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Film Print Anamorphic | 715 Titles

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Deliver Us from Evil: Sarchie (2014)

Direct to Video | 2D | Color | 2.39:1 |

Directed by | Gabriel Noble | Cinematography by | Robbie Stauder | Editing by | Craig Fields

Cameras | Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Lenses | Panavision Primo Anamorphic Lenses, Panavision PVintage Prime Lenses

Fury (2014)

Motion Picture | 2D | Color | 2.39:1 | 134 Minutes

Directed by | David Ayer | Cinematography by | Roman Vasyanov | Editing by | Jay Cassidy, Dody Dorn

Starring | Brad Pitt, Shia LaBeouf, Logan Lerman, Michael Peña

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C1000 1000 mm T5.6 Lens, Panavision G Series Anamorphic Lenses

Million Dollar Arm (2014)

Motion Picture | 2D | Color | 2.39:1 | 124 Minutes

Directed by | Craig Gillespie | Cinematography by | Gyula Pados | Editing by | Tatiana S. Riegel

Starring | Jon Hamm, Aasif Mandvi, Alan Arkin, Suraj Sharma

Cameras | ARRI ALEXA XT Camera, ARRI ALEXA XT Studio Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

Léon: The Professional (1994)

Motion Picture | 2D | Color | 2.35:1 | 110 Minutes

Directed by | Luc Besson | Cinematography by | Thierry Arbogast | Editing by | Sylvie Landra

Starring | Jean Reno, Gary Oldman, Natalie Portman, Danny Aiello

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera

Lenses | Angenieux HR Zoom Lenses, Technovision Lenses

Crash (2004)

Motion Picture | 2D | Color | 2.39:1 | 112 Minutes

Directed by | Paul Haggis | Cinematography by | James M. Muro | Editing by | Hughes Winborne

Starring | Don Cheadle, Sandra Bullock, Thandiwe Newton, Karina Arroyave

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision Super Speed Lenses

Dallas Buyers Club (2013)

Motion Picture | 2D | Color | 1.78:1 (16x9), 2.39:1 | 117 Minutes

Directed by | Jean-Marc Vallée | Cinematography by | Yves Bélanger | Editing by | Martin Pensa, Jean-Marc Vallée

Starring | Matthew McConaughey, Jennifer Garner, Jared Leto, Steve Zahn

Cameras | ARRI ALEXA Camera

Lenses | ARRI / Zeiss Lenses

Unbroken (2014)

Motion Picture | 2D | Color | 2.39:1 | 137 Minutes

Directed by | Angelina Jolie | Cinematography by | Roger Deakins | Editing by | William Goldenberg, Tim Squyres

Starring | Jack O'Connell, Miyavi, Domhnall Gleeson, Garrett Hedlund

Cameras | ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRI ALEXA XT Studio Camera

Lenses | Zeiss Master Prime Lenses

Star Trek II: The Wrath of Khan (1982)

Motion Picture | 2D | Color | 2.20:1, 2.35:1 | 113 Minutes

Directed by | Nicholas Meyer | Cinematography by | Gayne Rescher | Editing by | William Paul Dornisch

Starring | William Shatner, Leonard Nimoy, DeForest Kelley, James Doohan

Cameras | Dykstraflex Camera, Panavision Cameras

Transcendence (2014)

Motion Picture | 2D, 3D | Color | 2.39:1 | 119 Minutes

Directed by | Wally Pfister | Cinematography by | Jess Hall | Editing by | David Rosenbloom

Starring | Johnny Depp, Rebecca Hall, Morgan Freeman, Cillian Murphy

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom Flex Camera

Lenses | Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Grandmaster (2013)

Motion Picture | 2D | Color | 2.39:1 | 130 Minutes

Directed by | Kar-Wai Wong | Cinematography by | Philippe Le Sourd | Editing by | William Chang, Hung Poon

Starring | Tony Chiu-Wai Leung, Ziyi Zhang, Jin Zhang, Chang Chen

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Xtreme Camera, Phantom Flex Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Des gens qui s’embrassent (2013)

Motion Picture | 2D | Color | 2.39:1 | 100 Minutes

Directed by | Danièle Thompson | Cinematography by | Jean-Marc Fabre | Editing by | Sylvie Landra

Starring | Eric Elmosnino, Lou de Laâge, Kad Merad, Clara Ponsot

Cameras | ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Rue Mandar (2012)

Motion Picture | 2D | Color | 2.39:1 | 95 Minutes

Directed by | Idit Cebula | Cinematography by | Rémy Chevrin | Editing by | Célia Lafitedupont

Starring | Sandrine Kiberlain, Richard Berry, Emmanuelle Devos, Emmanuelle Bercot

Cameras | Red Epic Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

Möbius (2013)

Motion Picture | 2D | Color | 2.39:1 | 103 Minutes

Directed by | Eric Rochant | Cinematography by | Pierre Novion | Editing by | Pascale Fenouillet

Starring | Jean Dujardin, Cécile de France, Tim Roth, Émilie Dequenne

Cameras | Aaton Penelope Camera, ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses

Belle et Sébastien (2013)

Motion Picture | 2D | Color | 2.39:1 | 104 Minutes

Directed by | Nicolas Vanier | Cinematography by | Éric Guichard | Editing by | Stéphanie Pedelacq, Raphaele Urtin

Starring | Félix Bossuet, Tchéky Karyo, Margaux Chatelier, Dimitri Storoge

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens

Collision (2013)

Motion Picture | 2D | Color | 2.39:1 | 101 Minutes

Directed by | David Marconi | Cinematography by | Thomas Hardmeier | Editing by | Julien Rey

Starring | Frank Grillo, Jaimie Alexander, Roschdy Zem, Marie-Josée Croze

Cameras | ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, GoPro HD Hero2 Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Leitz Summilux-C Series Lenses, Zeiss Compact Prime Lenses

Nymphomaniac: Vol. I (2013)

Motion Picture | 2D | Black & White, Color | 1.85:1, 2.39:1 | 117 Minutes

Directed by | Lars von Trier | Cinematography by | Manuel Alberto Claro | Editing by | Morten Højbjerg, Jacob Secher Schulsinger, Molly Malene Stensgaard

Starring | Charlotte Gainsbourg, Stellan Skarsgård, Stacy Martin, Shia LaBeouf

Cameras | ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Lenses

Quartet (2012)

Motion Picture | 2D | Color | 2.39:1 | 94 Minutes

Directed by | Dustin Hoffman | Cinematography by | John de Borman | Editing by | Barney Pilling

Starring | Maggie Smith, Michael Gambon, Billy Connolly, Tom Courtenay

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses

Lone Survivor (2013)

Motion Picture | 2D | Color | 2.39:1 | 121 Minutes

Directed by | Peter Berg | Cinematography by | Tobias A. Schliessler | Editing by | Colby Parker Jr.

Starring | Mark Wahlberg, Taylor Kitsch, Emile Hirsch, Ben Foster

Cameras | Phantom Flex Camera, Red Epic Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens, Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens

Thérèse (2012)

Motion Picture | 2D | Color | 2.39:1 | 110 Minutes

Directed by | Claude Miller | Cinematography by | Gérard de Battista | Editing by | Véronique Lange

Starring | Audrey Tautou, Gilles Lellouche, Anaïs Demoustier, Catherine Arditi

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Fujinon Alura Lenses

Do Not Disturb (2012)

Motion Picture | 2D | Color | 2.39:1 | 88 Minutes

Directed by | Yvan Attal | Cinematography by | Thomas Hardmeier | Editing by | Jennifer Augé

Starring | François Cluzet, Yvan Attal, Laetitia Casta, Charlotte Gainsbourg

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, ARRI Shift & Tilt System Lens, Zeiss Master Prime Lenses, Zeiss Super Speed Lenses

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