2D  |  5452 Titles

2D 3.00/5 9 Votes

The Hours   (2002)

  |    |    |    |  110 Minutes

Attraction   (2000)

  |    |    |  95 Minutes

The Addams Family   (1991)

  |    |    |  99 Minutes
Directed by | Barry Sonnenfeld | Cinematography by | Owen Roizman | Editing by | Dede Allen, Jim Miller
Cameras |

Days of Thunder   (1990)

  |    |    |  ,   |  107 Minutes

Harry Potter and the Prisoner of Azkaban   (2004)

  |    |    |    |    |  142 Minutes

The Roommate   (2011)

  |    |  Color  |    |  91 Minutes

Children of Men   (2006)

  |    |    |    |    |  109 Minutes

CIA Code Name: Alexa   (1992)

  |    |    |  93 Minutes
Directed by | Joseph Merhi | Cinematography by | Richard Pepin | Editing by | Geraint Bell, Ron Cabreros, John Weidner
Cameras |

Mud   (2012)

  |    |    |  130 Minutes

Everything Moves Alone   (2001)

  |    |  Color  |    |  100 Minutes

Army of One   (1993)

  |    |    |    |  106 Minutes
Directed by | Vic Armstrong | Cinematography by | Daniel L. Turrett | Editing by | Paul Morton

Snabba cash II   (2012)

  |    |  Color  |    |  99 Minutes
Directed by | Babak Najafi | Cinematography by | Aril Wretblad | Editing by | Theis Schmidt
Cameras |

Les infidèles   (2012)

  |    |    |    |  109 Minutes

L.A. Confidential   (1997)

  |    |    |    |  138 Minutes

Veronica Guerin   (2003)

  |    |    |    |  98 Minutes
Directed by | Joel Schumacher | Cinematography by | Brendan Galvin | Editing by | David Gamble
Cameras |

Almost Famous   (2000)

  |    |    |    |  122 Minutes
Directed by | Cameron Crowe | Cinematography by | John Toll | Editing by | Joe Hutshing, Saar Klein
Cameras |

Passion in the Desert   (1997)

  |    |    |    |  91 Minutes

Alex Rider: Operation Stormbreaker   (2006)

  |    |    |    |  93 Minutes

Great Expectations   (1998)

  |    |  Color  |    |  111 Minutes
Directed by | Alfonso Cuarón | Cinematography by | Emmanuel Lubezki | Editing by | Steven Weisberg
Cameras |

S. Darko   (2009)

  |    |    |  ,   |  103 Minutes
Directed by | Chris Fisher | Cinematography by | Marvin V. Rush | Editing by | Kent Beyda
Cameras |