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24 fps Distribution | 604 Titles

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Trapped in the Closet: Chapters 1-12 (2005)

Direct to Video | 2D | Color | 1.78:1 (16x9) | 43 Minutes

Trapped in the Closet: Chapters 1-12 | ShotOnWhat?

Directed by | R. Kelly, Jim Swaffield | Cinematography by | David Hennings | Editing by | Victor Mignatti, Jim Swaffield, Kenneth Wachtel

Starring | R. Kelly, Cat Wilson, Rolando Boyce, LeShay N. Tomlinson

Cameras | Panavision Cameras

Jennifer’s Body (2009)

Motion Picture | Color | 1.85:1 | 102 Minutes

Jennifer’s Body | ShotOnWhat?

Directed by | Karyn Kusama | Cinematography by | M. David Mullen | Editing by | Plummy Tucker

Starring | Megan Fox, Amanda Seyfried, Adam Brody, Johnny Simmons

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Phantom HD Camera

Lenses | Panavision Primo Anamorphic Lenses

Hope and Glory (1987)

Motion Picture | 2D | Color | 1.66:1 | 113 Minutes

Hope and Glory | ShotOnWhat?

Directed by | John Boorman | Cinematography by | Philippe Rousselot | Editing by | Ian Crafford

Starring | Sarah Miles, David Hayman, Sebastian Rice-Edwards, Geraldine Muir

Cameras | ARRIFLEX 35 BL3 Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Lenses, Cooke Varopanchro 20-60mm T3.1 Lens, Zeiss Super Speed Lenses

Archie’s Final Project (2009)

Motion Picture | 2D | Color | 1.33:1 (4x3), 1.78:1 (16x9) | 107 Minutes

Archie’s Final Project | ShotOnWhat?

Directed by | David Lee Miller | Cinematography by | Angie Hill, Lisa Wiegand | Editing by | Jordan J. Miller, Gabriel Sunday

Starring | David Carradine, Mariel Hemingway, Brooke Nevin, Nora Dunn

Cameras | Panasonic AJ-SDX900 Camera

Sherlock Holmes: A Game of Shadows (2011)

Motion Picture | 2D | Color | 2.35:1 | 129 Minutes

Sherlock Holmes: A Game of Shadows | ShotOnWhat?

Directed by | Guy Ritchie | Cinematography by | Philippe Rousselot | Editing by | James Herbert

Starring | Robert Downey Jr., Jude Law, Jared Harris, Rachel McAdams

Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex Camera, Phantom HD Camera, Phantom HD Gold Camera

Lenses | Panavision Primo Anamorphic Lenses

Final Destination 5 (2011)

Motion Picture | 3D | Color | 2.35:1 | 92 Minutes

Final Destination 5 | ShotOnWhat?

Directed by | Steven Quale | Cinematography by | Brian Pearson | Editing by | Eric A. Sears

Starring | Nicholas D'Agosto, Emma Bell, Arlen Escarpeta, Miles Fisher

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Excalibur (1981)

Motion Picture | 2D | Color | 1.66:1, 1.85:1 | 140 Minutes

Excalibur | ShotOnWhat?

Directed by | John Boorman | Cinematography by | Alex Thomson | Editing by | John Merritt, Donn Cambern

Starring | Nigel Terry, Helen Mirren, Nicholas Clay, Cherie Lunghi

Cameras | ARRI Cameras, ARRIFLEX 35 BL3 Camera

Breathless (1960)

Motion Picture | Black & White | 1.33:1 (4x3) | 90 Minutes

Directed by | Jean-Luc Godard | Cinematography by | Raoul Coutard | Editing by | Cécile Decugis

Starring | Jean-Paul Belmondo, Jean Seberg, Daniel Boulanger, Henri-Jacques Huet

Cameras | Éclair Caméflex Camera

Like Crazy (2011)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 86 Minutes

Like Crazy | ShotOnWhat?

Directed by | Drake Doremus | Cinematography by | John Guleserian | Editing by | Jonathan Alberts

Starring | Felicity Jones, Anton Yelchin, Jennifer Lawrence, Charlie Bewley

Cameras | Canon EOS-7D Camera

Lenses | Zeiss Ultra Prime Lenses

Captain America: The First Avenger (2011)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 124 Minutes

Directed by | Joe Johnston | Cinematography by | Shelly Johnson | Editing by | Robert Dalva, Jeffrey Ford

Starring | Chris Evans, Hugo Weaving, Samuel L. Jackson, Hayley Atwell

Cameras | ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Primes Spherical Lenses

Wickie auf großer Fahrt (2011)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 96 Minutes

Directed by | Christian Ditter | Cinematography by | Christian Rein | Editing by | Ueli Christen

Starring | Jonas Hämmerle, Valeria Eisenbart, Waldemar Kobus, Nic Romm

Cameras | ARRI ALEXA Camera

Lenses | Zeiss Master Prime Lenses

Jagten (2012)

Motion Picture | 2D | Color | 2.39:1 | 115 Minutes

Directed by | Thomas Vinterberg | Cinematography by | Charlotte Bruus Christensen | Editing by | Janus Billeskov Jansen, Anne Østerud

Starring | Mads Mikkelsen, Thomas Bo Larsen, Annika Wedderkopp, Lasse Fogelstrøm

Cameras | ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke CXX 15-40mm T2.0 Lens, Cooke Speed Panchro Lenses, Fujinon Alura Zoom 45-250 mm T2.8 Lens

Best in Show (2000)

Motion Picture | 2D | Color | 1.85:1 | 90 Minutes

Directed by | Christopher Guest | Cinematography by | Roberto Schaefer | Editing by | Robert Leighton

Starring | Fred Willard, Eugene Levy, Catherine O'Hara, Jennifer Coolidge

Cameras | Aaton Cameras

Lenses | Canon Lenses, Zeiss Lenses, Zeiss Super Speed Lenses, Zeiss Super Speeds Mk III Lenses

Secretariat (2010)

Motion Picture | 2D | Color | 2.35:1 | 123 Minutes

Secretariat | ShotOnWhat?

Directed by | Randall Wallace | Cinematography by | Dean Semler | Editing by | John Wright

Starring | Diane Lane, John Malkovich, Margo Martindale, Nelsan Ellis

Cameras | ARRIFLEX 435 Camera, Olympus PEN E-P1 Camera, Pan-Arri 435 Camera, Panavision Genesis Camera, Phantom HD Camera

Lenses | Panavision Primo Anamorphic Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

Hameno Koritsi (2012)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 34 Minutes

Hameno Koritsi | ShotOnWhat?

Directed by | Nikos Pastras | Cinematography by | Yannis Kanakis | Editing by | Angelos Frantzis, Nikos Pastras

Starring | Katia Goulioni, Kora Karvouni, Maria Eglezaki, Athina Kotsianouli

Cameras | Canon EOS-5D Mark II Camera

Lenses | Canon Lenses

S.W.A.T.: Firefight (2011)

Direct to Video | 2D | Color | 1.78:1 (16x9) | 89 Minutes

Directed by | Benny Boom | Cinematography by | Don Davis

Starring | Gabriel Macht, Robert Patrick, Carly Pope, Giancarlo Esposito

Cameras | Sony CineAlta F35 Camera

Heathers (1988)

Motion Picture | 2D | Color | 1.85:1 | 103 Minutes

Heathers | ShotOnWhat?

Directed by | Michael Lehmann | Cinematography by | Francis Kenny | Editing by | Norman Hollyn

Starring | Winona Ryder, Christian Slater, Shannen Doherty, Lisanne Falk

Safe House (2012)

Motion Picture | 2D | Color | 2.35:1, 2.40:1 | 115 Minutes

Safe House | ShotOnWhat?

Directed by | Daniel Espinosa | Cinematography by | Oliver Wood | Editing by | Richard Pearson

Starring | Denzel Washington, Ryan Reynolds, Robert Patrick, Vera Farmiga

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Just Go with It (2011)

Motion Picture | 2D | Color | 1.85:1 | 117 Minutes

Just Go with It | ShotOnWhat?

Directed by | Dennis Dugan | Cinematography by | Theo van de Sande | Editing by | Tom Costain

Starring | Adam Sandler, Jennifer Aniston, Brooklyn Decker, Nicole Kidman

Cameras | ARRIFLEX 435 ES Camera, Sony CineAlta F35 Camera

Lenses | Panavision Primo Anamorphic Lenses

Drowning Mona (2000)

Motion Picture | 2D | Color | 1.85:1 | 96 Minutes

Drowning Mona | ShotOnWhat?

Directed by | Nick Gomez | Cinematography by | Bruce Douglas Johnson | Editing by | Richard Pearson

Starring | Danny DeVito, Bette Midler, Neve Campbell, Jamie Lee Curtis

Cameras | Pan-Arri 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Zooms Spherical Lenses

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