Oceania | 126 Titles
The Power of the Dog (2021)
Directed by | Jane Campion | Cinematography by | Ari Wegner | Editing by | Peter Sciberras
Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera
The Lord of the Rings: The Fellowship of the Ring (2001)
Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | John Gilbert
Lenses | Zeiss Ultra Prime Lenses
Pirates of the Caribbean: Dead Men Tell No Tales (2017)
Directed by | Joachim Rønning, Espen Sandberg | Cinematography by | Paul Cameron | Editing by | Roger Barton, Leigh Folsom Boyd
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera
Hacksaw Ridge (2016)
Avatar: The Way of Water (2022)
Directed by | James Cameron | Cinematography by | Russell Carpenter | Editing by | David Brenner, James Cameron, John Refoua, Stephen E. Rivkin
Cameras | Sony CineAlta VENICE Camera
Lenses | Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Fujinon MK 18-55mm T2.9 Lens, Fujinon MK 50-135mm T2.9 Lens
Bad Taste (1987)
Directed by | Peter Jackson | Cinematography by | Peter Jackson | Editing by | Peter Jackson, Jamie Selkirk
Cameras | Bolex H16 SBM Camera, Cinema Products CP-16 Camera
Elvis (2022)
Directed by | Baz Luhrmann | Cinematography by | Mandy Walker | Editing by | Jonathan Redmond, Matt Villa
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA LF Camera
Pearl (2022)
Directed by | Ti West | Cinematography by | Eliot Rockett | Editing by | Ti West
Cameras | Sony CineAlta VENICE Camera
Bran Nue Dae (2009)
Avatar (2009)
Directed by | James Cameron | Cinematography by | Mauro Fiore | Editing by | James Cameron, John Refoua, Stephen E. Rivkin
Lenses | Canon Lenses, Fujinon HA16x6.3BE 6.3-101 mm T1.8 Lens, Fujinon HA5x7B-W50 7-35 mm Lens, Fujinon Lenses
Land of Bad (2024)
Directed by | William Eubank | Cinematography by | Agustin Claramunt | Editing by | Todd E. Miller
Cameras | ARRI ALEXA Mini LF Camera
Lenses | Panavision Primo 70 Lenses
Indefinite (2015)
Directed by | Kane Arcadia | Cinematography by | Carlos Schneider | Editing by | Ken Lee
Cameras | ARRIFLEX 16SR2 Camera
Lenses | Cinema Products Lenses
Body Melt (1993)
Directed by | Philip Brophy | Cinematography by | Ray Argall | Editing by | Bill Murphy
Cameras | ARRIFLEX 16SR2 Camera
Shine (1996)
Directed by | Scott Hicks | Cinematography by | Geoffrey Simpson | Editing by | Pip Karmel
Cameras | ARRIFLEX 35 BL4s Camera, ARRIFLEX 535 Camera
Oscar and Lucinda (1997)
Directed by | Gillian Armstrong | Cinematography by | Geoffrey Simpson | Editing by | Nicholas Beauman
Cameras | Panavision Panaflex Gold II Camera
Razorback (1984)
Directed by | Russell Mulcahy | Cinematography by | Dean Semler | Editing by | William M. Anderson
Cameras | Panavision Panaflex Gold Camera
Dirty Mirrors (2022)
Chopper (2000)
Directed by | Andrew Dominik | Cinematography by | Geoffrey Hall, Kevin Hayward | Editing by | Ken Sallows
The Wilds (2020)
| Cinematography by | Ed Wild, Rob Marsh, Peter Field | Editing by | Sophie Corra, Steve Edwards, Brad Katz, Susan J. Vinci
Lenses | Tokina Vista Cinema Prime 105mm T1.5, Tokina Vista Cinema Prime 135mm T1.5, Tokina Vista Cinema Prime 18mm T1.5, Tokina Vista Cinema Prime 25mm T1.5, Tokina Vista Cinema Prime 35mm T1.5, Tokina Vista Cinema Prime 50mm T1.5, Tokina Vista Cinema Prime 85mm T1.5
The Thin Red Line (1998)
Directed by | Terrence Malick | Cinematography by | John Toll | Editing by | Leslie Jones, Saar Klein, Billy Weber
Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses | Panavision C100 100 mm T2.8 Lens, Panavision C40 40 mm T2.8 Lens, Panavision C50 50 mm T2.3 Lens, Panavision C75 75 mm T2.5 Lens, Panavision Primo AL100 100 mm T2.0 Lens, Panavision Primo AL40 40 mm T2.0 Lens, Panavision Primo AL50 50 mm T2.0 Lens, Panavision Primo AL75 75 mm T2.0 Lens
