Mexico | 56 Titles
From Prada to Nada (2011)
Directed by | Angel Gracia | Cinematography by | Héctor Ortega | Editing by | Brad McLaughlin
Cameras | Sony CineAlta F35 Camera
U2 3D (2007)
Directed by | Catherine Owens, Mark Pellington | Cinematography by | Peter Anderson, Tom Krueger | Editing by | Olivier Wicki
Cameras | Sony HDW-F900 Camera
The Mask of Zorro (1998)
Directed by | Martin Campbell | Cinematography by | Phil Meheux | Editing by | Thom Noble
Lenses | Cooke Lenses
Troy (2004)
Directed by | Wolfgang Petersen | Cinematography by | Roger Pratt | Editing by | Peter Honess
Lenses | Cooke S4 Lenses
The Grandfather (1998)
Directed by | José Luis Garci | Cinematography by | Raúl Pérez Cubero | Editing by | Miguel González Sinde
Cameras | Panavision Panaflex Gold II Camera
180º (2010)
Directed by | Fernando Kalife | Cinematography by | Eduardo Flores Torres | Editing by | Joel T. Pashby, Hughes Winborne
Cameras | ARRICAM Lite (LT) Camera
Master and Commander: The Far Side of the World (2003)
Directed by | Peter Weir | Cinematography by | Russell Boyd | Editing by | Lee Smith
Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Apocalypto (2006)
Directed by | Mel Gibson | Cinematography by | Dean Semler | Editing by | John Wright
Cameras | Aaton A-Minima Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Ikonoskop Cameras, Panavision Genesis Camera
Pearl Harbor (2001)
Directed by | Michael Bay | Cinematography by | John Schwartzman | Editing by | Roger Barton, Mark Goldblatt, Chris Lebenzon, Steven Rosenblum
Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses
The Astronaut Farmer (2006)
Directed by | Michael Polish | Cinematography by | M. David Mullen | Editing by | James Haygood
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
High Crimes (2002)
Directed by | Carl Franklin | Cinematography by | Theo van de Sande | Editing by | Carole Kravetz Aykanian
Cameras | ARRIFLEX 16SR3 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera
Before Night Falls (2000)
Directed by | Julian Schnabel | Cinematography by | Xavier Grobet, Guillermo Rosas | Editing by | Michael Berenbaum
Cameras | ARRIFLEX 35 BL4s Camera, ARRIFLEX 535 Camera
Lenses | Zeiss Super Speed Lenses
Frida (2002)
Directed by | Julie Taymor | Cinematography by | Rodrigo Prieto | Editing by | Françoise Bonnot
Cameras | ARRIFLEX 435 Camera, Moviecam Compact Camera
Lenses | Zeiss Ultra Prime Lenses
El Mariachi (1992)
Directed by | Robert Rodriguez | Cinematography by | Robert Rodriguez | Editing by | Robert Rodriguez
Cameras | ARRIFLEX 16S Camera
Babel (2006)
Directed by | Alejandro G. Iñárritu | Cinematography by | Rodrigo Prieto | Editing by | Douglas Crise, Stephen Mirrione
Cameras | ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
El crimen del Padre Amaro (2002)
Directed by | Carlos Carrera | Cinematography by | Guillermo Granillo | Editing by | Óscar Figueroa
Cameras | Panavision Cameras
Lenses | Panavision Lenses
