Italy | 97 Titles
Jason Bourne (2016)
Directed by | Paul Greengrass | Cinematography by | Barry Ackroyd | Editing by | Christopher Rouse
Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, Codex Action Cam, Red Epic Dragon Camera
Lenses | Angenieux Optimo Zoom Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Kowa Cine Prominar Spherical Lenses, Panavision Lenses, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses
The Portrait of a Lady (1996)
Clouds of Sils Maria (2014)
The Program (2015)
Directed by | Stephen Frears | Cinematography by | Danny Cohen | Editing by | Valerio Bonelli
Cameras | Red Epic Camera
The Red Violin (1998)
Il supplente (2007)
Directed by | Andrea Jublin | Cinematography by | Daniele Massaccesi | Editing by | Pierpaolo Adami
Cameras | Sony HDW-F900 Camera
Il divo – La spettacolare vita di Giulio Andreotti (2008)
Directed by | Paolo Sorrentino | Cinematography by | Luca Bigazzi | Editing by | Cristiano Travaglioli
Sette opere di misericordia (2011)
Directed by | Gianluca De Serio, Massimiliano De Serio | Cinematography by | Piero Basso | Editing by | Stefano Cravero
Cameras | ARRICAM Lite (LT) Camera
Lenses | Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
Più buio di mezzanotte (2014)
Directed by | Sebastiano Riso | Cinematography by | Piero Basso | Editing by | Marco Spoletini
Cameras | ARRI ALEXA Studio Camera
Lenses | Technovision Cooke Anamorphic 100mm T2.8 Lens, Technovision Cooke Anamorphic 32mm T2.3 Lens, Technovision Cooke Anamorphic 40mm T3.0 Lens, Technovision Cooke Anamorphic 50mm T2.5 Lens, Technovision Cooke Anamorphic 75mm T2.5 Lens
Youth (2015)
Directed by | Paolo Sorrentino | Cinematography by | Luca Bigazzi | Editing by | Cristiano Travaglioli
Cameras | Red Epic Dragon Camera
Lenses | Zeiss Ultra Prime Lenses
The Man from U.N.C.L.E. (2015)
Directed by | Guy Ritchie | Cinematography by | John Mathieson | Editing by | James Herbert
Cameras | ARRI ALEXA XT Plus Camera, Canon EOS-5D Mark II Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera
Tartarughe sul dorso (2004)
Directed by | Stefano Pasetto | Cinematography by | Paolo Bravi | Editing by | Alessio Doglione
Cameras | ARRIFLEX 535 Camera
Lenses | Cooke Speed Panchro Lenses
Road to Ferrari (2013)
Directed by | Matthew Bennett | Cinematography by | Daniel McKeown | Editing by | Janet Gaynor
Cameras | ARRI ALEXA Series Cameras, Canon Cameras
Spectre (2015)
Directed by | Sam Mendes | Cinematography by | Hoyte Van Hoytema | Editing by | Lee Smith
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E100 100 mm T2.3 Lens, Panavision Primo 70 Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
Ben-Hur (2016)
Directed by | Timur Bekmambetov | Cinematography by | Oliver Wood | Editing by | Dody Dorn, Richard Francis-Bruce
Zoolander 2 (2016)
Directed by | Ben Stiller | Cinematography by | Dan Mindel | Editing by | Greg Hayden
Cameras | ARRI ALEXA M Camera, ARRI ALEXA XT Plus Camera
Spy (2015)
Directed by | Paul Feig | Cinematography by | Robert D. Yeoman | Editing by | Melissa Bretherton, Brent White
Cameras | ARRI ALEXA XT Camera
Avengers: Age of Ultron (2015)
Directed by | Joss Whedon | Cinematography by | Ben Davis | Editing by | Jeffrey Ford, Lisa Lassek
Cameras | ARRI ALEXA XT Studio Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera, Red One MX Camera
Lenses | Panavision Primo Anamorphic Lenses
Maestro (2014)
Directed by | Léa Fazer | Cinematography by | Lucas Leconte | Editing by | Jean-François Elie
Cameras | ARRI ALEXA Camera