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Americas | 1901 Titles

Americas 1.00/5 2 Votes

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The Good Wife (2009)

Television Series | 2D | Color | 1.78:1 (16x9) | 43 Minutes

| Cinematography by | Fred Murphy, Tim Guinness, M. David Mullen | Editing by | Scott Vickrey, David Dworetzky, Matthew Kregor, David C. Cook, Katherine Skjerping, Jacque Elaine Toberen, Hibah Schweitzer, Paul Karasick, Jake Cohen, Dody Dorn, Robb Sullivan

Starring | Julianna Margulies, Chris Noth, Josh Charles, Matt Czuchry

Cameras | ARRI ALEXA Camera, Sony CineAlta F35 Camera

Lenses | Panavision Primo Zooms Spherical Lenses

How the Grinch Stole Christmas (2000)

Motion Picture | 2D | Color | 1.85:1 | 104 Minutes

Directed by | Ron Howard | Cinematography by | Donald Peterman | Editing by | Daniel P. Hanley, Mike Hill

Starring | Jim Carrey, Taylor Momsen, Kelley, Jeffrey Tambor

Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision SL10 10 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL35-CF 35 mm T1.8 Lens

Honey I Blew Up the Kid (1992)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 89 Minutes

Directed by | Randal Kleiser | Cinematography by | John Hora | Editing by | Harry Hitner, Michael A. Stevenson

Starring | Rick Moranis, Marcia Strassman, Robert Oliveri, Daniel Shalikar

Cameras | Moviecam SuperAmerica Camera, VistaVision Cameras

Lenses | Canon K35 Prime Lenses

The Rock (1996)

Motion Picture | 2D | Color | 136 Minutes

Directed by | Michael Bay | Cinematography by | John Schwartzman | Editing by | Richard Francis-Bruce

Starring | Sean Connery, Nicolas Cage, Ed Harris, John Spencer

Cameras | Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Trick Shot (2015)

Short Film | 2D | 4K Project | Color |

Directed by | Evan Kaufmann | Cinematography by | Gale Tattersall | Editing by | Zach Prichard

Starring | Danielle Andrade, Stephanie Armstrong, Amy Au, Matthew Ballesteros

Cameras | Canon EOS-C300 Mark II Camera

Gamer (2009)

Motion Picture | 2D, 3D | 4K Project | Color | 1.85:1 | 95 Minutes

Directed by | Mark Neveldine, Brian Taylor | Cinematography by | Ekkehart Pollack | Editing by | Peter Amundson, Fernando Villena, Doobie White

Starring | Gerard Butler, Michael C. Hall, Ludacris, Amber Valletta

Cameras | ARRIFLEX 435 Camera, Red One Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Project X (2012)

Motion Picture | 2D | Color | 1.85:1 | 88 Minutes

Directed by | Nima Nourizadeh | Cinematography by | Ken Seng | Editing by | Jeff Groth

Starring | Thomas Mann, Oliver Cooper, Jonathan Daniel Brown, Dax Flame

Cameras | Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Sony CineAlta F23 Camera, Sony PMW-EX3 Camera

Lenses | Canon Lenses

Cougar Town (2009)

Television Series | 2D | Color | 1.78:1 (16x9) | 22 Minutes

| Cinematography by | Andrew Rawson, Sylvain D'Hautcourt | Editing by | Roger Bondelli, John Michel, Martin Wilson

Starring | Courteney Cox, Christa Miller, Busy Philipps, Dan Byrd

Cameras | ARRI ALEXA Camera, Panavision Genesis Camera

Lenses | Panavision Primo Zooms Spherical Lenses

Gladiator (2000)

Motion Picture | 2D | Color | 2.39:1 | 155 Minutes

Directed by | Ridley Scott | Cinematography by | John Mathieson | Editing by | Pietro Scalia

Starring | Russell Crowe, Joaquin Phoenix, Connie Nielsen, Oliver Reed

Cameras | Aaton 35-III Camera, Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens

The Salt of the Earth (2014)

Documentary | 2D | Black & White, Color | 1.85:1 | 110 Minutes

Directed by | Juliano Ribeiro Salgado, Wim Wenders | Cinematography by | Hugo Barbier, Juliano Ribeiro Salgado | Editing by | Maxine Goedicke, Rob Myers

Starring | Sebastião Salgado, Wim Wenders, Lélia Wanick Salgado, Juliano Ribeiro Salgado

Cameras | Canon EOS-5D Mark III Camera, Canon EOS-C300 Camera

CSI: Miami (2002)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) | 43 Minutes

Lost Girl (2010)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) | 44 Minutes

| Cinematography by | David Greene, Craig Wright, Joachim Martin, Anton Van Rooyen | Editing by | Paul G. Day, Ben Wilkinson, Teresa Hannigan, Mike Lee, Dale Gagne, Brett Sullivan, Wendy Hallam Martin

Starring | Anna Silk, Kris Holden-Ried, Zoie Palmer, Rick Howland

Cameras | Panavision Genesis Camera

Lenses | Panavision Lenses

Royal Pains (2009)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) | 42 Minutes

| Cinematography by | Joe Collins, David S. Tuttman, Jim Denault, Michael Slovis, David M. Dunlap, Michael Caracciolo, Raphy Molinary | Editing by | Charles McClelland, Daniel A. Valverde, Gary Levy, Deborah Moran, Marnee Meyer, Arge O'Neal, Nancy Morrison, Gregory Perler, Matthew S. Nickelson, Michael Berenbaum, Elizabeth Merrick, Jeffrey Wolf, Thom Zimny, Robert Nassau

Starring | Mark Feuerstein, Paulo Costanzo, Reshma Shetty, Brooke D'Orsay

Cameras | Sony CineAlta F35 Camera

Lenses | Panavision Lenses

Super Power Beat Down (2012)

Television Series, Web Series | 2D | HD Project | Color | 1.78:1 (16x9) |

| Cinematography by | Joey Rassool, Chase Langely, Aaron Schoenke, Maury Covington Jr. | Editing by | Aaron Schoenke, Nikolay Zamkovoy

Starring | Marisha Ray, Damian Beurer, Aaron Schoenke, Jennifer Wenger

Cameras | Canon EOS-7D Camera, Canon EOS-C300 Camera, Panasonic Lumix DMC-GH4 Camera, Sony NEX-FS700 Camera

Lenses | Canon EF Series Lenses, Panasonic Lenses, Sigma 18-35mm f1.8 DC HSM Lens, Sigma Lenses

Altered Carbon (2018)

Television Series | 2D | 4K Project | Color | 2.0:1 | 60 Minutes

| Cinematography by | Corey Robson, Martin Ahlgren, Neville Kidd, Bernard Couture, P.J. Dillon | Editing by | Amy M. Fleming, Byron Smith, Erin Deck, Barry Alexander Brown, Jonathan Chibnall, Julian Clarke, Michael Ruscio, Geoff Ashenhurst, Stephen Philipson, Jay Prychidny

Starring | Chris Conner, Renée Elise Goldsberry, Joel Kinnaman, James Purefoy

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses | Canon Lenses, Cooke 5/i Lenses, Cooke S4/i Lenses, Hawk 150-450 mm T2.8 Lens, Zeiss Compact Prime Lenses

Ice (2016)

Television Series | 2D | Color | 1.78:1 (16x9) | 60 Minutes

The Goldbergs (2013)

Television Series | 2D | Color | 1.78:1 (16x9) | 22 Minutes

| Cinematography by | Jason Blount, Joseph E. Gallagher, Scott Browner, David Hennings | Editing by | Kevin Leffler, Ruthie Aslan, Peter B. Ellis, Jon Corn, Ivan Victor, Jeremy Reuben, Brian Barr, Sam Seig, Dave Canseco, Nick Mougis, Richard Candib, Scott Pellet, Robert Lanford, Jeremy Diller

Starring | Wendi McLendon-Covey, Sean Giambrone, Troy Gentile, Hayley Orrantia

R.L. Stine’s The Haunting Hour (2010)

Television Series | 2D | Color | 23 Minutes

| Cinematography by | Michael Balfry | Editing by | Lisa Robison, Charles Robichaud, Jana Fritsch, Jeanne Slater, Jana Fitsch

Starring | Jeny Cassady, Dan Payne, Emma Grabinsky, Bailee Madison

Cameras | Red Epic Camera

Lenses | Cooke S4/i Lenses, Fujinon Alura Lenses, Fujinon Alura Zoom 18-80 mm T2.6 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens

Sad Hill Unearthed (2017)

Documentary | 2D | 4K Project | Color | 1.78:1 (16x9), 1.85:1 | 86 Minutes

Directed by | Guillermo de Oliveira | Cinematography by | Guillermo de Oliveira | Editing by | Guillermo de Oliveira, Javier Duch

Starring | Ennio Morricone, James Hetfield, Joe Dante, Clint Eastwood

Cameras | Sony α7S II Camera

Lenses | Canon EF 24-70 mm f2.8L II Lens

Symphony in Blue (2017)

Motion Picture | 2D | Color | 70 Minutes

Directed by | Samuel Marko | Cinematography by | Davis Moore | Editing by | Samuel Marko

Starring | Samuel Marko, Hilarie Grace, Jack Shefrin, Pete Dickey

Cameras | Panasonic AG-HVX200 Camera

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