Distributed Aspect Ratio » 2.39:1

2.39:1 | 1565 Titles

2.39:1 3.44/5 9 Votes

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Blow (2001)

Motion Picture | 2D | Color | 2.39:1 | 124 Minutes

Directed by | Ted Demme | Cinematography by | Ellen Kuras | Editing by | Kevin Tent

Starring | Johnny Depp, Penélope Cruz, Franka Potente, Rachel Griffiths

Cameras | Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Lost Highway (1997)

Motion Picture | 2D | Color | 2.39:1 | 134 Minutes

Directed by | David Lynch | Cinematography by | Peter Deming | Editing by | Mary Sweeney

Starring | Bill Pullman, Patricia Arquette, John Roselius, Louis Eppolito

Cameras | Mitchell Cameras, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

Rush Hour 2 (2001)

Motion Picture | 2D | Color | 2.39:1 | 90 Minutes

Directed by | Brett Ratner | Cinematography by | Matthew F. Leonetti | Editing by | Mark Helfrich, Robert K. Lambert

Starring | Jackie Chan, Chris Tucker, John Lone, Ziyi Zhang

Cameras | Panavision Panaflex Millennium Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Boogie Nights (1997)

Motion Picture | 2D | Color | 2.39:1 | 155 Minutes

Directed by | Paul Thomas Anderson | Cinematography by | Robert Elswit | Editing by | Dylan Tichenor

Starring | Mark Wahlberg, Julianne Moore, Burt Reynolds, Luis Guzmán

Cameras | Moviecam Compact Camera, Panavision Panaflex Gold Camera

Lenses | Panavision C Series Anamorphic Lenses

Basic Instinct (1992)

Motion Picture | 2D | Color | 2.39:1 | 127 Minutes

Directed by | Paul Verhoeven | Cinematography by | Jan de Bont | Editing by | Frank J. Urioste

Starring | Michael Douglas, Sharon Stone, George Dzundza, Jeanne Tripplehorn

Cameras | Panavision Panaflex Camera

Lenses | Panavision Primo Anamorphic Lenses

The Twilight Saga: Breaking Dawn – Part 1 (2011)

Motion Picture | 2D | Color | 2.39:1 | 117 Minutes

Directed by | Bill Condon | Cinematography by | Guillermo Navarro | Editing by | Virginia Katz

Starring | Kristen Stewart, Robert Pattinson, Taylor Lautner, Gil Birmingham

Cameras | ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

There Will Be Blood (2007)

Motion Picture | 2D | Color | 2.39:1 | 158 Minutes

Directed by | Paul Thomas Anderson | Cinematography by | Robert Elswit | Editing by | Dylan Tichenor

Starring | Daniel Day-Lewis, Paul Dano, Ciarán Hinds, Martin Stringer

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Pathé 43 mm (Modified by Dan Sasaki) Lens

Bridesmaids (2011)

Motion Picture | 2D | Color | 2.39:1 | 125 Minutes

Directed by | Paul Feig | Cinematography by | Robert D. Yeoman | Editing by | William Kerr, Michael L. Sale

Starring | Kristen Wiig, Maya Rudolph, Rose Byrne, Terry Crews

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

The American President (1995)

Motion Picture | 2D | Color | 2.39:1 | 114 Minutes

Directed by | Rob Reiner | Cinematography by | John Seale | Editing by | Robert Leighton

Starring | Michael Douglas, Annette Bening, Martin Sheen, Michael J. Fox

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Let Me In (2010)

Motion Picture | 2D | Color | 2.39:1 | 116 Minutes

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Directed by | Matt Reeves | Cinematography by | Greig Fraser | Editing by | Stan Salfas

Starring | Kodi Smit-McPhee, Chloë Grace Moretz, Richard Jenkins, Cara Buono

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Standard Primes (SP) Lenses

A Wedding (1978)

Motion Picture | 2D | Color | 2.39:1 | 125 Minutes

Directed by | Robert Altman | Cinematography by | Charles Rosher Jr. | Editing by | Tony Lombardo

Starring | Carol Burnett, Desi Arnaz Jr., Paul Dooley, Amy Stryker

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Transformers: Dark of the Moon (2011)

Motion Picture | 2D, 3D | 2K Project | Color | 2.39:1 | 154 Minutes

Directed by | Michael Bay | Cinematography by | Amir Mokri | Editing by | Roger Barton, William Goldenberg, Joel Negron

Starring | Shia LaBeouf, Rosie Huntington-Whiteley, Tyrese Gibson, Josh Duhamel

Cameras | ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses

Baraka (1992)

Motion Picture | 2D | Color | 2.20:1, 2.39:1 | 96 Minutes

Directed by | Ron Fricke | Cinematography by | Ron Fricke | Editing by | David Aubrey, Ron Fricke, Mark Magidson

Cameras | Todd-AO 65mm Camera

Lenses | Schneider Lenses

Seabiscuit (2003)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 140 Minutes

Directed by | Gary Ross | Cinematography by | John Schwartzman | Editing by | William Goldenberg

Starring | Tobey Maguire, Jeff Bridges, Elizabeth Banks, Chris Cooper

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Platinum Camera, Panavision Panastar II Camera

Lenses | Panavision Primo Primes Spherical Lenses

True Grit (2010)

Motion Picture | 2D | Color | 2.39:1 | 110 Minutes

Directed by | Ethan Coen, Joel Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen

Starring | Jeff Bridges, Matt Damon, Hailee Steinfeld, Josh Brolin

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 535 B Camera

Lenses | Zeiss Master Prime Lenses

Nine (2009)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 118 Minutes

Directed by | Rob Marshall | Cinematography by | Dion Beebe | Editing by | Claire Simpson, Wyatt Smith

Starring | Daniel Day-Lewis, Marion Cotillard, Penélope Cruz, Sandro Dori

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses | Panavision Primo Primes Spherical Lenses

A Man Apart (2003)

Motion Picture | 2D | Color | 2.39:1 | 109 Minutes

Directed by | F. Gary Gray | Cinematography by | Jack N. Green | Editing by | Robert Brown, William Hoy

Starring | Vin Diesel, Timothy Olyphant, Larenz Tate, Geno Silva

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Where the Truth Lies (2005)

Motion Picture | 2D | Color | 2.39:1 | 107 Minutes

Directed by | Atom Egoyan | Cinematography by | Paul Sarossy | Editing by | Susan Shipton

Starring | Kevin Bacon, Colin Firth, Alison Lohman, David Hayman

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Your Highness (2011)

Motion Picture | 2D | Color | 2.39:1 | 102 Minutes

Directed by | David Gordon Green | Cinematography by | Tim Orr | Editing by | Craig Alpert

Starring | Danny McBride, Natalie Portman, James Franco, Rasmus Hardiker

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The Descendants (2011)

Motion Picture | 2D | Color | 2.39:1 | 115 Minutes

Directed by | Alexander Payne | Cinematography by | Phedon Papamichael | Editing by | Kevin Tent

Starring | George Clooney, Shailene Woodley, Amara Miller, Nick Krause

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

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