Los Angeles | 366 Titles
Clockstoppers (2002)
Directed by | Jonathan Frakes | Cinematography by | Tim Suhrstedt | Editing by | Peter E. Berger, Jeff Canavan
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics Cameras
My Name Is Khan (2010)
Something’s Gotta Give (2003)
Directed by | Nancy Meyers | Cinematography by | Michael Ballhaus | Editing by | Joe Hutshing
Cameras | ARRICAM Studio (ST) Camera
Lenses | Angenieux Lenses, Zeiss Lenses
The Time Machine (2002)
Directed by | Simon Wells | Cinematography by | Donald McAlpine | Editing by | Wayne Wahrman
Cameras | Panavision Panaflex Camera
What Lies Beneath (2000)
Directed by | Robert Zemeckis | Cinematography by | Don Burgess | Editing by | Arthur Schmidt
Cameras | Panavision Panaflex Platinum Camera
Extreme Justice (1993)
Directed by | Mark L. Lester | Cinematography by | Mark Irwin | Editing by | Donn Aron
Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera
Grand Canyon (1991)
Directed by | Lawrence Kasdan | Cinematography by | Owen Roizman | Editing by | Carol Littleton
Cameras | Panavision Panaflex Gold Camera
Charlie’s Angels: Full Throttle (2003)
Directed by | McG | Cinematography by | Russell Carpenter | Editing by | Wayne Wahrman
Lenses | Panavision Primo Anamorphic Lenses
Desire Street (2011)
Directed by | Roberto F. Canuto, Xiaoxi Xu | Cinematography by | Roberto F. Canuto, Xiaoxi Xu | Editing by | Roberto F. Canuto, Xiaoxi Xu
Cameras | ARRIFLEX 16mm Cameras
Changeling (2008)
Directed by | Clint Eastwood | Cinematography by | Tom Stern | Editing by | Joel Cox, Gary Roach
Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Thelma & Louise (1991)
Directed by | Ridley Scott | Cinematography by | Adrian Biddle | Editing by | Thom Noble
Cameras | Panavision Cameras
Lenses | Panavision Lenses
National Treasure (2004)
Directed by | Jon Turteltaub | Cinematography by | Caleb Deschanel | Editing by | William Goldenberg
Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Copycat (1995)
Directed by | Jon Amiel | Cinematography by | László Kovács | Editing by | Jim Clark, Alan Heim
Cameras | Panavision Panaflex Camera
House of Sand and Fog (2003)
Directed by | Vadim Perelman | Cinematography by | Roger Deakins | Editing by | Lisa Zeno Churgin
Cameras | ARRIFLEX 535 B Camera, Moviecam Superlight Camera
Lenses | Cooke S4 Lenses
Last Action Hero (1993)
Directed by | John McTiernan | Cinematography by | Dean Semler | Editing by | Richard A. Harris, John Wright
Cameras | Panavision Panaflex Gold II Camera
Lethal Weapon 4 (1998)
Directed by | Richard Donner | Cinematography by | Andrzej Bartkowiak | Editing by | Dallas Puett, Kevin Stitt, Eric Strand, Frank J. Urioste
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Panic Room (2002)
Directed by | David Fincher | Cinematography by | Conrad W. Hall, Darius Khondji | Editing by | James Haygood, Angus Wall
Cameras | Panavision Panaflex Platinum Camera
Serenity (2005)
Directed by | Joss Whedon | Cinematography by | Jack N. Green | Editing by | Lisa Lassek
Lenses | Panavision Lenses
Planet of the Apes (2001)
Directed by | Tim Burton | Cinematography by | Philippe Rousselot | Editing by | Chris Lebenzon
Cameras | Panavision Panaflex Platinum Camera
Training Day (2001)
Directed by | Antoine Fuqua | Cinematography by | Mauro Fiore | Editing by | Conrad Buff IV
Lenses | Hawk C-Series Lenses