Mexico | 40 Titles
The Amazing Race (2001)
60 Minutes
| Cinematography by | Peter Rieveschl, Per Larsson, Tom Cunningham, Josh Gitersonke | Editing by | Paul C. Nielsen, Julian Gomez, Andrew Kozar, Jennifer Nelson, Jacob Parsons, Eric Goldfarb, Mike Bolanowski, Ryan Leamy, Chris Dalzell, Rich Remis, Evan Finn, Andy Castor, Eric Beetner, Paolo Cascardo, Aaron M. Lewis, Jeremy Gantz, Steven J. Escobar, Andrew Frank, Jules Frazier, Steven Urrutia, Chris DiMaso, Eric Van Wagenen, Phillip Pableo, Jason Pedroza, Jon Bachmann, Trevor Frey, Tony Diaz, Matt Deitrich, Heeyeon Chang, Paul Withers, Grace Piena, Jonathan Moore, Nicole Vanderneut, Steve Mellon, James M. Smith, Katherine Griffin, Darrick Lazo, Jeff Runyan, Craig E. Serling, Hudson Smith, Tim Bartlett, Matt Antell, Tori Rodman, Byron Glickfeld, Teki Cruickshank, Eli Frankel, Scott Storm, Brian York, Damon Olney, Kinsey Beck, Noelle Debruhl, Christina Fontana, Jay Gammill, Josh Lowry, Sharmila Ariathurai, Tom McGah, Joubin Mortazavi, Rob LaLonde, Barry A. O'Brien, Adam Powell, Damien Baskette, David Dooyun Kim, Seth T. Levine, Joel Bender, Josh Belson, Conroy Browne, Fernanda Cardoso, Tenna Guthrie, Karen Smith, Danny Flynn, Josh Lennox, Marc Markley, Jason Thompson, Finian Shea Johnson, Ernesto de la O, Kathy Messer, Carrie Ansell, Paul Coyne, Clayton Halsey, Don Misraje, Brian Phillips, Michael E. Polakow, M. Edward Salier, Patrick Sayers, Michael Friedman, Chris Skopinski, Marina Catala, Edward Doty, Shari Hammerman, Mick LeGrande, Jacob Lane, Jill Pleeter, Jason Stewart, Matt Kay, Trevor Campbell, Shane Moran, Jason Groothuis, Eric Johannsen, Kelly Coskran, Hans van Riet, Zack Bell, Natalie Ebnet, Tricia Rodrigo, Eric Scott Wilson, Brooks Larson, Skip Robinson, Jimmy Giritlian, Kellen Cruden, Gary Pennington, Roderick Paramour, Ryan Morrell, Tracy Bacenas, A.G. Bealer, Heidi Scharfe, Phillip Gessert, Jennifer Barlow, Henry Harmon, Derek Vaughn, Robbie Paramormodified:
Amores Perros (2000)
154 Minutes
Directed by | Alejandro G. Iñárritu | Cinematography by | Rodrigo Prieto | Editing by | Luis Carballar, Alejandro G. Iñárritu, Fernando Pérez Unda Cameras | Moviecam Superlight Camera
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Romeo + Juliet (1996)
120 Minutes
Directed by | Baz Luhrmann | Cinematography by | Donald McAlpine | Editing by | Jill Bilcock Cameras | Panavision Panaflex Gold Camera
Lenses | Panavision Primo Anamorphic Lenses
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Quiero ser (I want to be…) (2000)
35 Minutes
Directed by | Florian Gallenberger | Cinematography by | Jürgen Jürges | Editing by | Hansjörg Weißbrichmodified:
Which Way Home (2009)
90 Minutes
Directed by | Rebecca Cammisa | Cinematography by | Rebecca Cammisa, Eric Goethals, Lorenzo Hagerman, Andrew Holbrooke | Editing by | Madeleine Gavin, Pax Wassermannmodified:
Racing Extinction (2015)
90 Minutes
Directed by | Louie Psihoyos | Cinematography by | John Behrens, Shawn Heinrichs, Sean Kirby, Petr Stepanek | Editing by | Geoffrey Richman, Lyman Smith, Jason Zeldesmodified:
The Revenant (2015)
156 Minutes
Directed by | Alejandro G. Iñárritu | Cinematography by | Emmanuel Lubezki | Editing by | Stephen Mirrione Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, Red Epic Dragon Camera
Lenses | Leica Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
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Human (2015)
190 Minutes
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution, 4096x2160 - (1.90:1) Capture Resolution
Directed by | Yann Arthus-Bertrand | Editing by | Françoise Bernard, Anne-Marie Sangla Lenses | Angenieux Optimo 28-340mm T2.9 Lens, Angenieux Optimo Style 25-250mm T3.5 Lens, Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 30-300 mm T2.95 Lens, Canon EF 70-200 mm f2.8 L IS II Lens
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Sicario (2015)
121 Minutes
Directed by | Denis Villeneuve | Cinematography by | Roger Deakins | Editing by | Joe Walker Lenses | Zeiss Master Prime Lenses
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Y Tu Mamá También (2001)
106 Minutes
Directed by | Alfonso Cuarón | Cinematography by | Emmanuel Lubezki | Editing by | Alfonso Cuarón, Alex Rodríguez Cameras | ARRIFLEX 35 IIC Camera, Moviecam Compact Camera
Lenses | Zeiss Super Speed Lenses
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Spectre (2015)
148 Minutes
Directed by | Sam Mendes | Cinematography by | Hoyte Van Hoytema | Editing by | Lee Smith Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E100 100 mm T2.3 Lens, Panavision Primo 70 Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
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Once Upon a Time in the West (1968)
165 Minutes
Directed by | Sergio Leone | Cinematography by | Tonino Delli Colli | Editing by | Nino Baragli Cameras | ARRIFLEX 35mm Cameras, Mitchell BNC Camera
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Sur la piste du Marsupilami (2012)
105 Minutes
Directed by | Alain Chabat | Cinematography by | Laurent Dailland | Editing by | Maryline Monthieux Cameras | ARRICAM Lite (LT) Camera, Moviecam Compact Camera
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All Is Lost (2013)
106 Minutes
Capture Resolution | 2880x1620 - (1.78:1) Capture Resolution
Directed by | J.C. Chandor | Cinematography by | Frank G. DeMarco, Peter Zuccarini | Editing by | Pete Beaudreau Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Standard Speed Prime Lenses
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The Hangover Part III (2013)
100 Minutes
Directed by | Todd Phillips | Cinematography by | Lawrence Sher | Editing by | Jeff Groth, Debra Neil-Fishermodified:
Elysium (2013)
109 Minutes
Directed by | Neill Blomkamp | Cinematography by | Trent Opaloch | Editing by | Julian Clarke, Lee Smith Cameras | Canon EOS-5D Mark II Camera, Red Epic Camera
Lenses | Canon L Series Lenses, Nikon - Nikkor Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
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Tequila (2011)
Capture Resolution | 2048x1152 - (1.78:1) Capture Resolution
Directed by | Sergio Sánchez Suárez | Cinematography by | Andronico Gonzalez | Editing by | Alejandro Carrillo Penovi, Dankmar Garcia, Andronico Gonzalez, Mauro Rivera, Sergio Sánchez Suárezmodified:
High Risk (1981)
94 Minutes
Directed by | Stewart Raffill | Cinematography by | Álex Phillips Jr. | Editing by | Tom Walls Cameras | Panavision Cameras
Lenses | Panavision Lenses
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Dune (1984)
137 Minutes
Directed by | David Lynch | Cinematography by | Freddie Francis | Editing by | Antony Gibbsmodified:
Altered States (1980)
102 Minutes
Directed by | Ken Russell | Cinematography by | Jordan Cronenweth | Editing by | Eric Jenkins, Jack Harnish Cameras | Panavision Panaflex Camera
Lenses | Panavision Lenses
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