Film Print Anamorphic | 715 Titles
Trois mondes (2012)
Directed by | Catherine Corsini | Cinematography by | Claire Mathon | Editing by | Muriel Breton
Cameras | Aaton Penelope Camera
Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Ultra Prime Lenses
Don-eui mat (2012)
Directed by | Sang-soo Im | Cinematography by | Woo-hyung Kim | Editing by | Eun Soo Lee
Cameras | Red One Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens
Plan de table (2012)
Directed by | Christelle Raynal | Cinematography by | Éric Guichard | Editing by | Philippe Bourgueil
Cameras | Aaton Penelope Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Astérix and Obélix: God Save Britannia (2012)
Directed by | Laurent Tirard | Cinematography by | Catherine Pujol, Denis Rouden | Editing by | Valérie Deseine
Cameras | ARRI ALEXA Camera
Bienvenue parmi nous (2012)
Directed by | Jean Becker | Cinematography by | Arthur Cloquet | Editing by | Franck Nakache, Jacques Witta
Cameras | ARRI ALEXA Camera
Populaire (2012)
Directed by | Régis Roinsard | Cinematography by | Guillaume Schiffman | Editing by | Laure Gardette, Sophie Reine
Ma bonne étoile (2012)
About Last Night (2014)
Directed by | Steve Pink | Cinematography by | Michael Barrett | Editing by | Tracey Wadmore-Smith, Shelly Westerman
Cameras | Sony CineAlta F65 Camera
Lenses | Leitz Summilux-C Series Lenses
Neighbors (2014)
Directed by | Nicholas Stoller | Cinematography by | Brandon Trost | Editing by | Zene Baker
Cameras | ARRI ALEXA Camera, Red Epic Camera
The Hunger Games: Mockingjay – Part 1 (2014)
Directed by | Francis Lawrence | Cinematography by | Jo Willems | Editing by | Alan Edward Bell, Mark Yoshikawa
Cameras | ARRI ALEXA XT Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
The Monuments Men (2014)
Directed by | George Clooney | Cinematography by | Phedon Papamichael | Editing by | Stephen Mirrione
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens
Winter’s Tale (2014)
Directed by | Akiva Goldsman | Cinematography by | Caleb Deschanel | Editing by | Tim Squyres, Wayne Wahrman
Cameras | ARRI ALEXA Plus 4:3 Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Divergent (2014)
Directed by | Neil Burger | Cinematography by | Alwin H. Küchler | Editing by | Richard Francis-Bruce, Nancy Richardson
Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera
Lenses | Panavision E Series Anamorphic Lenses, Panavision Primo Zooms Spherical Lenses, Panavision PVintage Prime Lenses
Day of the Falcon (2011)
Directed by | Jean-Jacques Annaud | Cinematography by | Jean-Marie Dreujou | Editing by | Hervé Schneid
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Let My People Go! (2011)
Directed by | Mikael Buch | Cinematography by | Céline Bozon | Editing by | Simon Jacquet
Cameras | ARRICAM Lite (LT) Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens
After the Sunset (2004)
Directed by | Brett Ratner | Cinematography by | Dante Spinotti | Editing by | Mark Helfrich
Cameras | ARRICAM Lite (LT) Camera, Panavision Cameras
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Requiem pour une tueuse (2011)
Leila (2010)
Directed by | Audrey Estrougo | Cinematography by | Guillaume Schiffman | Editing by | Sophie Reine
Cameras | ARRIFLEX D-21 Camera
Une nuit (2012)
Directed by | Philippe Lefebvre | Cinematography by | Jérôme Alméras | Editing by | Pascale Fenouillet
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses
Je n’ai rien oublié (2010)
Directed by | Bruno Chiche | Cinematography by | Thomas Hardmeier | Editing by | Marion Monnier
Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, ARRI Shift & Tilt System Lens, Cooke S4 Lenses
