Mexico | 38 Titles
Quiero ser (I want to be…) (2000)
Country | Mexico, Germany
Type | Motion Picture, Short Film
Running Time | 35 Minutes
Directed by | Florian Gallenberger | Cinematography by | Jürgen Jürges | Editing by | Hansjörg Weißbrichmodified:
Which Way Home (2009)
Country | USA
Type | Documentary, Motion Picture
Running Time | 90 Minutes
Starring |
Directed by | Rebecca Cammisa | Cinematography by | Rebecca Cammisa, Eric Goethals, Lorenzo Hagerman, Andrew Holbrooke | Editing by | Madeleine Gavin, Pax Wassermannmodified:
Racing Extinction (2015)
Country | USA, China, Hong Kong, Indonesia, Mexico, UK, Japan
Type | Documentary, Motion Picture
Running Time | 90 Minutes
Directed by | Louie Psihoyos | Cinematography by | John Behrens, Shawn Heinrichs, Sean Kirby, Petr Stepanek | Editing by | Geoffrey Richman, Lyman Smith, Jason Zeldesmodified:
The Revenant (2015)
Country | USA, Hong Kong, Taiwan
Type | Motion Picture
Running Time | 156 Minutes
Aspect Ratio | 2.39:1
Directed by | Alejandro G. Iñárritu | Cinematography by | Emmanuel Lubezki | Editing by | Stephen Mirrione
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, Red Epic Dragon Camera
Lenses | Leica Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
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Human (2015)
Country | France
Type | Documentary, Motion Picture
Running Time | 190 Minutes
Aspect Ratio | 1.85:1
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution, 4096x2160 - (1.90:1) Capture Resolution
Directed by | Yann Arthus-Bertrand | Editing by | Françoise Bernard, Anne-Marie Sangla
Lenses | Angenieux Optimo 28-340mm T2.9 Lens, Angenieux Optimo Style 25-250mm T3.5 Lens, Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 30-300 mm T2.95 Lens, Canon EF 70-200 mm f2.8 L IS II Lens
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Sicario (2015)
Country | USA, Mexico
Type | Motion Picture
Running Time | 121 Minutes
Aspect Ratio | 2.39:1
Directed by | Denis Villeneuve | Cinematography by | Roger Deakins | Editing by | Joe Walker
Lenses | Zeiss Master Prime Lenses
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Y Tu Mamá También (2001)
Country | Mexico
Type | Motion Picture
Running Time | 106 Minutes
Aspect Ratio | 1.85:1
Directed by | Alfonso Cuarón | Cinematography by | Emmanuel Lubezki | Editing by | Alfonso Cuarón, Alex Rodríguez
Cameras | ARRIFLEX 35 IIC Camera, Moviecam Compact Camera
Lenses | Zeiss Super Speed Lenses
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Spectre (2015)
Country | UK, USA
Type | Motion Picture
Running Time | 148 Minutes
Aspect Ratio | 2.39:1
Directed by | Sam Mendes | Cinematography by | Hoyte Van Hoytema | Editing by | Lee Smith
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E100 100 mm T2.3 Lens, Panavision Primo 70 Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
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Once Upon a Time in the West (1968)
Country | Italy, USA
Type | Motion Picture
Running Time | 165 Minutes
Directed by | Sergio Leone | Cinematography by | Tonino Delli Colli | Editing by | Nino Baragli
Cameras | ARRIFLEX 35mm Cameras, Mitchell BNC Camera
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Sur la piste du Marsupilami (2012)
Country | France, Belgium, Mexico
Type | Motion Picture
Running Time | 105 Minutes
Aspect Ratio | 2.39:1
Directed by | Alain Chabat | Cinematography by | Laurent Dailland | Editing by | Maryline Monthieux
Cameras | ARRICAM Lite (LT) Camera, Moviecam Compact Camera
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All Is Lost (2013)
Country | USA
Type | Motion Picture
Running Time | 106 Minutes
Aspect Ratio | 2.39:1
Capture Resolution | 2880x1620 - (1.78:1) Capture Resolution
Starring |
Directed by | J.C. Chandor | Cinematography by | Frank G. DeMarco, Peter Zuccarini | Editing by | Pete Beaudreau
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Standard Speed Prime Lenses
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The Hangover Part III (2013)
Country | USA
Type | Motion Picture
Running Time | 100 Minutes
Aspect Ratio | 2.39:1
Directed by | Todd Phillips | Cinematography by | Lawrence Sher | Editing by | Jeff Groth, Debra Neil-Fisher
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Elysium (2013)
Country | USA
Type | Motion Picture
Running Time | 109 Minutes
Aspect Ratio | 2.39:1
Directed by | Neill Blomkamp | Cinematography by | Trent Opaloch | Editing by | Julian Clarke, Lee Smith
Cameras | Canon EOS-5D Mark II Camera, Red Epic Camera
Lenses | Canon L Series Lenses, Nikon - Nikkor Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
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Tequila (2011)
Country | Mexico
Type | Motion Picture
Capture Resolution | 2048x1152 - (1.78:1) Capture Resolution
Directed by | Sergio Sánchez Suárez | Cinematography by | Andronico Gonzalez | Editing by | Alejandro Carrillo Penovi, Dankmar Garcia, Andronico Gonzalez, Mauro Rivera, Sergio Sánchez Suárez
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High Risk (1981)
Country | USA, Mexico, UK
Type | Motion Picture
Running Time | 94 Minutes
Directed by | Stewart Raffill | Cinematography by | Álex Phillips Jr. | Editing by | Tom Walls
Cameras | Panavision Cameras
Lenses | Panavision Lenses
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Dune (1984)
Country | USA, Mexico
Type | Motion Picture
Running Time | 137 Minutes
Directed by | David Lynch | Cinematography by | Freddie Francis | Editing by | Antony Gibbs
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Altered States (1980)
Country | USA
Type | Motion Picture
Running Time | 102 Minutes
Directed by | Ken Russell | Cinematography by | Jordan Cronenweth | Editing by | Eric Jenkins, Jack Harnish
Cameras | Panavision Panaflex Camera
Lenses | Panavision Lenses
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Total Recall (1990)
Country | USA, Mexico
Type | Motion Picture
Running Time | 113 Minutes
Directed by | Paul Verhoeven | Cinematography by | Jost Vacano | Editing by | Carlos Puente, Frank J. Urioste
Cameras | ARRIFLEX Camera
Lenses | Zeiss Lenses
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From Prada to Nada (2011)
Country | Mexico, USA
Type | Motion Picture
Running Time | 107 Minutes
Aspect Ratio | 1.85:1
Directed by | Angel Gracia | Cinematography by | Héctor Ortega | Editing by | Brad McLaughlin
Cameras | Sony CineAlta F35 Camera
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Amores Perros (2000)
Country | Mexico
Type | Motion Picture
Running Time | 154 Minutes
Aspect Ratio | 1.85:1
Directed by | Alejandro G. Iñárritu | Cinematography by | Rodrigo Prieto | Editing by | Luis Carballar, Alejandro G. Iñárritu, Fernando Pérez Unda
Cameras | Moviecam Superlight Camera
Lenses | Angenieux HR Zoom Lenses
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