Los Angeles | 366 Titles
5 Star Day (2010)
Directed by | Danny Buday | Cinematography by | Jason Oldak | Editing by | Curtis Pierce
Cameras | Moviecam Compact Camera
Aizea: City of the Wind (2001)
Directed by | Ione Hernández | Cinematography by | Daniel Aranyó | Editing by | Andrea Zondler
Cameras | ARRIFLEX 16SR2 Camera
Rocky (1976) 
Directed by | John G. Avildsen | Cinematography by | James Crabe | Editing by | Scott Conrad, Richard Halsey
Lenses | Panavision Lenses
Ghost World (2001)
Directed by | Terry Zwigoff | Cinematography by | Affonso Beato | Editing by | Carole Kravetz Aykanian, Michael R. Miller
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Rain Man (1988)
Directed by | Barry Levinson | Cinematography by | John Seale | Editing by | Stu Linder
Cameras | Panavision Panaflex Camera
27 Missing Kisses (2000)
Directed by | Nana Dzhordzhadze | Cinematography by | Phedon Papamichael | Editing by | Vessela Martschewski
Cameras | Moviecam Cameras
Snow Falling on Cedars (1999)
Directed by | Scott Hicks | Cinematography by | Robert Richardson | Editing by | Hank Corwin
Cameras | Panavision Panaflex Platinum Camera
A Single Man (2009)
Directed by | Tom Ford | Cinematography by | Eduard Grau | Editing by | Joan Sobel
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | Panavision Primo Anamorphic Lenses
Die Hard 2 (1990)
Directed by | Renny Harlin | Cinematography by | Oliver Wood | Editing by | Stuart Baird, Robert A. Ferretti
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
High Anxiety (1977)
Directed by | Mel Brooks | Cinematography by | Paul Lohmann | Editing by | John C. Howard
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Solar Crisis (1990)
Directed by | Richard C. Sarafian, Alan Smithee | Cinematography by | Russell Carpenter | Editing by | Richard Trevor
Cameras | Panavision Panaflex Platinum Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Savages (2012)
Directed by | Oliver Stone | Cinematography by | Dan Mindel | Editing by | Joe Hutshing, Stuart Levy, Alex Marquez
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Kiss of Death (1997)
Directed by | Andrei Feher | Cinematography by | Massimo Zeri
Cameras | ARRI ARRIFLEX Series Cameras
End of Watch (2012)
Directed by | David Ayer | Cinematography by | Roman Vasyanov | Editing by | Dody Dorn
Cameras | Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Canon XA10 Camera, GoPro HD Hero Camera, Silicon Imaging SI-2K Mini Camera, Silicon Imaging SI-2K Nano Camera
Abominable (2006)
Directed by | Ryan Schifrin | Cinematography by | Neal Fredericks | Editing by | Chris Conlee
Cameras | ARRIFLEX 35 III Camera, Moviecam Compact Camera
Terminator 3: Rise of the Machines (2003)
Directed by | Jonathan Mostow | Cinematography by | Don Burgess | Editing by | Nicolas De Toth, Neil Travis
Cameras | Panavision Panaflex Platinum Camera
I Am Sam (2001)
Directed by | Jessie Nelson | Cinematography by | Elliot Davis | Editing by | Richard Chew
Cameras | Panavision Panaflex Millennium XL Camera
G-Force (2009)
Directed by | Hoyt Yeatman | Cinematography by | Bojan Bazelli | Editing by | Mark Goldblatt, Jason Hellmann
Unfaithful (2002)
Directed by | Adrian Lyne | Cinematography by | Peter Biziou | Editing by | Anne V. Coates
Cameras | Moviecam Compact Camera
Lenses | Cooke S4 Lenses
The Sound of Music (1965)
Directed by | Robert Wise | Cinematography by | Ted D. McCord | Editing by | William Reynolds
Cameras | Mitchell BNC Camera, Modern Cinema Systems MCS-70
