panavision APO Panatar 50mm T2.8 Lens, Panavision APO Panatar 75mm T2.8 Lens, Panavision APO Panatar Prism 150mm T3.6 Lens, Panavision APO Panatar Prism 57mm T4.0 Lens, Panavision APO Panatar Prism 75mm T3.5 Lens, Panavision Variable APO Panatar 135mm T3.2 Lens

On the Waterfront (1954)

Motion Picture | 2D | Black & White | 1.37:1, 1.66:1, 1.85:1 | 108 Minutes

Directed by | Elia Kazan | Cinematography by | Boris Kaufman | Editing by | Gene Milford

Starring | Marlon Brando, Karl Malden, Lee J. Cobb, Rod Steiger

Cameras | Mitchell BNC Camera

The Book Thief (2013)

Motion Picture | 2D | 2K Project | Black & White, Color | 2.39:1 | 131 Minutes

Directed by | Brian Percival | Cinematography by | Florian Ballhaus | Editing by | John Wilson

Starring | Sophie Nélisse, Geoffrey Rush, Emily Watson, Ben Schnetzer

Cameras | ARRI ALEXA Camera, ARRI ALEXA XT Plus Camera

Lenses | Angenieux Optimo Zoom Lenses, Leitz Summilux-C Series Lenses

Agneepath (2012)

Motion Picture | 2D | Color | 2.39:1 | 174 Minutes

Directed by | Karan Malhotra | Cinematography by | Ravi K. Chandran, Kiran Deohans | Editing by | Akiv Ali

Starring | Hrithik Roshan, Priyanka Chopra Jonas, Sanjay Dutt, Rishi Kapoor

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Xtreme Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses

O Tempo e o Vento (2013)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 115 Minutes

Directed by | Jayme Monjardim | Cinematography by | Affonso Beato | Editing by | Gustavo Giani

Starring | Fernanda Montenegro, Thiago Lacerda, Marjorie Estiano, Janaína Kremer Motta

Cameras | Sony CineAlta F65 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

A Million Ways to Die in the West (2014)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 116 Minutes

Directed by | Seth MacFarlane | Cinematography by | Michael Barrett | Editing by | Jeff Freeman

Starring | Seth MacFarlane, Charlize Theron, Liam Neeson, Amanda Seyfried

Cameras | Sony PMW-F55 Camera

Lenses | Panavision Primo Primes Spherical Lenses

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