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Dolby | 2925 Titles

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Once Upon a Time in Mexico (2003)

Motion Picture | 2D | Color | 1.78:1 (16x9), 2.39:1 | 102 Minutes

Once Upon a Time in Mexico | ShotOnWhat?

Directed by | Robert Rodriguez | Cinematography by | Robert Rodriguez | Editing by | Robert Rodriguez

Starring | Antonio Banderas, Salma Hayek, Johnny Depp, Willem Dafoe

Cameras | Sony HDW-F900 Camera

Premium Rush (2012)

Motion Picture | 2D | Color | 2.35:1 | 91 Minutes

Premium Rush | ShotOnWhat?

Directed by | David Koepp | Cinematography by | Mitchell Amundsen | Editing by | Derek Ambrosi, Jill Savitt

Starring | Joseph Gordon-Levitt, Michael Shannon, Dania Ramirez, Sean Kennedy

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

Balls of Fury (2007)

Motion Picture | Color | 1.85:1 | 90 Minutes

Balls of Fury | ShotOnWhat?

Directed by | Robert Ben Garant | Cinematography by | Thomas E. Ackerman | Editing by | John Refoua

Starring | Dan Fogler, Christopher Walken, George Lopez, Maggie Q

Cameras | Panavision Genesis Camera

The Karate Kid (2010)

Motion Picture | 2D | Color | 2.35:1 | 140 Minutes

The Karate Kid | ShotOnWhat?

Directed by | Harald Zwart | Cinematography by | Roger Pratt | Editing by | Joel Negron

Starring | Jackie Chan, Jaden Smith, Taraji P. Henson, Wenwen Han

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera

Lenses | Cooke S4 Lenses

Something’s Gotta Give (2003)

Motion Picture | 2D | Color | 1.85:1 | 128 Minutes

Directed by | Nancy Meyers | Cinematography by | Michael Ballhaus | Editing by | Joe Hutshing

Starring | Jack Nicholson, Diane Keaton, Keanu Reeves, Amanda Peet

Cameras | ARRICAM Studio (ST) Camera

Lenses | Angenieux Lenses, Zeiss Lenses

Flags of Our Fathers (2006)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 135 Minutes

Directed by | Clint Eastwood | Cinematography by | Tom Stern | Editing by | Joel Cox

Starring | Ryan Phillippe, Barry Pepper, Joseph Cross, Jesse Bradford

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Platinum Camera, Sony HVR-Z1U Camera

Lenses | Panavision C Series Anamorphic Lenses

Bridget Jones’s Diary (2001)

Motion Picture | 2D | Color | 2.39:1 | 97 Minutes

Directed by | Sharon Maguire | Cinematography by | Stuart Dryburgh | Editing by | Martin Walsh

Starring | Renée Zellweger, Colin Firth, Hugh Grant, Gemma Jones

Cameras | Panavision Cameras

Lenses | Panavision Lenses

33 Postcards (2011)

Motion Picture | 2D | Color | 97 Minutes

Directed by | Pauline Chan | Cinematography by | Toby Oliver | Editing by | Jane Moran

Starring | Guy Pearce, Zhu Lin, Claudia Karvan, Elaine Jin

Cameras | Red One Camera

The Mummy (1999)

Motion Picture | 2D | Color | 2.39:1 | 124 Minutes

Directed by | Stephen Sommers | Cinematography by | Adrian Biddle | Editing by | Bob Ducsay

Starring | Brendan Fraser, Rachel Weisz, John Hannah, Arnold Vosloo

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Atonement (2007)

Motion Picture | 2D | HD Project | Color | 1.85:1 | 123 Minutes

Directed by | Joe Wright | Cinematography by | Seamus McGarvey | Editing by | Paul Tothill

Starring | Keira Knightley, James McAvoy, Brenda Blethyn, Saoirse Ronan

Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses | Panavision Hylén System Lens, Panavision Primo Primes Spherical Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

Barbershop (2002)

Motion Picture | 2D | Color | 1.85:1 | 102 Minutes

Directed by | Tim Story | Cinematography by | Tom Priestley Jr. | Editing by | John Carter

Starring | Ice Cube, Cedric The Entertainer, Eve, Anthony Anderson

Cameras | Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Time Machine (2002)

Motion Picture | 2D | Color | 2.39:1 | 96 Minutes

Directed by | Simon Wells | Cinematography by | Donald McAlpine | Editing by | Wayne Wahrman

Starring | Guy Pearce, Yancey Arias, Mark Addy, Phyllida Law

Cameras | Panavision Panaflex Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Felicia’s Journey (1999)

Motion Picture | 2D | Color | 2.39:1 | 116 Minutes

Directed by | Atom Egoyan | Cinematography by | Paul Sarossy | Editing by | Susan Shipton

Starring | Bob Hoskins, Arsinée Khanjian, Elaine Cassidy, Sheila Reid

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

3000 Miles to Graceland (2001)

Motion Picture | 2D | Color | 2.39:1 | 125 Minutes

Directed by | Demian Lichtenstein | Cinematography by | David Franco | Editing by | Michael J. Duthie, Miklos Wright

Starring | Kurt Russell, Kevin Costner, Courteney Cox, Christian Slater

Cameras | Panavision Cameras

Lenses | Panavision Lenses

At Dawning (2002)

Motion Picture | Color | 12 Minutes

At Dawning | ShotOnWhat?

Directed by | Martin Jones | Cinematography by | Mary Farbrother | Editing by | Chris Newby

Starring | Jenny Agutter, Yvan Attal, Christine Entwisle, David Buonoguidi

Cameras | Panavision Cameras

Sonatine (1993)

Motion Picture | 2D | Color | 1.85:1 | 94 Minutes

Directed by | Takeshi Kitano | Cinematography by | Katsumi Yanagijima | Editing by | Takeshi Kitano

Starring | Takeshi Kitano, Aya Kokumai, Tetsu Watanabe, Masanobu Katsumura

Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Camera

Lenses | Panavision Primo Primes Spherical Lenses

Life Is Beautiful (1997)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 116 Minutes

Directed by | Roberto Benigni | Cinematography by | Tonino Delli Colli | Editing by | Simona Paggi

Starring | Roberto Benigni, Nicoletta Braschi, Giorgio Cantarini, Giustino Durano

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Goodfellas (1990)

Motion Picture | 2D | Color | 1.85:1 | 146 Minutes

Directed by | Martin Scorsese | Cinematography by | Michael Ballhaus | Editing by | James Y. Kwei, Thelma Schoonmaker

Starring | Robert De Niro, Ray Liotta, Joe Pesci, Lorraine Bracco

Cameras | ARRIFLEX 35 BL4s Camera

Lenses | Zeiss Lenses

Harry Brown (2009)

Motion Picture | 2D | Color | 2.39:1 | 103 Minutes

Directed by | Daniel Barber | Cinematography by | Martin Ruhe | Editing by | Joe Walker

Starring | Michael Caine, Emily Mortimer, David Bradley, Charlie Creed-Miles

Cameras | Sony CineAlta F35 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

What Lies Beneath (2000)

Motion Picture | 2D | Color | 2.39:1 | 130 Minutes

Directed by | Robert Zemeckis | Cinematography by | Don Burgess | Editing by | Arthur Schmidt

Starring | Harrison Ford, Michelle Pfeiffer, Katharine Towne, Miranda Otto

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses

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