2D | 5452 Titles
21 Jump Street (2012)
Directed by | Phil Lord, Christopher Miller | Cinematography by | Barry Peterson | Editing by | Joel Negron
Cameras | ARRI ALEXA Camera, ARRIFLEX 435 Camera
Brooklyn Rules (2007)
Good (2008)
Directed by | Vicente Amorim | Cinematography by | Andrew Dunn | Editing by | John Wilson
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Starship Troopers 2: Hero of the Federation (2004)
Directed by | Phil Tippett | Cinematography by | Christian Sebaldt | Editing by | Louise Rubacky
Cameras | Panasonic AJ-HDC27 Varicam Camera
Patch Adams (1998)
Directed by | Tom Shadyac | Cinematography by | Phedon Papamichael | Editing by | Don Zimmerman
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Bicentennial Man (1999)
Directed by | Chris Columbus | Cinematography by | Phil Meheux | Editing by | Nicolas De Toth, Neil Travis
Cameras | Panavision Panaflex Gold II Camera
Ted (2012)
Directed by | Seth MacFarlane | Cinematography by | Michael Barrett | Editing by | Jeff Freeman
Cameras | Panavision Genesis Camera, Sony PMW-EX3 Camera
Hak hap (1996)
Directed by | Daniel Lee | Cinematography by | Tony Cheung | Editing by | Ka Tai Cheung, Ka-Fai Cheung, Ettie M. Feldman
Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 535 Camera
Lenses | Angenieux Lenses, ARRI / Zeiss Lenses
Walk Hard: The Dewey Cox Story (2007)
Directed by | Jake Kasdan | Cinematography by | Uta Briesewitz | Editing by | Tara Timpone, Steve Welch
Cameras | Panavision Genesis Camera
Lenses | Panavision Primo Anamorphic Lenses
Please Kill Mr. Know It All (2012)
Directed by | Colin Carter, Sandra Feldman | Cinematography by | Pasha Patriki | Editing by | Michael P. Mason
Cameras | Red Digital Cinema Cameras
Lenses | Red Digital Cinema Lenses
Difficult to Stay Alive and Die (2009)
Directed by | Michael Bail | Cinematography by | Matthew Espenshade | Editing by | Michael Bail
Cameras | Kinor 235 Camera, Kinor 35H 9KSN Camera
My Sister’s Keeper (2009)
Directed by | Nick Cassavetes | Cinematography by | Caleb Deschanel | Editing by | Jim Flynn, Alan Heim
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Amateur (1994)
Directed by | Hal Hartley | Cinematography by | Michael Spiller | Editing by | Steve Hamilton
Cameras | Panavision Panaflex Gold Camera
Easy Virtue (2008)
Directed by | Stephan Elliott | Cinematography by | Martin Kenzie | Editing by | Sue Blainey
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
In the Mood for Love (2000)
Directed by | Kar-Wai Wong | Cinematography by | Christopher Doyle, Pung-Leung Kwan, Ping Bin Lee | Editing by | William Chang
Lenses | Zeiss Lenses
The Baytown Outlaws (2012)
Directed by | Barry Battles | Cinematography by | David McFarland | Editing by | Sean Valla
Cameras | Red One Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens
Twin Peaks: Fire Walk with Me (1992)
Directed by | David Lynch | Cinematography by | Ronald Víctor García | Editing by | Mary Sweeney
Cameras | Panavision Panaflex Gold Camera
Jing wu ying xiong (1994)
Directed by | Gordon Chan | Cinematography by | Derek Wan | Editing by | Ki-Hop Chan, Chak-Man Cheng
Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera
Lenses | Angenieux Lenses, ARRI / Zeiss Lenses
Hellboy II: The Golden Army (2008)
Directed by | Guillermo del Toro | Cinematography by | Guillermo Navarro | Editing by | Bernat Vilaplana
Cameras | ARRIFLEX 235 Camera, Moviecam Compact Camera
Lenses | Zeiss Ultra Prime Lenses
Ninja Assassin (2009)
Directed by | James McTeigue | Cinematography by | Karl Walter Lindenlaub | Editing by | Giancarlo Ganziano, Joseph Jett Sally
Lenses | Zeiss Master Prime Lenses
