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Ice Age (2002)

Motion Picture | 2D | Color | 1.85:1 | 81 Minutes

Directed by | Chris Wedge, Carlos Saldanha | Editing by | John Carnochan

Starring | Denis Leary, John Leguizamo, Ray Romano, Goran Visnjic

Fifty Percent Grey (2001)

Short Film | 2D | Color | 3 Minutes

Directed by | Ruairi Robinson | Editing by | Ruairi Robinson

Maggie (2015)

Motion Picture | 2D | Color | 2.39:1 | 95 Minutes

Directed by | Henry Hobson | Cinematography by | Lukas Ettlin | Editing by | Jane Rizzo

Starring | Arnold Schwarzenegger, Abigail Breslin, Joely Richardson, Laura Cayouette

Cameras | ARRI ALEXA Camera, Blackmagic Design Cameras, Red Epic Camera

San Andreas (2015)

Motion Picture | 3D | Color | 2.39:1 | 114 Minutes

Directed by | Brad Peyton | Cinematography by | Steve Yedlin | Editing by | Bob Ducsay

Starring | Dwayne Johnson, Carla Gugino, Alexandra Daddario, Colton Haynes

Cameras | ARRI ALEXA XT Camera, ARRI ALEXA XT Plus Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Night at the Museum: Secret of the Tomb (2014)

Motion Picture | 2D | Color | 1.85:1 | 98 Minutes

Directed by | Shawn Levy | Cinematography by | Guillermo Navarro | Editing by | Dean Zimmerman

Starring | Ben Stiller, Robin Williams, Owen Wilson, Dick Van Dyke

Cameras | Red Epic Dragon Camera

Lenses | Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo Zoom Lenses

My Fair Lady (1964)

Motion Picture | 2D | Film Project | Color | 170 Minutes

Directed by | George Cukor | Cinematography by | Harry Stradling Sr. | Editing by | William H. Ziegler

Starring | Audrey Hepburn, Rex Harrison, Stanley Holloway, Wilfrid Hyde-White

Cameras | Super Panavision-70 Camera

Hercules (2014)

Motion Picture | 3D | Color | 98 Minutes

Directed by | Brett Ratner | Cinematography by | Dante Spinotti | Editing by | Mark Helfrich, Julia Wong

Starring | Dwayne Johnson, John Hurt, Ian McShane, Joseph Fiennes

Cameras | ARRI ALEXA XT Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Monuments Men (2014)

Motion Picture | 2D | Color | 2.39:1 | 118 Minutes

Directed by | George Clooney | Cinematography by | Phedon Papamichael | Editing by | Stephen Mirrione

Starring | George Clooney, Matt Damon, Bill Murray, Cate Blanchett

Cameras | ARRI ALEXA Plus 4:3 Camera, ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens

Jack Ryan: Shadow Recruit (2014)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 105 Minutes

Directed by | Kenneth Branagh | Cinematography by | Haris Zambarloukos | Editing by | Martin Walsh

Starring | Chris Pine, Kevin Costner, Keira Knightley, Kenneth Branagh

Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses | Angenieux HR Zoom Lenses, Panavision C Series Anamorphic Lenses

Edge of Tomorrow (2014)

Motion Picture | 3D | Color | 2.39:1 | 113 Minutes

Directed by | Doug Liman | Cinematography by | Dion Beebe | Editing by | James Herbert, Laura Jennings

Starring | Tom Cruise, Emily Blunt, Bill Paxton, Brendan Gleeson

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Into the Storm (2014)

Motion Picture | 2D | Color | 1.85:1 | 89 Minutes

Directed by | Steven Quale | Cinematography by | Brian Pearson | Editing by | Eric A. Sears

Starring | Richard Armitage, Sarah Wayne Callies, Matt Walsh, Max Deacon

Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, GoPro HD Hero2 Camera, Nikon D800 Camera, Red Epic Camera

Lenses | Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 18-80 mm T2.6 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Zeiss Master Prime Lenses

Road to Perdition (2002)

Motion Picture | 2D | Color | 2.39:1 | 117 Minutes

Directed by | Sam Mendes | Cinematography by | Conrad L. Hall | Editing by | Jill Bilcock

Starring | Tom Hanks, Tyler Hoechlin, Rob Maxey, Liam Aiken

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses | Panavision Primo Primes Spherical Lenses

Seabiscuit (2003)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 140 Minutes

Directed by | Gary Ross | Cinematography by | John Schwartzman | Editing by | William Goldenberg

Starring | Tobey Maguire, Jeff Bridges, Elizabeth Banks, Chris Cooper

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Platinum Camera, Panavision Panastar II Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Day the Earth Stood Still (2008)

Motion Picture | 2D | Color | 2.35:1 | 104 Minutes

The Day the Earth Stood Still | ShotOnWhat?

Directed by | Scott Derrickson | Cinematography by | David Tattersall | Editing by | Wayne Wahrman

Starring | Keanu Reeves, Jennifer Connelly, Kathy Bates, Jaden Smith

Cameras | Panavision Cameras

Ali (2001)

Motion Picture | 2D | Color | 2.39:1 | 157 Minutes

Directed by | Michael Mann | Cinematography by | Emmanuel Lubezki | Editing by | William Goldenberg, Lynzee Klingman, Stephen E. Rivkin, Stuart Waks

Starring | Will Smith, Jamie Foxx, Jon Voight, Mario Van Peebles

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Sony HDW-F900 Camera

Lenses | Panavision Primo Primes Spherical Lenses

Arn: Tempelriddaren (2007)

Motion Picture | 2D | Color | 2.39:1 | 139 Minutes

Directed by | Peter Flinth | Cinematography by | Eric Kress | Editing by | Søren B. Ebbe, Morten Højbjerg, Anders Villadsen

Starring | Joakim Nätterqvist, Sofia Helin, Stellan Skarsgård, Michael Nyqvist

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 Camera

Lenses | Angenieux Optimo Zoom Lenses, Canon Lenses, Zeiss Ultra Prime Lenses

X-Men (2000)

Motion Picture | 2D | Color | 2.39:1 | 104 Minutes

Directed by | Bryan Singer | Cinematography by | Newton Thomas Sigel | Editing by | Steven Rosenblum, Kevin Stitt, John Wright

Starring | Patrick Stewart, Hugh Jackman, Ian McKellen, Famke Janssen

Cameras | Panavision Panaflex Millennium Camera

Lenses | Panavision Primo Anamorphic Lenses

Harry Potter and the Sorcerer’s Stone (2001)

Motion Picture | 2D | Color | 2.39:1 | 152 Minutes

Directed by | Chris Columbus | Cinematography by | John Seale | Editing by | Richard Francis-Bruce

Starring | Daniel Radcliffe, Rupert Grint, Richard Harris, Maggie Smith

Cameras | Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Lenses, Panavision Primo Primes Spherical Lenses

Prince of Persia: The Sands of Time (2010)

Motion Picture | 2D | Color | 2.35:1 | 116 Minutes

Prince of Persia: The Sands of Time | ShotOnWhat?

Directed by | Mike Newell | Cinematography by | John Seale | Editing by | Mick Audsley, Michael Kahn, Martin Walsh

Starring | Jake Gyllenhaal, Gemma Arterton, Ben Kingsley, Alfred Molina

Cameras | Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses

Vanilla Sky (2001)

Motion Picture | 2D | Color | 1.85:1 | 136 Minutes

Directed by | Cameron Crowe | Cinematography by | John Toll | Editing by | Joe Hutshing, Mark Livolsi

Starring | Tom Cruise, Penélope Cruz, Cameron Diaz, Kurt Russell

Cameras | Panavision Panaflex Gold Camera

Lenses | Panavision Primo Primes Spherical Lenses

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