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D-Cinema (DCP - Digital Cinema) | 1199 Titles

D-Cinema (DCP - Digital Cinema) 3.00/5 2 Votes

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3 Idiots (2009)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 170 Minutes

Directed by | Rajkumar Hirani | Cinematography by | C.K. Muraleedharan | Editing by | Rajkumar Hirani

Starring | Aamir Khan, Madhavan, Mona Singh, Sharman Joshi

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Zeiss Master Prime Lenses

The Perfect Host (2010)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 93 Minutes

Directed by | Nick Tomnay | Cinematography by | John Brawley | Editing by | Nick Tomnay

Starring | David Hyde Pierce, Clayne Crawford, Nathaniel Parker, Tyrees Allen

Cameras | Red One Camera

Lenses | Zeiss Ultra Prime Lenses

Shutter Island (2010)

Motion Picture | 2D | Color | 2.39:1 | 138 Minutes

Directed by | Martin Scorsese | Cinematography by | Robert Richardson | Editing by | Thelma Schoonmaker

Starring | Leonardo DiCaprio, Emily Mortimer, Mark Ruffalo, Ben Kingsley

Cameras | ARRIFLEX 765 Camera, ARRIFLEX D-21 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Panavision Primo Anamorphic Lenses, Panavision System 65 Lenses

Christopher Robin (2018)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 104 Minutes

Directed by | Marc Forster | Cinematography by | Matthias Koenigswieser | Editing by | Matt Chesse

Starring | Ewan McGregor, Hayley Atwell, Bronte Carmichael, Mark Gatiss

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Panavision APO Panatar Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

First Man (2018)

Motion Picture | 2D | 2K Project | Color | 1.90:1, 2.39:1 | 141 Minutes

Directed by | Damien Chazelle | Cinematography by | Linus Sandgren | Editing by | Tom Cross

Starring | Ryan Gosling, Claire Foy, Jason Clarke, Kyle Chandler

Cameras | Aaton A-Minima Camera, Aaton Penelope Camera, Aaton Xterà Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 416 Plus Camera, ARRIFLEX 435 Camera, IMAX MSM 9802 Camera

Lenses | CamTec Vintage Series Ultra Prime Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Hasselblad Lenses, Kowa Cine Prominar Anamorphic Lenses

Cloud Atlas (2012)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 172 Minutes

Directed by | Tom Tykwer, Lana Wachowski, Lilly Wachowski | Cinematography by | Frank Griebe, John Toll | Editing by | Alexander Berner, Claus Wehlisch

Starring | Tom Hanks, Halle Berry, Hugh Grant, Hugo Weaving

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, Phantom HD Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Drifter (2016)

Motion Picture | 2D | Color | 86 Minutes

Directed by | Chris von Hoffmann | Cinematography by | Tobias Deml | Editing by | Chris Visser

Starring | Aria Emory, Drew Harwood, Monique Rosario, James McCabe

Cameras | Red Epic Dragon Camera

Lenses | Canon CN-E 30-105 mm T2.8 Lens, Cooke S4/i Prime 16mm T2.0 Lens

Aftermath (2017)

Motion Picture | 2D | Color | 2.39:1 | 94 Minutes

Directed by | Elliott Lester | Cinematography by | Pieter Vermeer | Editing by | Nicholas Wayman-Harris

Starring | Arnold Schwarzenegger, Scoot McNairy, Maggie Grace, Judah Nelson

Capernaum (2018)

Motion Picture | 2D | Color | 2.39:1 | 126 Minutes

Directed by | Nadine Labaki | Cinematography by | Christopher Aoun | Editing by | Konstantin Bock, Laure Gardette

Starring | Zain Al Rafeea, Yordanos Shiferaw, Boluwatife Treasure Bankole, Kawsar Al Haddad

Cameras | ARRI ALEXA Camera

Lenses | Hawk C-Series Lenses

The Wife (2017)

Motion Picture | 2D | Color | 2.39:1 | 99 Minutes

Directed by | Björn Runge | Cinematography by | Ulf Brantås | Editing by | Lena Runge

Starring | Glenn Close, Jonathan Pryce, Max Irons, Christian Slater

Black Wedding (2015)

Motion Picture | 2D | Film Project | Color | 1.36:1 | 70 Minutes

Directed by | Thomas Bohn | Cinematography by | Frank Glencairn

Starring | Mersiha Husagic, Beate Maes, Diego Wallraff

Cameras | Blackmagic Cinema Camera

Lenses | Zeiss Lenses

Spider-Man 3 (2007)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 139 Minutes

Directed by | Sam Raimi | Cinematography by | Bill Pope | Editing by | Bob Murawski

Starring | Tobey Maguire, Kirsten Dunst, Topher Grace, Thomas Haden Church

Cameras | ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

First Reformed (2017)

Motion Picture | 2D | 2K Project | Color | 1.37:1 | 113 Minutes

Directed by | Paul Schrader | Cinematography by | Alexander Dynan | Editing by | Benjamin Rodriguez Jr.

Starring | Ethan Hawke, Amanda Seyfried, Cedric The Entertainer, Victoria Hill

Cameras | ARRI ALEXA SXT Series Cameras

Mary Poppins Returns (2018)

Motion Picture | 2D | Color | 2.39:1 | 130 Minutes

Directed by | Rob Marshall | Cinematography by | Dion Beebe | Editing by | Wyatt Smith

Starring | Emily Blunt, Lin-Manuel Miranda, Ben Whishaw, Emily Mortimer

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses | Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo V Lenses, Panavision Primo V PV21 21mm T1.9 Lens, Panavision Primo V PV27 27mm T1.9 Lens, Panavision Primo V PV50 50mm T1.9 Lens

Atomic Blonde (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 115 Minutes

Directed by | David Leitch | Cinematography by | Jonathan Sela | Editing by | Elísabet Ronaldsdóttir

Starring | Charlize Theron, James McAvoy, John Goodman, Eddie Marsan

Cameras | ARRI ALEXA M Camera, ARRI ALEXA XT Plus Camera

Lenses | Hawk V-Lite Vintage´74 Lens

The Curious Case of Benjamin Button (2008)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 166 Minutes

Directed by | David Fincher | Cinematography by | Claudio Miranda | Editing by | Kirk Baxter, Angus Wall

Starring | Brad Pitt, Cate Blanchett, Tilda Swinton, Julia Ormond

Cameras | ARRIFLEX 435 Camera, Sony CineAlta F23 Camera, Thomson Viper Camera

Lenses | Zeiss DigiPrime Lenses

The Radicalization of Jeff Boyd (2017)

Motion Picture | 2D | HD Project | Black & White, Color | 2.39:1 | 117 Minutes

Directed by | Uwe Schwarzwalder | Cinematography by | Brian Pinkus, Uwe Schwarzwalder | Editing by | Uwe Schwarzwalder

Starring | Uwe Schwarzwalder, Yessica Sanchez, Zarina Tadjibaeva, Jörg Reichlin

Cameras | Blackmagic Pocket Cinema Camera

The Expendables (2010)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 103 Minutes

Directed by | Sylvester Stallone | Cinematography by | Jeffrey L. Kimball | Editing by | Ken Blackwell, Paul Harb

Starring | Sylvester Stallone, Jason Statham, Jet Li, Dolph Lundgren

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Superman Returns (2006)

Motion Picture | 2D | HD Project | Color | 2.39:1 | 154 Minutes

Directed by | Bryan Singer | Cinematography by | Newton Thomas Sigel | Editing by | Elliot Graham, John Ottman

Starring | Brandon Routh, Kevin Spacey, Kate Bosworth, James Marsden

Cameras | Panavision Genesis Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Perfect Storm (2000)

Motion Picture | 2D | Color | 2.39:1 | 130 Minutes

Directed by | Wolfgang Petersen | Cinematography by | John Seale | Editing by | Richard Francis-Bruce

Starring | George Clooney, Mark Wahlberg, John C. Reilly, Diane Lane

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ALZ3 270-840 mm T4.5 Lens

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