D-Cinema (DCP - Digital Cinema) | 1199 Titles
Forgetting Sarah Marshall (2008)
Directed by | Nicholas Stoller | Cinematography by | Russ T. Alsobrook | Editing by | William Kerr
Cameras | Panavision Cameras
Lenses | Panavision Lenses
An Education (2009)
Directed by | Lone Scherfig | Cinematography by | John de Borman | Editing by | Barney Pilling
Cameras | ARRIFLEX 235 Camera
Lenses | Cooke Speed Panchro Lenses
Underworld: Rise of the Lycans (2009)
Directed by | Patrick Tatopoulos | Cinematography by | Ross Emery | Editing by | Peter Amundson, Eric Potter
Cameras | Panavision Genesis Camera, Red One Camera
Fred Claus (2007)
Directed by | David Dobkin | Cinematography by | Remi Adefarasin | Editing by | Mark Livolsi
Lenses | Zeiss Ultra Prime Lenses
In Time (2011)
Directed by | Andrew Niccol | Cinematography by | Roger Deakins | Editing by | Zach Staenberg
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Master Prime Lenses
What Happens in Vegas (2008)
Directed by | Tom Vaughan | Cinematography by | Matthew F. Leonetti | Editing by | Matt Friedman
Cameras | Panavision Cameras
The Great Debaters (2007)
Directed by | Denzel Washington | Cinematography by | Philippe Rousselot | Editing by | John Breinholt, Hughes Winborne
Lenses | Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Scream 4 (2011)
Directed by | Wes Craven | Cinematography by | Peter Deming | Editing by | Peter McNulty
Cameras | Panavision Cameras
Paranormal Activity (2007)
Directed by | Oren Peli | Cinematography by | Oren Peli | Editing by | Oren Peli
Cameras | Sony HDR-FX1 Camera
Lenses | Zeiss Zoom Lenses
Pirates of the Caribbean: On Stranger Tides (2011)
Directed by | Rob Marshall | Cinematography by | Dariusz Wolski | Editing by | David Brenner, Wyatt Smith
Cameras | Red Epic Camera, Red One MX Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses
Problem of Evil (2013)
Directed by | Ethan Kogan, Jessica Silvetti | Cinematography by | Ethan Kogan, Jessica Silvetti | Editing by | Ethan Kogan
Cameras | Canon EOS 550D Camera
I Love You, Man (2009)
Directed by | John Hamburg | Cinematography by | Lawrence Sher | Editing by | William Kerr
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera
Harry Potter and the Deathly Hallows: Part 1 (2010)
The Avengers (2012)
Directed by | Joss Whedon | Cinematography by | Seamus McGarvey | Editing by | Jeffrey Ford, Lisa Lassek
Lenses | Panavision Frazier Lenses, Panavision Lenses
Pacific Rim (2013)
Directed by | Guillermo del Toro | Cinematography by | Guillermo Navarro | Editing by | Peter Amundson, John Gilroy
Cameras | Red Epic Camera
Source Code (2011)
Directed by | Duncan Jones | Cinematography by | Don Burgess | Editing by | Paul Hirsch
Cameras | Iconix HD-RH1 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Camera, Red One MX Camera
Lenses | Panavision Primo Anamorphic Lenses
Hell (2011)
Directed by | Tim Fehlbaum | Cinematography by | Markus Förderer | Editing by | Andreas Menn
Cameras | Red One MX Camera
Get Him to the Greek (2010)
Directed by | Nicholas Stoller | Cinematography by | Robert D. Yeoman | Editing by | William Kerr, Michael L. Sale
Cameras | Panavision Cameras
Precious (2009)
Directed by | Lee Daniels | Cinematography by | Andrew Dunn | Editing by | Joe Klotz
Lenses | Angenieux Lenses, Cooke S4 Lenses
