Dolby | 2780 Titles
Superbad (2007)
Directed by | Greg Mottola | Cinematography by | Russ T. Alsobrook | Editing by | William Kerr
Cameras | Phantom HD Camera
Friday Night (2002)
Directed by | Claire Denis | Cinematography by | Agnès Godard | Editing by | Nelly Quettier
Cameras | Aaton 35-III Camera, Aaton A-Minima Camera
Nirgendwo in Afrika (2001)
Directed by | Caroline Link | Cinematography by | Gernot Roll | Editing by | Patricia Rommel
Cameras | ARRIFLEX 35mm Cameras
Lost (2004)
| Cinematography by | John S. Bartley, Michael Bonvillain, Cort Fey, Larry Fong, Stephen St. John, Edward J. Pei | Editing by | Stephen Semel, Mark Goldman, Christopher Nelson, Mary Jo Markey, Sarah Boyd, Henk Van Eeghen, David Eisenberg, Lance Stubblefield, Robert Florio, Sue Blainey, Jo Francis, Martin Nicholson, Chris Braun
Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Funny People (2009)
Directed by | Judd Apatow | Cinematography by | Janusz Kaminski | Editing by | Craig Alpert, Brent White
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
All the Real Girls (2003)
Directed by | David Gordon Green | Cinematography by | Tim Orr | Editing by | Zene Baker, Steven Gonzales
Pineapple Express (2008)
Directed by | David Gordon Green | Cinematography by | Tim Orr | Editing by | Craig Alpert
Lenses | Panavision Primo Anamorphic Lenses
Lawless (2012)
Directed by | John Hillcoat | Cinematography by | Benoît Delhomme | Editing by | Dylan Tichenor
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses
Identity (2003)
Moonlight Mile (2002)
Directed by | Brad Silberling | Cinematography by | Phedon Papamichael | Editing by | Lisa Zeno Churgin
Cameras | Panavision Panaflex Camera
The Twilight Samurai (2002)
Directed by | Yôji Yamada | Cinematography by | Mutsuo Naganuma | Editing by | Iwao Ishii
Cameras | ARRIFLEX Camera
8 Mile (2002)
Directed by | Curtis Hanson | Cinematography by | Rodrigo Prieto | Editing by | Craig Kitson, Jay Rabinowitz
Lenses | Zeiss Ultra Prime Lenses
Boys Don’t Cry (1999)
Directed by | Kimberly Peirce | Cinematography by | Jim Denault | Editing by | Tracy Granger, Lee Percy
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Barbarian Invasions (2003)
Directed by | Denys Arcand | Cinematography by | Guy Dufaux | Editing by | Isabelle Dedieu
Cameras | ARRIFLEX 535 B Camera
Lenses | Cooke S4 Lenses
The Lincoln Lawyer (2011)
Directed by | Brad Furman | Cinematography by | Lukas Ettlin | Editing by | Jeff McEvoy
Cameras | Red One MX Camera
The Golden Compass (2007)
Directed by | Chris Weitz | Cinematography by | Henry Braham | Editing by | Anne V. Coates, Peter Honess, Kevin Tent
Cameras | Panavision Cameras, Panavision Genesis Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses | Panavision Primo Anamorphic Lenses
Gone Baby Gone (2007)
The Good Shepherd (2006)
Directed by | Robert De Niro | Cinematography by | Robert Richardson | Editing by | Tariq Anwar
Cameras | Panavision Panaflex Platinum Camera
Clash of the Titans (2010)
Directed by | Louis Leterrier | Cinematography by | Peter Menzies Jr. | Editing by | David Freeman, Vincent Tabaillon, Martin Walsh
La Vida Loca: Based on a True Story (2012)
Directed by | Adrian Nava | Cinematography by | Adrian Nava | Editing by | Adrian Nava
Cameras | Canon EOS Rebel T3i camera
Lenses | Canon Lenses