2.39:1 | 1565 Titles
The Straight Story (1999)
Directed by | David Lynch | Cinematography by | Freddie Francis | Editing by | Mary Sweeney
Cameras | Panavision Panaflex Gold II Camera
Days of Glory (2006)
Directed by | Rachid Bouchareb | Cinematography by | Patrick Blossier | Editing by | Yannick Kergoat
Lenses | Hawk Anamorphic Lenses
Pirates of the Caribbean: Dead Man’s Chest (2006)
Directed by | Gore Verbinski | Cinematography by | Dariusz Wolski | Editing by | Stephen E. Rivkin, Craig Wood
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
The Tempest (2010)
Directed by | Julie Taymor | Cinematography by | Stuart Dryburgh | Editing by | Françoise Bonnot
Cameras | ARRICAM Lite (LT) Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Suspiria (1977)
Directed by | Dario Argento | Cinematography by | Luciano Tovoli | Editing by | Franco Fraticelli
Cameras | ARRIFLEX 35 IIC Camera, Mitchell BNC Camera
Lenses | Technovision Lenses
Road to Perdition (2002)
Directed by | Sam Mendes | Cinematography by | Conrad L. Hall | Editing by | Jill Bilcock
Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Captain America: The First Avenger (2011)
Directed by | Joe Johnston | Cinematography by | Shelly Johnson | Editing by | Robert Dalva, Jeffrey Ford
Cameras | ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera
Hip Priest (2011)
Directed by | Gregg de Domenico | Cinematography by | Fabio Iadeluca, Christopher Raymond | Editing by | Gerald Zecker
Cameras | ARRI ALEXA Camera, Red Epic Camera
Wickie auf großer Fahrt (2011)
Directed by | Christian Ditter | Cinematography by | Christian Rein | Editing by | Ueli Christen
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Master Prime Lenses
The Cell (2000)
Directed by | Tarsem Singh | Cinematography by | Paul Laufer | Editing by | Robert Duffy, Paul Rubell
Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Panavision Panaflex Platinum Camera
Jagten (2012)
Directed by | Thomas Vinterberg | Cinematography by | Charlotte Bruus Christensen | Editing by | Janus Billeskov Jansen, Anne Østerud
Cameras | ARRI ALEXA Plus Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke CXX 15-40mm T2.0 Lens, Cooke Speed Panchro Lenses, Fujinon Alura Zoom 45-250 mm T2.8 Lens
Elle s’appelait Sarah (2010)
Directed by | Gilles Paquet-Brenner | Cinematography by | Pascal Ridao | Editing by | Hervé Schneid
Cameras | Red One Camera
Jørgen + Anne = sant (2011)
Directed by | Anne Sewitsky | Cinematography by | Anna Myking
Cameras | ARRI ALEXA Camera, Canon EOS-7D Camera
Friends with Benefits (2011)
Directed by | Will Gluck | Cinematography by | Michael Grady | Editing by | Tia Nolan
Cameras | Sony CineAlta F35 Camera, Sony Other Camera
Lenses | Panavision Primo Anamorphic Lenses
Anna and the King (1999)
Directed by | Andy Tennant | Cinematography by | Caleb Deschanel | Editing by | Roger Bondelli
Cameras | Panavision Cameras
Thank You for Smoking (2005)
Directed by | Jason Reitman | Cinematography by | Jim Whitaker | Editing by | Dana E. Glauberman
Cameras | Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Sony Betacam (Unknown) Camera, Sony DSC-T1 Camera
Lenses | Panavision ALZ11 48-550 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E40 40 mm T2.0 Lens, Panavision Primo Anamorphic Lenses
Con Air (1997)
Directed by | Simon West | Cinematography by | David Tattersall | Editing by | Chris Lebenzon, Steve Mirkovich, Glen Scantlebury
Cameras | ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses | Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Hidalgo (2004)
Vuosaari (2012)
Directed by | Aku Louhimies | Cinematography by | Tuomo Hutri | Editing by | Benjamin Mercer
Cameras | ARRI ALEXA Camera, ARRI Cameras
On the Road (2012)
Directed by | Walter Salles | Cinematography by | Eric Gautier | Editing by | François Gédigier
Cameras | Aaton Penelope Camera
Lenses | Angenieux Optimo 28-76 mm T2.6 Lens



























































