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D-Cinema (DCP - Digital Cinema) | 1199 Titles

D-Cinema (DCP - Digital Cinema) 3.00/5 2 Votes

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The Legend of Tarzan (2016)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 110 Minutes

Directed by | David Yates | Cinematography by | Henry Braham | Editing by | Mark Day

Starring | Alexander Skarsgård, Rory J. Saper, Christian Stevens, Christoph Waltz

Cameras | Red Epic Dragon Camera

Lenses | Angenieux Optimo Zoom Lenses, Leitz Summicron-C Series Lenses

Ride Along 2 (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 102 Minutes

Directed by | Tim Story | Cinematography by | Mitchell Amundsen | Editing by | Peter S. Elliot

Starring | Ice Cube, Kevin Hart, Tika Sumpter, Benjamin Bratt

Cameras | Red Epic Dragon Camera

Lenses | Panavision Primo 70 Lenses

The Brothers Grimsby (2016)

Motion Picture | 2D | Color | 2.39:1 | 83 Minutes

Directed by | Louis Leterrier | Cinematography by | Oliver Wood | Editing by | Jonathan Amos, Evan Henke, Debra Neil-Fisher, James Thomas

Starring | Sacha Baron Cohen, Mark Strong, Rebel Wilson, Freddie Crowder

Cameras | ARRI ALEXA XT Camera, Panasonic Lumix DMC-GH2 Camera

Exposed (2016)

Motion Picture | 2D | Color | 2.39:1 | 102 Minutes

Directed by | Gee Malik Linton | Cinematography by | Trevor Forrest | Editing by | Melody London

Starring | Ana de Armas, Keanu Reeves, Christopher McDonald, Mira Sorvino

Cameras | ARRI ALEXA Camera

Sing Street (2016)

Motion Picture | 2D | Color | 2.39:1 | 106 Minutes

Directed by | John Carney | Cinematography by | Yaron Orbach | Editing by | Andrew Marcus, Julian Ulrichs

Starring | Ferdia Walsh-Peelo, Aidan Gillen, Maria Doyle Kennedy, Jack Reynor

Cameras | ARRICAM Lite (LT) Camera, Red Epic Camera

Pride and Prejudice and Zombies (2016)

Motion Picture | 2D | Color | 2.39:1 | 108 Minutes

Directed by | Burr Steers | Cinematography by | Remi Adefarasin | Editing by | Padraic McKinley

Starring | Lily James, Sam Riley, Jack Huston, Bella Heathcote

Lenses | Cooke S4/i Lenses

Triple 9 (2016)

Motion Picture | 2D | 2K Project | Black & White, Color | 2.39:1 | 115 Minutes

Directed by | John Hillcoat | Cinematography by | Nicolas Karakatsanis | Editing by | Dylan Tichenor

Starring | Casey Affleck, Chiwetel Ejiofor, Anthony Mackie, Aaron Paul

Cameras | ARRI ALEXA XT M Camera, ARRI ALEXA XT Plus Camera, ARRI ALEXA XT Studio Camera

Lenses | Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Risen (2016)

Motion Picture | 2D | Color | 2.39:1 | 107 Minutes

Directed by | Kevin Reynolds | Cinematography by | Lorenzo Senatore | Editing by | Steve Mirkovich

Starring | Joseph Fiennes, Tom Felton, Peter Firth, Cliff Curtis

Cameras | ARRI ALEXA Camera

Eddie the Eagle (2015)

Motion Picture | 2D | Color | 2.39:1 | 106 Minutes

Directed by | Dexter Fletcher | Cinematography by | George Richmond | Editing by | Martin Walsh

Starring | Taron Egerton, Hugh Jackman, Tom Costello, Jo Hartley

Cameras | ARRI ALEXA XT Camera, IO Industries Flare 2KSDI Camera, Red Epic Dragon Camera

Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses

Jane Got a Gun (2015)

Motion Picture | 2D | Color | 2.39:1 | 98 Minutes

Directed by | Gavin O'Connor | Cinematography by | Mandy Walker | Editing by | Alan Cody

Starring | Natalie Portman, Joel Edgerton, Ewan McGregor, Rodrigo Santoro

Cameras | Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision B Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Neighbors 2: Sorority Rising (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 92 Minutes

Directed by | Nicholas Stoller | Cinematography by | Brandon Trost | Editing by | Zene Baker, Michael A. Webber

Starring | Seth Rogen, Rose Byrne, Zac Efron, Chloë Grace Moretz

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

Dirty Grandpa (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 102 Minutes

Directed by | Dan Mazer | Cinematography by | Eric Alan Edwards | Editing by | Anne McCabe

Starring | Robert De Niro, Zac Efron, Zoey Deutch, Aubrey Plaza

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Cooke S4 Lenses

Keanu (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 100 Minutes

Directed by | Peter Atencio | Cinematography by | Jas Shelton | Editing by | Nicholas Monsour

Starring | Keegan-Michael Key, Jordan Peele, Tiffany Haddish, Method Man

Cameras | ARRI ALEXA XT Plus Camera, ARRI ALEXA XT Studio Camera

Lenses | Hawk V-Lite Vintage´74 Lens, Hawk V-Plus Lenses

Barbershop: The Next Cut (2016)

Motion Picture | 2D | Color | 1.85:1 | 111 Minutes

Directed by | Malcolm D. Lee | Cinematography by | Greg Gardiner | Editing by | Paul Millspaugh

Starring | Ice Cube, Regina Hall, Anthony Anderson, Eve

Cameras | Sony PMW-F55 Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Boy (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 97 Minutes

Directed by | William Brent Bell | Cinematography by | Daniel Pearl | Editing by | Brian Berdan

Starring | Lauren Cohan, Rupert Evans, James Russell, Jim Norton

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Hawk Vantage One Lenses

Criminal (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 113 Minutes

Directed by | Ariel Vromen | Cinematography by | Dana Gonzales | Editing by | Danny Rafic

Starring | Kevin Costner, Ryan Reynolds, Gal Gadot, Gary Oldman

Cameras | ARRI ALEXA XT Camera, Red Epic Dragon Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

The Boss (2016)

Motion Picture | 2D | Color | 1.85:1 | 99 Minutes

Directed by | Ben Falcone | Cinematography by | Julio Macat | Editing by | Craig Alpert

Starring | Melissa McCarthy, Kristen Bell, Peter Dinklage, Ella Anderson

Cameras | ARRI ALEXA 65 Camera

Lenses | Leitz Summilux-C Series Lenses

The Huntsman: Winter’s War (2016)

Motion Picture | 2D | Color | 2.39:1 | 114 Minutes

Directed by | Cedric Nicolas-Troyan | Cinematography by | Phedon Papamichael | Editing by | Conrad Buff IV

Starring | Chris Hemsworth, Jessica Chastain, Charlize Theron, Emily Blunt

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

My Big Fat Greek Wedding 2 (2016)

Motion Picture | 2D | Color | 2.39:1 | 94 Minutes

Directed by | Kirk Jones | Cinematography by | Jim Denault | Editing by | Mark Czyzewski

Starring | Nia Vardalos, John Corbett, Michael Constantine, Lainie Kazan

Cameras | Red Epic Dragon Camera

X-Men: Apocalypse (2016)

Motion Picture | 3D | 4K Project | Color | 2.39:1 | 144 Minutes

Directed by | Bryan Singer | Cinematography by | Newton Thomas Sigel | Editing by | Michael Louis Hill, John Ottman

Starring | James McAvoy, Michael Fassbender, Jennifer Lawrence, Nicholas Hoult

Cameras | Phantom Flex4K Camera, Red Epic Dragon Camera

Lenses | Leitz Summilux-C Series Lenses

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