2.39:1 | 1565 Titles
Lincoln (2012)
Oblivion (2013)
Directed by | Joseph Kosinski | Cinematography by | Claudio Miranda | Editing by | Richard Francis-Bruce
Cameras | Red Epic Camera, Sony CineAlta F65 Camera
Lenses | Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
The Hobbit: An Unexpected Journey (2012)
Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Jabez Olssen
Cameras | Red Epic Camera
Lenses | Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Lenses
Taken 2 (2012)
Directed by | Olivier Megaton | Cinematography by | Romain Lacourbas | Editing by | Camille Delamarre, Vincent Tabaillon
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Cameras
Ice Age: Continental Drift (2012)
Directed by | Steve Martino, Mike Thurmeier | Cinematography by | Renato Falcão | Editing by | Christopher Campbell, James Palumbo, David Ian Salter
Brave (2012)
47 Ronin (2013)
Directed by | Carl Rinsch | Cinematography by | John Mathieson | Editing by | Stuart Baird
Cameras | ARRI ALEXA Camera
World War Z (2013)
Directed by | Marc Forster | Cinematography by | Ben Seresin, Robert Richardson | Editing by | Roger Barton, Matt Chesse
R.I.P.D. (2013)
Directed by | Robert Schwentke | Cinematography by | Alwin H. Küchler | Editing by | Mark Helfrich
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Master Prime Lenses
Gravity (2013)
Directed by | Alfonso Cuarón | Cinematography by | Emmanuel Lubezki | Editing by | Alfonso Cuarón, Mark Sanger
Cameras | ARRI ALEXA Camera, ARRIFLEX 765 Camera
Lenses | ARRI / Zeiss Lenses, Panavision Primo Close Focus Spherical Lenses, Zeiss Master Prime Lenses
Mad Max: Fury Road (2015)
Directed by | George Miller | Cinematography by | John Seale | Editing by | Margaret Sixel
Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Blackmagic Cinema Camera, Canon EOS-5D Mark II Camera, Nikon D800 Camera, Olympus E-P5 Camera
Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses
Malèna (2000)
Directed by | Giuseppe Tornatore | Cinematography by | Lajos Koltai | Editing by | Massimo Quaglia
Cameras | Panavision Cameras
Lenses | Panavision Primo Anamorphic Lenses
The Phantom of the Opera (2004)
Happy Feet (2006)
Directed by | George Miller, Warren Coleman, Judy Morris | Cinematography by | David Peers | Editing by | Christian Gazal, Margaret Sixel
The Last Station (2009)
Directed by | Michael Hoffman | Cinematography by | Sebastian Edschmid | Editing by | Patricia Rommel
The Duchess (2008)
Shigunaru: Getsuyôbi no Ruka (2012)
Directed by | Masaaki Taniguchi | Cinematography by | Shogo Ueno | Editing by | Jun'ichi Itô
Cameras | Red One MX Camera, Sony PMW-F3 Camera
No Man’s Land (2001)
Directed by | Danis Tanovic | Cinematography by | Walther van den Ende | Editing by | Francesca Calvelli
Cameras | Aaton 35-III Camera, ARRIFLEX 35 BL4s Camera
Lenses | Canon Lenses, Cooke S4 Lenses
Invictus (2009)
Directed by | Clint Eastwood | Cinematography by | Tom Stern | Editing by | Joel Cox, Gary Roach
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Angenieux Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Whale Rider (2002)
Directed by | Niki Caro | Cinematography by | Leon Narbey | Editing by | David Coulson
Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera
