ARRI Cameras | 2118 Titles
Taking Woodstock (2009)
Directed by | Ang Lee | Cinematography by | Eric Gautier | Editing by | Tim Squyres
Cameras | Aaton 35-III Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 416 Camera, Bolex Cameras, Eclair Cameras
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
My Week with Marilyn (2011)
Directed by | Simon Curtis | Cinematography by | Ben Smithard | Editing by | Adam Recht
Lenses | Cooke 5/i Lenses, Cooke S4 Lenses
Hancock (2008)
Directed by | Peter Berg | Cinematography by | Tobias A. Schliessler | Editing by | Colby Parker Jr., Paul Rubell
Lenses | Panavision Primo Anamorphic Lenses
La source des femmes (2011)
Directed by | Radu Mihaileanu | Cinematography by | Glynn Speeckaert
Cameras | ARRICAM Lite (LT) Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke Speed Panchro Lenses, Schneider Lenses
Dark Shadows (2012)
Directed by | Tim Burton | Cinematography by | Bruno Delbonnel | Editing by | Chris Lebenzon
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
The Last Airbender (2010)
Parada (2011)
Directed by | Srdjan Dragojevic | Cinematography by | Dusan Joksimovic | Editing by | Petar Markovic
Lenses | Zeiss Lenses
Cyclo (1995)
Directed by | Anh Hung Tran | Cinematography by | Benoît Delhomme | Editing by | Nicole Dedieu, Claude Ronzeau
The Man Who Wasn’t There (2001)
Directed by | Joel Coen, Ethan Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen, Tricia Cooke
Cameras | ARRIFLEX 535 B Camera
Lenses | Cooke S4 Lenses
Assassination of a High School President (2008)
Directed by | Brett Simon | Cinematography by | M. David Mullen | Editing by | William M. Anderson, Thomas J. Nordberg
Lenses | Angenieux Optimo Zoom Lenses, Zeiss Lenses
Daughters of the Dust (1991)
Directed by | Julie Dash | Cinematography by | Arthur Jafa | Editing by | Joseph Burton, Amy Carey
Cameras | ARRI Cameras
Amanda Knox: Murder on Trial in Italy (2011)
Directed by | Robert Dornhelm | Cinematography by | Gian Enrico Bianchi
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Ultra Prime Lenses
Collateral (2004)
Directed by | Michael Mann | Cinematography by | Dion Beebe, Paul Cameron | Editing by | Jim Miller, Paul Rubell
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Sony HDC-F950 Camera, Sony HDW-F900 Camera, Thomson Viper Camera
Jarhead (2005)
Directed by | Sam Mendes | Cinematography by | Roger Deakins | Editing by | Walter Murch
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 35 IIIC Camera
Lenses | Cooke S4 Lenses
Glee: The 3D Concert Movie (2011)
Directed by | Kevin Tancharoen, Jennifer Arnold | Cinematography by | Glen MacPherson, Justin Talley | Editing by | Myron Kerstein, Jane Moran, Tatiana S. Riegel, Sonja Schenk
Cameras | ARRI ALEXA Camera, Red Epic Camera
Prom (2011)
Directed by | Joe Nussbaum | Cinematography by | Byron Shah | Editing by | Jeffrey M. Werner
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
The Rules of Attraction (2002)
Directed by | Roger Avary | Cinematography by | Robert Brinkmann | Editing by | Sharon Rutter
Cameras | ARRIFLEX 535 Camera
Valkyrie (2008)
Directed by | Bryan Singer | Cinematography by | Newton Thomas Sigel | Editing by | John Ottman
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Did You Hear About the Morgans? (2009)
Directed by | Marc Lawrence | Cinematography by | Florian Ballhaus | Editing by | Susan E. Morse
Cameras | ARRICAM Studio (ST) Camera
Lenses | Hawk V-Series Lenses
Gen-X Cops 2: Metal Mayhem (2000)
Directed by | Benny Chan | Cinematography by | Anthony Pun | Editing by | John Burridge, Ka-Fai Cheung
