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Battle Los Angeles (2011)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 116 Minutes

Directed by | Jonathan Liebesman | Cinematography by | Lukas Ettlin | Editing by | Christian Wagner

Starring | Aaron Eckhart, Michelle Rodriguez, Bridget Moynahan, Ramón Rodríguez

Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony PMW-EX3 Camera

Lenses | Panavision Compact Zoom Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses

The A-Team (2010)

Motion Picture | 2D | Color | 2.35:1 | 117 Minutes

The A-Team | ShotOnWhat?

Directed by | Joe Carnahan | Cinematography by | Mauro Fiore | Editing by | Roger Barton, Jim May

Starring | Liam Neeson, Bradley Cooper, Sharlto Copley, Jessica Biel

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Alex Cross (2012)

Motion Picture | 2D | Color | 2.39:1 | 101 Minutes

Alex Cross | ShotOnWhat?

Directed by | Rob Cohen | Cinematography by | Ricardo Della Rosa | Editing by | Matthew Diezel, Thom Noble

Starring | Tyler Perry, Matthew Fox, Rachel Nichols, Edward Burns

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 35 BL3 Camera, Silicon Imaging SI-2K Mini Camera, Silicon Imaging SI-2K Nano Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke 5/i Lenses

51 Paintings (2012)

Motion Picture | 2D | Black & White, Color | 1.78:1 (16x9), 2.39:1 | 78 Minutes

Directed by | Shaun Wilson | Cinematography by | Shaun Wilson | Editing by | Tammy Honey

Starring | Zozie Brown, Beth Clarke, Kim Collmer, Amber Connor

Cameras | Canon EOS 550D Camera, Red One Camera

Lenses | Zeiss DigiPrime Lenses

End of Watch (2012)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 109 Minutes

Directed by | David Ayer | Cinematography by | Roman Vasyanov | Editing by | Dody Dorn

Starring | Jake Gyllenhaal, Michael Peña, Anna Kendrick, America Ferrera

Cameras | Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Canon XA10 Camera, GoPro HD Hero Camera, Silicon Imaging SI-2K Mini Camera, Silicon Imaging SI-2K Nano Camera

Lenses | Canon Lenses, Zeiss Ultra 16 Lenses, Zeiss Ultra Prime Lenses

God Bless America (2011)

Motion Picture | 2D | Color | 2.35:1 | 105 Minutes

God Bless America | ShotOnWhat?

Directed by | Bobcat Goldthwait | Cinematography by | Bradley Stonesifer | Editing by | David Hopper, Jason Stewart

Starring | Joel Murray, Tara Lynne Barr, Mackenzie Brooke Smith, Melinda Page Hamilton

Cameras | ARRI ALEXA Camera

Inland Empire (2006)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 180 Minutes

Directed by | David Lynch | Cinematography by | David Lynch | Editing by | David Lynch

Starring | Laura Dern, Jeremy Irons, Justin Theroux, Karolina Gruszka

Cameras | Sony DSR-PD150 Camera

Resident Evil: Afterlife (2010)

Motion Picture | 2D, 3D | Color | 2.35:1 | 96 Minutes

Resident Evil: Afterlife | ShotOnWhat?

Directed by | Paul W.S. Anderson | Cinematography by | Glen MacPherson | Editing by | Niven Howie

Starring | Milla Jovovich, Ali Larter, Wentworth Miller, Kim Coates

Cameras | Phantom HD Gold Camera, Sony CineAlta F35 Camera

Lenses | Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens

The Crazies (2010)

Motion Picture | 2D | Color | 2.35:1, 2.40:1 | 101 Minutes

The Crazies | ShotOnWhat?

Directed by | Breck Eisner | Cinematography by | Maxime Alexandre | Editing by | Billy Fox

Starring | Radha Mitchell, Timothy Olyphant, Danielle Panabaker, Joe Anderson

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera

Lenses | Zeiss Master Prime Lenses

Marley (2012)

Motion Picture | 2D | Color | 1.85:1 | 144 Minutes

Marley | ShotOnWhat?

Directed by | Kevin Macdonald | Cinematography by | Mike Eley, Alwin H. Küchler, Wally Pfister | Editing by | Dan Glendenning

Starring | Bob Marley, Ziggy Marley, Rita Marley, Jimmy Cliff

Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, Canon EOS-5D Mark II Camera

G-Force (2009)

Motion Picture | 2D, 3D | Color | 1.85:1, 2.39:1 | 88 Minutes

G-Force | ShotOnWhat?

Directed by | Hoyt Yeatman | Cinematography by | Bojan Bazelli | Editing by | Mark Goldblatt, Jason Hellmann

Starring | Will Arnett, Penélope Cruz, Zach Galifianakis, Bill Nighy

Yogi Bear (2010)

Motion Picture | 3D | Color | 1.85:1 | 80 Minutes

Yogi Bear | ShotOnWhat?

Directed by | Eric Brevig | Cinematography by | Peter James | Editing by | Kent Beyda

Starring | Dan Aykroyd, Justin Timberlake, Anna Faris, Tom Cavanagh

Cameras | Sony CineAlta F23 Camera, Sony HDC-1500 Camera, Sony PMW-EX3 Camera

Shark Night 3D (2011)

Motion Picture | 3D | Color | 1.85:1 | 90 Minutes

Shark Night 3D | ShotOnWhat?

Directed by | David R. Ellis | Cinematography by | Gary Capo | Editing by | Dennis Virkler

Starring | Sara Paxton, Dustin Milligan, Chris Carmack, Katharine McPhee

Cameras | Sony CineAlta F35 Camera

Lenses | Cooke CXX 15-40mm T2.0 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens

Jin ling shi san chai (2011)

Motion Picture | 2D | Color | 2.39:1 | 146 Minutes

Directed by | Yimou Zhang | Cinematography by | Xiaoding Zhao | Editing by | Peicong Meng

Starring | Christian Bale, Ni Ni, Xinyi Zhang, Tianyuan Huang

Cameras | ARRIFLEX 435 Xtreme Camera, Sony CineAlta F35 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens

Cop Out (2010)

Motion Picture | 2D | Color | 2.35:1 | 107 Minutes

Cop Out | ShotOnWhat?

Directed by | Kevin Smith | Cinematography by | David Klein | Editing by | Kevin Smith

Starring | Bruce Willis, Tracy Morgan, Juan Carlos Hernández, Cory Fernandez

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Neighboring Sounds (2012)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 131 Minutes

Directed by | Kleber Mendonça Filho | Cinematography by | Pedro Sotero, Fabricio Tadeu | Editing by | João Maria, Kleber Mendonça Filho

Starring | Ana Rita Gurgel, Caio Almeida, Maeve Jinkings, Dida Maia

Cameras | Aaton Penelope Camera, ARRIFLEX Camera, Canon EOS-5D Mark II Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Super Speed Lenses

A Fantastic Fear of Everything (2012)

Motion Picture | 2D | Color | 1.85:1 | 100 Minutes

A Fantastic Fear of Everything | ShotOnWhat?

Directed by | Crispian Mills, Chris Hopewell | Cinematography by | Simon Chaudoir | Editing by | Dan Roberts

Starring | Simon Pegg, Paul Freeman, Amara Karan, Clare Higgins

Cameras | ARRI ALEXA Camera

Bedtime Stories (2008)

Motion Picture | 2D | Color | 2.35:1 | 99 Minutes

Bedtime Stories | ShotOnWhat?

Directed by | Adam Shankman | Cinematography by | Michael Barrett | Editing by | Tom Costain, Michael Tronick

Starring | Adam Sandler, Keri Russell, Courteney Cox, Guy Pearce

Cameras | Panavision Genesis Camera, Panavision Panaflex Camera

Lenses | Panavision Primo Anamorphic Lenses

Zookeeper (2011)

Motion Picture | 2D | Color | 2.35:1 | 102 Minutes

Zookeeper | ShotOnWhat?

Directed by | Frank Coraci | Cinematography by | Michael Barrett | Editing by | Scott Hill

Starring | Kevin James, Rosario Dawson, Leslie Bibb, Ken Jeong

Cameras | Panavision Genesis Camera

Lenses | Panavision Primo Anamorphic Lenses

Get Low (2009)

Motion Picture | 2D | Color | 2.39:1 | 103 Minutes

Get Low | ShotOnWhat?

Directed by | Aaron Schneider | Cinematography by | David Boyd | Editing by | Aaron Schneider

Starring | Robert Duvall, Bill Murray, Sissy Spacek, Lucas Black

Cameras | Panavision Panaflex Gold II Camera

Lenses | Panavision C Series Anamorphic Lenses

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