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California | 794 Titles

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Horrible Bosses (2011)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 98 Minutes

Directed by | Seth Gordon | Cinematography by | David Hennings | Editing by | Peter Teschner

Starring | Jason Bateman, Charlie Day, Jason Sudeikis

Cameras | Panavision Genesis Camera

Lenses | Panavision Primo Anamorphic Lenses

Primal Fear (1996)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 129 Minutes

Directed by | Gregory Hoblit | Cinematography by | Michael Chapman | Editing by | David Rosenbloom

Starring | Richard Gere, Laura Linney, Edward Norton

Cameras | Panavision Panaflex Gold II Camera

Lenses | Panavision Ultra Speed MKII Lenses

Dexter (2006)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) | 53 Minutes

| Cinematography by | Romeo Tirone, Jeffrey Jur, Martin J. Layton, Alan Caso, Terry Stacey | Editing by | Louis Cioffi, Stewart Schill, Keith Henderson, Matthew Colonna, Amy E. Duddleston, Michael Ruscio, Elena Maganini, Scott K. Wallace, David Latham, Padraic McKinley, Chris Figler, Rob Seidenglanz

Starring | Michael C. Hall, Jennifer Carpenter, David Zayas, James Remar

Cameras | ARRI ALEXA Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Nikon D800 Camera, Sony CineAlta F23 Camera, Sony HDW-F900 Camera

Spider-Man (2002)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 121 Minutes

Directed by | Sam Raimi | Cinematography by | Don Burgess | Editing by | Arthur Coburn, Bob Murawski

Starring | Tobey Maguire, Kirsten Dunst, Willem Dafoe, James Franco

Cameras | Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Apollo 13 (1995)

Motion Picture | 2D | 4K Project | Color | 1.66:1, 1.78:1 (16x9), 2.39:1 | 140 Minutes

Directed by | Ron Howard | Cinematography by | Dean Cundey | Editing by | Daniel P. Hanley, Mike Hill

Starring | Tom Hanks, Bill Paxton, Kevin Bacon

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras

Lenses | Panavision Primo Primes Spherical Lenses

Spider-Man 2 (2004)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 127 Minutes

Directed by | Sam Raimi | Cinematography by | Bill Pope | Editing by | Bob Murawski

Starring | Tobey Maguire, Kirsten Dunst, Alfred Molina, James Franco

Cameras | ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera

Lenses | Panavision Hylén System Lens, Panavision Primo Anamorphic Lenses

Clueless (1995)

Motion Picture | 2D | Film Project | Color | 1.78:1 (16x9) | 97 Minutes

Directed by | Amy Heckerling | Cinematography by | Bill Pope | Editing by | Debra Chiate

Starring | Alicia Silverstone, Stacey Dash, Brittany Murphy

Cameras | Moviecam Compact Camera, Panavision Cameras

Lenses | Panavision Lenses, Zeiss Lenses

Mission: Impossible III (2006)

Motion Picture | 2D | Color | 2.39:1 | 126 Minutes

Directed by | J.J. Abrams | Cinematography by | Dan Mindel | Editing by | Maryann Brandon, Nick Gibbs, Mary Jo Markey

Starring | Tom Cruise, Michelle Monaghan, Ving Rhames, Philip Seymour Hoffman

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Zoom Lenses

East of Hope Street (1998)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 88 Minutes

Directed by | Nate Thomas | Cinematography by | Mark Woods | Editing by | Robert Davenport II

Starring | Judy Herrera, Tim Russ, Roxanne Coyne, Magda Rivera

Mank (2020)

Motion Picture | 8K Project | Black & White | 2.20:1 | 131 Minutes

Directed by | David Fincher | Cinematography by | Erik Messerschmidt | Editing by | Kirk Baxter

Starring | Gary Oldman, Amanda Seyfried, Lily Collins, Tom Pelphrey

Cameras | Red Digital Cinema Cameras

Lenses | Leitz Summilux-C Series Lenses

The Veil (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 93 Minutes

Directed by | Phil Joanou | Cinematography by | Steeven Petitteville | Editing by | Paul Norling

Starring | Jessica Alba, Thomas Jane, Lily Rabe

Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Plus Camera, Bolex H16 Camera, Phantom Flex Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Anamorphic Lenses, CamTec Lenses, Cineovision Lenses, Kowa Cine Prominar Anamorphic 100mm T3.4 Lens, Kowa Cine Prominar Anamorphic 40mm T2.3 Lens, Kowa Cine Prominar Anamorphic 50mm T2.3 Lens, Kowa Cine Prominar Anamorphic 75mm T2.8 Lens

Curb Your Enthusiasm (2000)

Television Series | 2D | Color | 1.33:1 (4x3), 1.78:1 (16x9) | 28 Minutes

| Cinematography by | Bill Sheehy, Patrick Alexander Stewart, Bradley Sellers | Editing by | Steven Rasch, Jonathan Corn, Roger Nygard, Grady Cooper, Tim Roche, Chris Chandler, Ivan Victor, Tom Foligno

Starring | Larry David, Cheryl Hines, Jeff Garlin

Cameras | Panasonic Cameras, Sony Cameras

Bitcoin Miners (2021)

Television Episode | 2D | 2K Project | Color | 1.33:1 (4x3) |

Directed by | Scott Migdol | Cinematography by | Scott Migdol

Starring | Freya Fox

Cameras | Blackmagic Micro Studio 4K Camera

Sonic the Hedgehog (2020)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 99 Minutes

Directed by | Jeff Fowler | Cinematography by | Stephen F. Windon

Starring | Ben Schwartz, James Marsden, Jim Carrey

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses | Leitz Summilux-C Series Lenses

Nomadland (2020)

Motion Picture | 2D | 2K Project | Color | 1.90:1, 2.39:1 | 107 Minutes

Directed by | Chloé Zhao | Cinematography by | Joshua James Richards

Starring | Frances McDormand, David Strathairn, Linda May

Cameras | ARRI ALEXA Mini Camera, ARRI AMIRA Camera

Lenses | Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Lenses

Promising Young Woman (2020)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 113 Minutes

Directed by | Emerald Fennell | Cinematography by | Benjamin Kracun | Editing by | Frédéric Thoraval

Starring | Carey Mulligan, Bo Burnham, Alison Brie, Clancy Brown

Cameras | ARRI ALEXA Mini Camera

Lenses | Panavision G Series Anamorphic Lenses

D-Railed (2018)

Movie | Color | 80 Minutes

Directed by | Dale Fabrigar | Cinematography by | John Lazear | Editing by | Dale Fabrigar, Jose Montesinos

Starring | Lance Henriksen, Frank Lammers, Tonya Kay, Jack Betts

Cameras | Blackmagic URSA Mini Pro 4.6K G2 Camera

Lenses | Zeiss Compact Prime CP.2 Distagon 15mm T2.9 Lens, Zeiss Compact Prime CP.2 Distagon 18 mm T3.6 Lens, Zeiss Compact Prime CP.2 Distagon 21 mm T2.9 Lens, Zeiss Compact Prime CP.2 Distagon 25mm T2.1 Lens, Zeiss Compact Prime CP.2 Distagon 35mm T1.5 Lens, Zeiss Compact Prime CP.2 Planar 50 mm T2.1 Macro Lens, Zeiss Compact Prime CP.2 Planar 85 mm T2.1 Lens, Zeiss Compact Prime CP.2 Sonnar 135mm T2.1 Lens

Semper Fi (2019)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 99 Minutes

Directed by | Henry Alex Rubin | Cinematography by | David Devlin | Editing by | Kevin Tent, Kyle Valenta

Starring | Jai Courtney, Nat Wolff, Finn Wittrock

Cameras | Red Monstro 8K Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Angenieux HR Zoom Lenses, Cineovision Lenses, Zeiss Lenses

Zombie Ed (2013)

Direct to Video | Color | 104 Minutes

Directed by | Ren Blood | Cinematography by | Shaun Dallas | Editing by | Scotty Baldwin, Russell Parks

Starring | William Cutting, Kelly Petering, Myles McLane

Cameras | Nikon D4 Camera

Lenses | Nikon - Nikkor Lenses

Terminator 2: Judgment Day (1991)

Motion Picture | 2D | Film Project | Color | 137 Minutes

Directed by | James Cameron | Cinematography by | Adam Greenberg | Editing by | Conrad Buff IV, Dody Dorn, Mark Goldblatt, Richard A. Harris

Starring | Arnold Schwarzenegger, Linda Hamilton, Edward Furlong, Robert Patrick

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera

Lenses | Cooke Varotal Lenses, Zeiss Super Speed Lenses

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