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Film Print Anamorphic | 715 Titles

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Lust for Life (1956)

Motion Picture | 2D | Film Project | Color | 2.55:1 | 122 Minutes

Directed by | Vincente Minnelli, George Cukor | Cinematography by | Russell Harlan, Freddie Young | Editing by | Adrienne Fazan

Starring | Kirk Douglas, Anthony Quinn, James Donald, Pamela Brown

The Story of the Count of Monte Cristo (1961)

Motion Picture | 2D | Film Project | Color | 2.35:1 | 132 Minutes

Directed by | Claude Autant-Lara | Cinematography by | Jean Isnard, Jacques Natteau | Editing by | Madeleine Gug

Starring | Louis Jourdan, Yvonne Furneaux, Pierre Mondy, Bernard Dhéran

Run of the Arrow (1957)

Motion Picture | 2D | Color | 1.33:1 (4x3), 2.0:1, 2.35:1 | 86 Minutes

Directed by | Samuel Fuller | Cinematography by | Joseph F. Biroc | Editing by | Gene Fowler Jr.

Starring | Rod Steiger, Sara Montiel, Brian Keith, Ralph Meeker

THX 1138 (1971)

Motion Picture | 2D | Film Project | Color | 2.35:1 | 86 Minutes

Directed by | George Lucas | Cinematography by | Albert Kihn, David Myers | Editing by | George Lucas

Starring | Robert Duvall, Donald Pleasence, Don Pedro Colley, Maggie McOmie

The Greatest Story Ever Told (1965)

Motion Picture | 2D | Film Project | Color | 2.59:1, 2.76:1 | 260 Minutes

Directed by | George Stevens, David Lean, Jean Negulesco | Cinematography by | Loyal Griggs, William C. Mellor | Editing by | Harold F. Kress, Argyle Nelson Jr., J. Frank O'Neill

Starring | Max von Sydow, Dorothy McGuire, Charlton Heston, Michael Anderson Jr.

Cameras | Ultra Panavision 70 Camera

It’s a Mad, Mad, Mad, Mad World (1963)

Motion Picture | 2D | Film Project | Color | 2.59:1, 2.76:1 | 205 Minutes

Directed by | Stanley Kramer | Cinematography by | Ernest Laszlo | Editing by | Gene Fowler Jr., Robert C. Jones, Frederic Knudtson

Starring | Spencer Tracy, Milton Berle, Ethel Merman, Mickey Rooney

Cameras | Ultra Panavision 70 Camera

Sette opere di misericordia (2011)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 100 Minutes

Directed by | Gianluca De Serio, Massimiliano De Serio | Cinematography by | Piero Basso | Editing by | Stefano Cravero

Starring | Roberto Herlitzka, Ignazio Oliva, Olimpia Melinte, Stefano Cassetti

Cameras | ARRICAM Lite (LT) Camera

Lenses | Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens

The Hateful Eight (2015)

Motion Picture | 2D | Color | 2.76:1 | 168 Minutes

Directed by | Quentin Tarantino | Cinematography by | Robert Richardson | Editing by | Fred Raskin

Starring | Samuel L. Jackson, Kurt Russell, Jennifer Jason Leigh, Walton Goggins

Cameras | ARRIFLEX 765 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Panavision APO Panatar 100mm T2.8 Lens, Panavision APO Panatar 135mm T3.0 Lens, Panavision APO Panatar 35mm T2.8 Lens, Panavision APO Panatar 50mm T2.8 Lens, Panavision APO Panatar 75mm T2.8 Lens, Panavision APO Panatar Prism 150mm T3.6 Lens, Panavision APO Panatar Prism 57mm T4.0 Lens, Panavision APO Panatar Prism 75mm T3.5 Lens, Panavision Variable APO Panatar 135mm T3.2 Lens

On the Waterfront (1954)

Motion Picture | 2D | Black & White | 1.37:1, 1.66:1, 1.85:1 | 108 Minutes

Directed by | Elia Kazan | Cinematography by | Boris Kaufman | Editing by | Gene Milford

Starring | Marlon Brando, Karl Malden, Lee J. Cobb, Rod Steiger

Cameras | Mitchell BNC Camera

The Book Thief (2013)

Motion Picture | 2D | 2K Project | Black & White, Color | 2.39:1 | 131 Minutes

Directed by | Brian Percival | Cinematography by | Florian Ballhaus | Editing by | John Wilson

Starring | Sophie Nélisse, Geoffrey Rush, Emily Watson, Ben Schnetzer

Cameras | ARRI ALEXA Camera, ARRI ALEXA XT Plus Camera

Lenses | Angenieux Optimo Zoom Lenses, Leitz Summilux-C Series Lenses

Agneepath (2012)

Motion Picture | 2D | Color | 2.39:1 | 174 Minutes

Directed by | Karan Malhotra | Cinematography by | Ravi K. Chandran, Kiran Deohans | Editing by | Akiv Ali

Starring | Hrithik Roshan, Priyanka Chopra Jonas, Sanjay Dutt, Rishi Kapoor

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Xtreme Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses

O Tempo e o Vento (2013)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 115 Minutes

Directed by | Jayme Monjardim | Cinematography by | Affonso Beato | Editing by | Gustavo Giani

Starring | Fernanda Montenegro, Thiago Lacerda, Marjorie Estiano, Janaína Kremer Motta

Cameras | Sony CineAlta F65 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

A Million Ways to Die in the West (2014)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 116 Minutes

Directed by | Seth MacFarlane | Cinematography by | Michael Barrett | Editing by | Jeff Freeman

Starring | Seth MacFarlane, Charlize Theron, Liam Neeson, Amanda Seyfried

Cameras | Sony PMW-F55 Camera

Lenses | Panavision Primo Primes Spherical Lenses

Wara no tate (2013)

Motion Picture | 2D | Color | 2.39:1 | 117 Minutes

Directed by | Takashi Miike | Cinematography by | Nobuyasu Kita | Editing by | Kenji Yamashita

Starring | Takao Ohsawa, Nanako Matsushima, Gorô Kishitani, Masatô Ibu

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Mai wei (2011)

Motion Picture | 2D | Color | 2.39:1 | 137 Minutes

Directed by | Je-kyu Kang | Cinematography by | Mo-gae Lee | Editing by | Gok-ji Park

Starring | Dong-Gun Jang, Joe Odagiri, Bingbing Fan, In-kwon Kim

Cameras | Red One Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Pour une femme (2013)

Motion Picture | 2D | Color | 2.39:1 | 110 Minutes

Directed by | Diane Kurys | Cinematography by | Gilles Henry | Editing by | Sylvie Gadmer

Starring | Benoît Magimel, Mélanie Thierry, Nicolas Duvauchelle, Sylvie Testud

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Moviecam Compact MK2 Camera

Lenses | Angenieux HR Zoom Lenses, Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Grigris (2013)

Motion Picture | 2D | Color | 2.39:1 | 101 Minutes

Directed by | Mahamat-Saleh Haroun | Cinematography by | Antoine Héberlé | Editing by | Marie-Hélène Dozo

Starring | Souleymane Démé, Anaïs Monory, Cyril Gueï, Marius Yelolo

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Standard Speed Prime Lenses

Shame (2011)

Motion Picture | 2D | Color | 2.39:1 | 101 Minutes

Directed by | Steve McQueen | Cinematography by | Sean Bobbitt | Editing by | Joe Walker

Starring | Michael Fassbender, Carey Mulligan, James Badge Dale, Lucy Walters

Cameras | ARRICAM Lite (LT) Camera

Lenses | Cooke S4 Lenses

Jimmy P. (2013)

Motion Picture | 2D | Color | 2.39:1 | 117 Minutes

Directed by | Arnaud Desplechin | Cinematography by | Stéphane Fontaine | Editing by | Laurence Briaud

Starring | Benicio Del Toro, Mathieu Amalric, Gina McKee, Larry Pine

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

La Vénus à la fourrure (2013)

Motion Picture | 2D | Color | 2.39:1 | 96 Minutes

Directed by | Roman Polanski | Cinematography by | Pawel Edelman | Editing by | Hervé de Luze, Margot Meynier

Starring | Emmanuelle Seigner, Mathieu Amalric

Cameras | Sony CineAlta F65 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

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