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Central America | 65 Titles

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After Earth (2013)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 100 Minutes

Directed by | M. Night Shyamalan | Cinematography by | Peter Suschitzky | Editing by | Steven Rosenblum

Starring | Jaden Smith, David Denman, Will Smith, Sophie Okonedo

Cameras | Canon EOS-C500 Camera, Sony CineAlta F65 Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Cooke S4 Lenses

Reparando (2010)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 78 Minutes

Reparando | ShotOnWhat?

Directed by | Scott Owen Moore | Cinematography by | Bobby Marko, Scott Owen Moore | Editing by | Scott Owen Moore

Cameras | Canon Cameras, Canon EOS-5D Mark II Camera, Panasonic AG-HVX200 Camera, Panasonic Cameras

Tequila (2011)

Motion Picture | 2D |

Tequila | ShotOnWhat?

Directed by | Sergio Sánchez Suárez | Cinematography by | Andronico Gonzalez | Editing by | Alejandro Carrillo Penovi, Dankmar Garcia, Andronico Gonzalez, Mauro Rivera, Sergio Sánchez Suárez

Starring | Unax Ugalde, Daniela Schmidt, Salvador Sánchez, Edward Furlong

Cameras | Silicon Imaging Cameras, Silicon Imaging SI-2K Camera, Silicon Imaging SI-2K Mini Camera

High Risk (1981)

Motion Picture | 2D | Color | 94 Minutes

Directed by | Stewart Raffill | Cinematography by | Álex Phillips Jr. | Editing by | Tom Walls

Starring | James Brolin, Anthony Quinn, Lindsay Wagner, James Coburn

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Dune (1984)

Motion Picture | 2D | Color | 2.20:1, 2.39:1 | 137 Minutes

Directed by | David Lynch | Cinematography by | Freddie Francis | Editing by | Antony Gibbs

Starring | Kyle MacLachlan, Virginia Madsen, Francesca Annis, Leonardo Cimino

Cameras | ARRIFLEX 35 BL2 Camera, Photo-Sonics 35mm-4ER Camera

Altered States (1980)

Motion Picture | 2D | Color | 1.37:1, 1.85:1 | 102 Minutes

Directed by | Ken Russell | Cinematography by | Jordan Cronenweth | Editing by | Eric Jenkins, Jack Harnish

Starring | William Hurt, Blair Brown, Bob Balaban, Charles Haid

Cameras | Panavision Panaflex Camera

Lenses | Panavision Lenses

Total Recall (1990)

Motion Picture | 2D | Color | 113 Minutes

Directed by | Paul Verhoeven | Cinematography by | Jost Vacano | Editing by | Carlos Puente, Frank J. Urioste

Starring | Arnold Schwarzenegger, Sharon Stone, Michael Ironside, Rachel Ticotin

Cameras | ARRIFLEX Camera

Lenses | Zeiss Lenses

From Prada to Nada (2011)

Motion Picture | 2D | Color | 1.85:1 | 107 Minutes

Directed by | Angel Gracia | Cinematography by | Héctor Ortega | Editing by | Brad McLaughlin

Starring | Camilla Belle, Alexa PenaVega, Kuno Becker, Tina French

Cameras | Sony CineAlta F35 Camera

U2 3D (2007)

Motion Picture | 3D | HD Project | Color | 1.33:1 (4x3), 1.78:1 (16x9) | 85 Minutes

Directed by | Catherine Owens, Mark Pellington | Cinematography by | Peter Anderson, Tom Krueger | Editing by | Olivier Wicki

Starring | Bono, Adam Clayton, The Edge, Larry Mullen Jr.

Cameras | Sony HDW-F900 Camera

Lenses | Angenieux Lenses, Fujinon Lenses, Zeiss ZE Prime Lenses

The Mask of Zorro (1998)

Motion Picture | 2D | Color | 2.39:1 | 136 Minutes

Directed by | Martin Campbell | Cinematography by | Phil Meheux | Editing by | Thom Noble

Starring | Antonio Banderas, Anthony Hopkins, Catherine Zeta-Jones, José María de Tavira

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera, Moviecam Compact Camera

Lenses | Cooke Lenses

Troy (2004)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 163 Minutes

Directed by | Wolfgang Petersen | Cinematography by | Roger Pratt | Editing by | Peter Honess

Starring | Brad Pitt, Eric Bana, Orlando Bloom, Julian Glover

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera

Lenses | Cooke S4 Lenses

The Grandfather (1998)

Motion Picture | 2D | Color | 151 Minutes

Directed by | José Luis Garci | Cinematography by | Raúl Pérez Cubero | Editing by | Miguel González Sinde

Starring | Fernando Fernán Gómez, Rafael Alonso, Cayetana Guillén Cuervo, Agustín González

Cameras | Panavision Panaflex Gold II Camera

Basic (2003)

Motion Picture | 2D | Color | 2.39:1 | 98 Minutes

Directed by | John McTiernan | Cinematography by | Steve Mason | Editing by | George Folsey Jr.

Starring | John Travolta, Samuel L. Jackson, Connie Nielsen, Tim Daly

Cameras | Panavision Panaflex Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

180º (2010)

Motion Picture | 2D | Color | 2.39:1 | 105 Minutes

Directed by | Fernando Kalife | Cinematography by | Eduardo Flores Torres | Editing by | Joel T. Pashby, Hughes Winborne

Starring | Manuel Garcia-Rulfo, Elizabeth Valdez, Eduardo Blanco, Rodrigo Cachero

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Master and Commander: The Far Side of the World (2003)

Motion Picture | 2D | Color | 2.39:1 | 138 Minutes

Directed by | Peter Weir | Cinematography by | Russell Boyd | Editing by | Lee Smith

Starring | Russell Crowe, Paul Bettany, Billy Boyd, James D'Arcy

Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

Apocalypto (2006)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 139 Minutes

Directed by | Mel Gibson | Cinematography by | Dean Semler | Editing by | John Wright

Starring | Gerardo Taracena, Raoul Max Trujillo, Dalia Hernández, Rudy Youngblood

Cameras | Aaton A-Minima Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Ikonoskop Cameras, Panavision Genesis Camera

Pearl Harbor (2001)

Motion Picture | 2D | Black & White, Color | 2.20:1, 2.39:1 | 183 Minutes

Directed by | Michael Bay | Cinematography by | John Schwartzman | Editing by | Roger Barton, Mark Goldblatt, Chris Lebenzon, Steven Rosenblum

Starring | Ben Affleck, Kate Beckinsale, Josh Hartnett, William Lee Scott

Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses

The Astronaut Farmer (2006)

Motion Picture | 2D | Color | 2.39:1 | 104 Minutes

Directed by | Michael Polish | Cinematography by | M. David Mullen | Editing by | James Haygood

Starring | Billy Bob Thornton, Virginia Madsen, Bruce Dern, Max Thieriot

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

High Crimes (2002)

Motion Picture | 2D | Color | 2.39:1 | 115 Minutes

High Crimes | ShotOnWhat?

Directed by | Carl Franklin | Cinematography by | Theo van de Sande | Editing by | Carole Kravetz Aykanian

Starring | Jim Caviezel, Morgan Freeman, Ashley Judd, Adam Scott

Cameras | ARRIFLEX 16SR3 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera

Lenses | Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Before Night Falls (2000)

Motion Picture | 2D | Color | 1.85:1 | 133 Minutes

Directed by | Julian Schnabel | Cinematography by | Xavier Grobet, Guillermo Rosas | Editing by | Michael Berenbaum

Starring | Javier Bardem, Johnny Depp, Olatz López Garmendia, Giovani Florido

Cameras | ARRIFLEX 35 BL4s Camera, ARRIFLEX 535 Camera

Lenses | Zeiss Super Speed Lenses

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