Super 35 Camera Aperture | 867 Titles
Men of Honor (2000)
Directed by | George Tillman Jr. | Cinematography by | Anthony B. Richmond | Editing by | John Carter, Dirk Westervelt
Lenses | Cooke S4 Lenses
Why Did I Get Married Too? (2010)
Made of Honor (2008)
Directed by | Paul Weiland | Cinematography by | Tony Pierce-Roberts | Editing by | Richard Marks
Cameras | Panavision Cameras
Boys on the Side (1995)
Directed by | Herbert Ross | Cinematography by | Donald E. Thorin | Editing by | Michael R. Miller
Cameras | Panavision Cameras
One Day (2011)
Directed by | Lone Scherfig | Cinematography by | Benoît Delhomme | Editing by | Barney Pilling
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses
The Grey (2011)
Directed by | Joe Carnahan | Cinematography by | Masanobu Takayanagi | Editing by | Roger Barton, Jason Hellmann
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
The Expendables 2 (2012)
Mongol: The Rise of Genghis Khan (2007)
Directed by | Sergei Bodrov | Cinematography by | Rogier Stoffers, Sergey Trofimov | Editing by | Zach Staenberg, Valdís Óskarsdóttir
Cameras | ARRIFLEX Camera
Battle Los Angeles (2011)
Directed by | Jonathan Liebesman | Cinematography by | Lukas Ettlin | Editing by | Christian Wagner
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony PMW-EX3 Camera
Lenses | Panavision Compact Zoom Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses
The A-Team (2010)
Directed by | Joe Carnahan | Cinematography by | Mauro Fiore | Editing by | Roger Barton, Jim May
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
The Cold Light of Day (2012)
Directed by | Mabrouk El Mechri | Cinematography by | Remi Adefarasin | Editing by | Valerio Bonelli
Cameras | ARRIFLEX 435 Camera
Harry Potter and the Sorcerer’s Stone (2001)
Directed by | Chris Columbus | Cinematography by | John Seale | Editing by | Richard Francis-Bruce
Cameras | Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Where the Wild Things Are (2009)
Directed by | Spike Jonze | Cinematography by | Lance Acord | Editing by | James Haygood, Eric Zumbrunnen
Alien: Resurrection (1997)
W.E. (2011)
Directed by | Madonna | Cinematography by | Hagen Bogdanski | Editing by | Danny Tull
Lenses | Zeiss Ultra Prime Lenses
Happy-Go-Lucky (2008)
Directed by | Mike Leigh | Cinematography by | Dick Pope | Editing by | Jim Clark
Cameras | ARRI ARRIFLEX Series Cameras
The Stepfather (2009)
Directed by | Nelson McCormick | Cinematography by | Patrick Cady | Editing by | Eric L. Beason
Cameras | Panavision Panaflex Gold II Camera
A Walk to Remember (2002)
Directed by | Adam Shankman | Cinematography by | Julio Macat | Editing by | Emma E. Hickox
Cameras | ARRI Cameras
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)
Directed by | Andrew Adamson | Cinematography by | Donald McAlpine | Editing by | Sim Evan-Jones, Jim May
Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Millennium Camera
Argo (2012) 
Directed by | Ben Affleck | Cinematography by | Rodrigo Prieto | Editing by | William Goldenberg
Lenses | Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Kern-Paillard Switar Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses
