Super 35 Camera Aperture | 844 Titles
The Spiderwick Chronicles (2008)
Directed by | Mark Waters | Cinematography by | Caleb Deschanel | Editing by | Michael Kahn
Lenses | Panavision Primo Anamorphic Lenses
Man on a Ledge (2012)
Directed by | Asger Leth | Cinematography by | Paul Cameron | Editing by | Kevin Stitt
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Anamorphic Lenses, Panavision Standard Primes (SP) Lenses
Bedtime Stories (2008)
Directed by | Adam Shankman | Cinematography by | Michael Barrett | Editing by | Tom Costain, Michael Tronick
Lenses | Panavision Primo Anamorphic Lenses
Mlyn i krzyz (2011)
Directed by | Lech Majewski | Cinematography by | Lech Majewski, Adam Sikora | Editing by | Lech Majewski, Norbert Rudzik
Cameras | Red One Camera
Law Abiding Citizen (2009)
Directed by | F. Gary Gray | Cinematography by | Jonathan Sela | Editing by | Tariq Anwar
Lenses | Cooke S4 Lenses
Nim’s Island (2008)
Directed by | Jennifer Flackett, Mark Levin | Cinematography by | Stuart Dryburgh | Editing by | Stuart Levy
Cameras | Panavision Cameras
A Little Bit of Heaven (2011)
Directed by | Nicole Kassell | Cinematography by | Russell Carpenter | Editing by | Stephen A. Rotter
Revolutionary Road (2008)
Directed by | Sam Mendes | Cinematography by | Roger Deakins | Editing by | Tariq Anwar
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera
Lenses | Zeiss Master Prime Lenses
Minority Report (2002)
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn
Cameras | Panavision Panaflex Camera
Lenses | Panavision Lenses
Around the World in 80 Days (2004)
Directed by | Frank Coraci | Cinematography by | Phil Meheux | Editing by | Tom Lewis
Cameras | Panavision Panaflex Gold II Camera
Love & Other Drugs (2010)
American Reunion (2012)
Directed by | Jon Hurwitz, Hayden Schlossberg | Cinematography by | Daryn Okada | Editing by | Jeff Betancourt
Cameras | Panavision Panaflex Platinum Camera
Master and Commander: The Far Side of the World (2003)
Directed by | Peter Weir | Cinematography by | Russell Boyd | Editing by | Lee Smith
Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
The Taste of Others (2000)
Directed by | Agnès Jaoui | Cinematography by | Laurent Dailland | Editing by | Hervé de Luze
Cameras | ARRIFLEX 535 B Camera
Lenses | Cooke S4 Lenses
In Bruges (2008)
Gods and Monsters (1998)
Directed by | Bill Condon | Cinematography by | Stephen M. Katz | Editing by | Virginia Katz
Cameras | ARRIFLEX Camera
Finding Neverland (2004)
Devil (2010)
Directed by | John Erick Dowdle | Cinematography by | Tak Fujimoto | Editing by | Elliot Greenberg
Cameras | Panavision Cameras
Primary Colors (1998)
Directed by | Mike Nichols | Cinematography by | Michael Ballhaus | Editing by | Arthur Schmidt
Cameras | ARRIFLEX Camera
Piranha 3D (2010)
Directed by | Alexandre Aja | Cinematography by | John R. Leonetti | Editing by | Baxter
Lenses | Angenieux HR Zoom Lenses, Cooke S4 Lenses, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses